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chore: new words, annotation fixes (#1944)
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* chore: new words, annotation fixes

* chore: annotations, split a couple of entries

* chore: curate annotations

* chore: annotations

* chore: curation

* chore: curation

* chore: curate annotations
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@ -29,7 +29,7 @@
> made her feel very sleepy and stupid ) , whether the pleasure of making a
# VB ISg/D$+ NSg/I/VB J/R NSg/J VB/C NSg/J . . I/C D NSg/VB P Nᴹ/Vg/J D/P+
> daisy - chain would be worth the trouble of getting up and picking the daisies ,
# NPr+ . NSg/VB+ VXB NSg/VXB NSg/VB/J D NSg/VB P NSg/VB NSg/VB/J/P VB/C Nᴹ/Vg/J D NPl .
# NPr+ . NSg/VB+ VXB NSg/VXB NSg/VB/J D N🅪Sg/VB P NSg/VB NSg/VB/J/P VB/C Nᴹ/Vg/J D NPl .
> when suddenly a White Rabbit with pink eyes ran close by her .
# NSg/I/C R D/P NPr🅪Sg/VB/J NSg/VB+ P N🅪Sg/VB/J NPl/V3+ NSg/VPt NSg/VB/J NSg/J/P ISg/D$+ .
>
@ -387,7 +387,7 @@
> stockings for you now , dears ? I’m sure I shan’t be able ! I shall be a great deal
# NPl/V3+ C/P ISgPl+ NPr/VB/J/C . NPl/V3+ . K J ISg/#r+ VB NSg/VXB NSg/VB/J . ISg/#r+ VXB NSg/VXB D/P+ NSg/J+ NSg/VB/J+
> too far off to trouble myself about you : you must manage the best way you
# R NSg/VB/J NSg/VB/J/P P NSg/VB ISg+ J/P ISgPl+ . ISgPl+ NSg/VB NSg/VB D+ NPr/VXB/JS+ NSg/J+ ISgPl+
# R NSg/VB/J NSg/VB/J/P P N🅪Sg/VB ISg+ J/P ISgPl+ . ISgPl+ NSg/VB NSg/VB D+ NPr/VXB/JS+ NSg/J+ ISgPl+
> can ; — but I must be kind to them , ” thought Alice , “ or perhaps they won’t walk the
# NPr/VXB . . NSg/C/P ISg/#r+ NSg/VB NSg/VXB NSg/J P NSg/IPl+ . . N🅪Sg/VP NPr+ . . NPr/C NSg/R IPl+ VB NSg/VB D
> way I want to go ! Let me see : I’ll give them a new pair of boots every
@ -699,7 +699,7 @@
> in a sorrowful tone , “ I’m afraid I’ve offended it again ! ” For the Mouse was
# NPr/J/P D/P J N🅪Sg/I/VB+ . . K J K VP/J NPr/ISg+ P . . C/P D+ NSg/VB+ VPt
> swimming away from her as hard as it could go , and making quite a commotion in
# NSg/VB VB/J P ISg/D$+ NSg/R N🅪Sg/J NSg/R NPr/ISg+ NSg/VXB NSg/VB/J . VB/C Nᴹ/Vg/J R D/P NSg NPr/J/P
# NSg/VB VB/J P ISg/D$+ NSg/R N🅪Sg/J NSg/R NPr/ISg+ NSg/VXB NSg/VB/J . VB/C Nᴹ/Vg/J R D/P N🅪Sg NPr/J/P
> the pool as it went .
# D NSg/VB+ NSg/R NPr/ISg+ NSg/VPt .
>
@ -710,8 +710,8 @@
# N🅪Sg/VB J/P NPl/V3+ NPr/C NPl/V3+ I/C . NSg/C ISgPl+ VB NSg/VB/J/C/P NSg/IPl+ . . NSg/I/C D+ NSg/VB+ VP/J
> this , it turned round and swam slowly back to her : its face was quite pale ( with
# I/Ddem+ . NPr/ISg+ VP/J NSg/VB/J/P VB/C VPt R NSg/VB/J P ISg/D$+ . ISg/D$+ NSg/VB+ VPt R NSg/VB/J . P
> passion , Alice thought ) , and it said in a low trembling voice , “ Let us get to
# NPr/VB+ . NPr+ N🅪Sg/VP . . VB/C NPr/ISg+ VP/J NPr/J/P D/P+ NSg/VB/J+ Nᴹ/Vg/J+ NSg/VB+ . . NSg/VBP NPr/IPl+ NSg/VB P
> passion , Alice thought ) , and it said in a low trembling voice , “ Let us get to
# NPrᴹ/VB+ . NPr+ N🅪Sg/VP . . VB/C NPr/ISg+ VP/J NPr/J/P D/P+ NSg/VB/J+ Nᴹ/Vg/J+ NSg/VB+ . . NSg/VBP NPr/IPl+ NSg/VB P
> the shore , and then I’ll tell you my history , and you’ll understand why it is I
# D+ NSg/VB+ . VB/C NSg/J/C K NPr/VB ISgPl+ D$+ N🅪Sg+ . VB/C K VB NSg/VB NPr/ISg+ VL3 ISg/#r+
> hate cats and dogs . ”
@ -1998,8 +1998,8 @@
# NSg/I/VB+ NPr/I/VB/J/R/Dq NSg/VB/C/P D+ NSg/VB+ VB VP/J .
>
#
> “ As if it wasn’t trouble enough hatching the eggs , ” said the Pigeon ; “ but I must
# . NSg/R NSg/C NPr/ISg+ VB NSg/VB+ NSg/I Nᴹ/Vg/J D NPl/V3+ . . VP/J D NSg/VB+ . . NSg/C/P ISg/#r+ NSg/VB
> “ As if it wasn’t trouble enough hatching the eggs , ” said the Pigeon ; “ but I must
# . NSg/R NSg/C NPr/ISg+ VB N🅪Sg/VB+ NSg/I Nᴹ/Vg/J D NPl/V3+ . . VP/J D NSg/VB+ . . NSg/C/P ISg/#r+ NSg/VB
> be on the look - out for serpents night and day ! Why , I haven’t had a wink of
# NSg/VXB J/P D NSg/VB+ . NSg/VB/J/R/P C/P NPl/V3 N🅪Sg/VB VB/C NPr🅪Sg+ . NSg/VB . ISg/#r+ VB VB D/P NSg/VB P
> sleep these three weeks ! ”
@ -2299,7 +2299,7 @@
>
#
> She said the last word with such sudden violence that Alice quite jumped ; but
# ISg+ VP/J D NSg/VB/J NSg/VB P NSg/I+ NSg/J+ NSg/VB+ NSg/I/C/Ddem+ NPr+ R VP/J . NSg/C/P
# ISg+ VP/J D NSg/VB/J NSg/VB P NSg/I+ NSg/J+ Nᴹ/VB+ NSg/I/C/Ddem+ NPr+ R VP/J . NSg/C/P
> she saw in another moment that it was addressed to the baby , and not to her , so
# ISg+ NSg/VPt NPr/J/P I/D+ NSg+ NSg/I/C/Ddem+ NPr/ISg+ VPt VP/J P D+ NSg/VB/J+ . VB/C NSg/R/C P ISg/D$+ . NSg/I/J/C
> she took courage , and went on again : —
@ -3115,7 +3115,7 @@
>
#
> “ What did they live on ? ” said Alice , who always took a great interest in
# . NSg/I+ VPt IPl+ VB/J J/P . . VP/J NPr+ . NPr/I+ R VB D/P NSg/J NSg/VB NPr/J/P
# . NSg/I+ VPt IPl+ VB/J J/P . . VP/J NPr+ . NPr/I+ R VB D/P NSg/J N🅪Sg/VB NPr/J/P
> questions of eating and drinking .
# NPl/V3 P Nᴹ/Vg/J+ VB/C Nᴹ/Vg/J .
>
@ -3615,7 +3615,7 @@
> “ She boxed the Queen’s ears — ” the Rabbit began . Alice gave a little scream of
# . ISg+ VP/J D NSg$ NPl/V3+ . . D NSg/VB+ VPt . NPr+ VB D/P NPr/I/J/Dq NSg/VB P
> laughter . “ Oh , hush ! ” the Rabbit whispered in a frightened tone . “ The Queen will
# NSg+ . . NPr/VB . NSg/VB+ . . D+ NSg/VB+ VP/J NPr/J/P D/P+ VP/J N🅪Sg/I/VB+ . . D+ NPr/VB/J+ NPr/VXB
# Nᴹ+ . . NPr/VB . NSg/VB+ . . D+ NSg/VB+ VP/J NPr/J/P D/P+ VP/J N🅪Sg/I/VB+ . . D+ NPr/VB/J+ NPr/VXB
> hear you ! You see , she came rather late , and the Queen said — ”
# VB ISgPl+ . ISgPl+ NSg/VB . ISg+ NSg/VPt/P NPr/VB/J/R NSg/J . VB/C D+ NPr/VB/J+ VP/J . .
>
@ -3666,8 +3666,8 @@
# D+ NPl+ NSg/I/J/C/Dq+ VP/J+ NSg/P NSg/C C/P Nᴹ/Vg/J C/P NPl/V3 . Nᴹ/VB/Comm NSg/I/J/C/Dq D
> while , and fighting for the hedgehogs ; and in a very short time the Queen was in
# NSg/VB/C/P . VB/C Nᴹ/Vg/J C/P D NPl/V3 . VB/C NPr/J/P D/P J/R NPr/VB/J/P N🅪Sg/VB/J+ D NPr/VB/J+ VPt NPr/J/P
> a furious passion , and went stamping about , and shouting “ Off with his head ! ” or
# D/P J NPr/VB+ . VB/C NSg/VPt NSg J/P . VB/C Nᴹ/Vg/J+ . NSg/VB/J/P P ISg/D$+ NPr/VB/J+ . . NPr/C
> a furious passion , and went stamping about , and shouting “ Off with his head ! ” or
# D/P J NPrᴹ/VB+ . VB/C NSg/VPt NSg J/P . VB/C Nᴹ/Vg/J+ . NSg/VB/J/P P ISg/D$+ NPr/VB/J+ . . NPr/C
> “ Off with her head ! ” about once in a minute .
# . NSg/VB/J/P P ISg/D$+ NPr/VB/J+ . . J/P NSg/C NPr/J/P D/P+ NSg/VB/J+ .
>
@ -3798,8 +3798,8 @@
#
> Alice thought she might as well go back , and see how the game was going on , as
# NPr+ N🅪Sg/VP ISg+ Nᴹ/VXB/J NSg/R NSg/VB/J NSg/VB/J NSg/VB/J . VB/C NSg/VB NSg/C D+ NSg/VB/J+ VPt Nᴹ/Vg/J J/P . NSg/R
> she heard the Queen’s voice in the distance , screaming with passion . She had
# ISg+ VP/J D NSg$ NSg/VB+ NPr/J/P D N🅪Sg/VB+ . Nᴹ/Vg/J P NPr/VB+ . ISg+ VB
> she heard the Queen’s voice in the distance , screaming with passion . She had
# ISg+ VP/J D NSg$ NSg/VB+ NPr/J/P D N🅪Sg/VB+ . Nᴹ/Vg/J P NPrᴹ/VB+ . ISg+ VB
> already heard her sentence three of the players to be executed for having missed
# R VP/J ISg/D$+ NSg/VB+ NSg P D+ NPl+ P NSg/VXB VP/J C/P Nᴹ/Vg/J VP/J
> their turns , and she did not like the look of things at all , as the game was in
@ -4064,12 +4064,12 @@
# VP/J N🅪Sg/I/VB+ .
>
#
> “ Pray don’t trouble yourself to say it any longer than that , ” said Alice .
# . VB VB NSg/VB+ ISg+ P NSg/VB NPr/ISg+ I/R/Dq NSg/JC C/P NSg/I/C/Ddem+ . . VP/J NPr+ .
> “ Pray don’t trouble yourself to say it any longer than that , ” said Alice .
# . VB VB N🅪Sg/VB+ ISg+ P NSg/VB NPr/ISg+ I/R/Dq NSg/JC C/P NSg/I/C/Ddem+ . . VP/J NPr+ .
>
#
> “ Oh , don’t talk about trouble ! ” said the Duchess . “ I make you a present of
# . NPr/VB . VB N🅪Sg/VB J/P NSg/VB+ . . VP/J D NSg/VB . . ISg/#r+ NSg/VB ISgPl+ D/P NSg/VB/J P
> “ Oh , don’t talk about trouble ! ” said the Duchess . “ I make you a present of
# . NPr/VB . VB N🅪Sg/VB J/P N🅪Sg/VB+ . . VP/J D NSg/VB . . ISg/#r+ NSg/VB ISgPl+ D/P NSg/VB/J P
> everything I’ve said as yet . ”
# NSg/I/VB+ K VP/J NSg/R NSg/VB/C . .
>
@ -5022,8 +5022,8 @@
# D/P NSg/VB/J+ J/P Dq NSg/VB/J+ P NSg/VB+ ISg+ . VB/C NSg/VB/J/P D NPr/VB/J+ VPt D NPr🅪Sg/VB/J NSg/VB+ .
> with a trumpet in one hand , and a scroll of parchment in the other . In the very
# P D/P NSg/VB+ NPr/J/P NSg/I/VB/J NSg/VB+ . VB/C D/P NSg/VB P N🅪Sg+ NPr/J/P D NSg/VB/J . NPr/J/P D J/R
> middle of the court was a table , with a large dish of tarts upon it : they looked
# NSg/VB/J P D+ NSg/VB/J+ VPt D/P NSg/VB . P D/P NSg/J NSg/VB P NPl/V3 P NPr/ISg+ . IPl+ VP/J
> middle of the court was a table , with a large dish of tarts upon it : they looked
# NSg/VB/J P D+ N🅪Sg/VB/J+ VPt D/P NSg/VB . P D/P NSg/J NSg/VB P NPl/V3 P NPr/ISg+ . IPl+ VP/J
> so good , that it made Alice quite hungry to look at them — “ I wish they’d get the
# NSg/I/J/C NPr/VB/J . NSg/I/C/Ddem NPr/ISg+ VB NPr+ R J P NSg/VB NSg/P NSg/IPl+ . . ISg/#r+ NSg/VB K NSg/VB D
> trial done , ” she thought , “ and hand round the refreshments ! ” But there seemed to
@ -5034,8 +5034,8 @@
# D+ N🅪Sg/VB/J+ .
>
#
> Alice had never been in a court of justice before , but she had read about them
# NPr+ VB R NSg/VPp NPr/J/P D/P NSg/VB/J P NPr🅪Sg+ C/P . NSg/C/P ISg+ VB NSg/VBP J/P NSg/IPl+
> Alice had never been in a court of justice before , but she had read about them
# NPr+ VB R NSg/VPp NPr/J/P D/P N🅪Sg/VB/J P NPr🅪Sg+ C/P . NSg/C/P ISg+ VB NSg/VBP J/P NSg/IPl+
> in books , and she was quite pleased to find that she knew the name of nearly
# NPr/J/P NPl/V3+ . VB/C ISg+ VPt R VP/J P NSg/VB NSg/I/C/Ddem ISg+ VPt D NSg/VB P R
> everything there . “ That’s the judge , ” she said to herself , “ because of his great
@ -5082,8 +5082,8 @@
#
> “ Stupid things ! ” Alice began in a loud , indignant voice , but she stopped
# . NSg/J+ NPl+ . . NPr+ VPt NPr/J/P D/P NSg/J . J NSg/VB+ . NSg/C/P ISg+ VB/J
> hastily , for the White Rabbit cried out , “ Silence in the court ! ” and the King
# R . C/P D NPr🅪Sg/VB/J NSg/VB+ VP/J NSg/VB/J/R/P . . NSg/VB+ NPr/J/P D NSg/VB/J+ . . VB/C D+ NPr/VB/J+
> hastily , for the White Rabbit cried out , “ Silence in the court ! ” and the King
# R . C/P D NPr🅪Sg/VB/J NSg/VB+ VP/J NSg/VB/J/R/P . . NSg/VB+ NPr/J/P D N🅪Sg/VB/J+ . . VB/C D+ NPr/VB/J+
> put on his spectacles and looked anxiously round , to make out who was talking .
# NSg/VBP J/P ISg/D$+ NPl VB/C VP/J R NSg/VB/J/P . P NSg/VB NSg/VB/J/R/P NPr/I+ VPt Nᴹ/Vg/J .
>
@ -5102,8 +5102,8 @@
#
> One of the jurors had a pencil that squeaked . This of course , Alice could not
# NSg/I/VB/J P D NPl VB D/P NSg/VB+ NSg/I/C/Ddem+ VP/J . I/Ddem P NSg/VB+ . NPr+ NSg/VXB NSg/R/C
> stand , and she went round the court and got behind him , and very soon found an
# NSg/VB . VB/C ISg+ NSg/VPt NSg/VB/J/P D+ NSg/VB/J+ VB/C VB NSg/J/P ISg+ . VB/C J/R J/R NSg/VB D/P
> stand , and she went round the court and got behind him , and very soon found an
# NSg/VB . VB/C ISg+ NSg/VPt NSg/VB/J/P D+ N🅪Sg/VB/J+ VB/C VB NSg/J/P ISg+ . VB/C J/R J/R NSg/VB D/P
> opportunity of taking it away . She did it so quickly that the poor little juror
# N🅪Sg P NSg/Vg/J NPr/ISg+ VB/J . ISg+ VPt NPr/ISg+ NSg/I/J/C R NSg/I/C/Ddem D NSg/VB/J NPr/I/J/Dq NSg
> ( it was Bill , the Lizard ) could not make out at all what had become of it ; so ,
@ -5117,7 +5117,7 @@
>
#
> “ Herald , read the accusation ! ” said the King .
# . NSg/VB+ . NSg/VBP D NSg . . VP/J D+ NPr/VB/J+ .
# . NSg/VB+ . NSg/VBP D N🅪Sg . . VP/J D+ NPr/VB/J+ .
>
#
> On this the White Rabbit blew three blasts on the trumpet , and then unrolled the
@ -5160,8 +5160,8 @@
# . ISgPl+ NSg/I/VXB P NSg/VXB VP/J . . VP/J D+ NPr/VB/J+ . . NSg/I/C VPt ISgPl+ NSg/VB . .
>
#
> The Hatter looked at the March Hare , who had followed him into the court ,
# D NSg/VB VP/J NSg/P D NPr/VB+ NSg/VB/J+ . NPr/I+ VB VP/J ISg+ P D NSg/VB/J+ .
> The Hatter looked at the March Hare , who had followed him into the court ,
# D NSg/VB VP/J NSg/P D NPr/VB+ NSg/VB/J+ . NPr/I+ VB VP/J ISg+ P D N🅪Sg/VB/J+ .
> arm - in - arm with the Dormouse . “ Fourteenth of March , I think it was , ” he said .
# NSg/VB/J+ . NPr/J/P . NSg/VB/J+ P D NSg . . NSg/J P NPr/VB+ . ISg/#r+ NSg/VB NPr/ISg+ VPt . . NPr/ISg+ VP/J .
>
@ -5226,8 +5226,8 @@
# VB/J NSg/P I/Ddem+ NSg+ NPr+ N🅪Sg/VB/J D/P J/R J+ NSg+ . I/C+ VP/J ISg/D$+ D/P+
> good deal until she made out what it was : she was beginning to grow larger
# NPr/VB/J+ NSg/VB/J+ C/P ISg+ VB NSg/VB/J/R/P NSg/I+ NPr/ISg+ VPt . ISg+ VPt NSg/Vg/J P VB JC
> again , and she thought at first she would get up and leave the court ; but on
# P . VB/C ISg+ N🅪Sg/VP NSg/P NSg/VB/J ISg+ VXB NSg/VB NSg/VB/J/P VB/C NSg/VB D+ NSg/VB/J+ . NSg/C/P J/P
> again , and she thought at first she would get up and leave the court ; but on
# P . VB/C ISg+ N🅪Sg/VP NSg/P NSg/VB/J ISg+ VXB NSg/VB NSg/VB/J/P VB/C NSg/VB D+ N🅪Sg/VB/J+ . NSg/C/P J/P
> second thoughts she decided to remain where she was as long as there was room
# NSg/VB/J+ NPl/V3+ ISg+ NSg/VP/J P NSg/VB NSg/C ISg+ VPt NSg/R NPr/VB/J NSg/R R+ VPt N🅪Sg/VB/J+
> for her .
@ -5256,14 +5256,14 @@
# . NPl/VB . NSg/C/P ISg/#r+ VB NSg/P D/P+ J+ NPr/VB/J/P+ . . VP/J D NSg . . NSg/R/C NPr/J/P NSg/I/C/Ddem
> ridiculous fashion . ” And he got up very sulkily and crossed over to the other
# J N🅪Sg/VB+ . . VB/C NPr/ISg+ VB NSg/VB/J/P J/R R VB/C VP/J NSg/J/P P D NSg/VB/J
> side of the court .
# NSg/VB/J P D NSg/VB/J+ .
> side of the court .
# NSg/VB/J P D N🅪Sg/VB/J+ .
>
#
> All this time the Queen had never left off staring at the Hatter , and , just as
# NSg/I/J/C/Dq+ I/Ddem+ N🅪Sg/VB/J+ D+ NPr/VB/J+ VB R NPr/VB/J NSg/VB/J/P Nᴹ/Vg/J NSg/P D NSg/VB . VB/C . VB/J NSg/R
> the Dormouse crossed the court , she said to one of the officers of the court ,
# D NSg VP/J D NSg/VB/J+ . ISg+ VP/J P NSg/I/VB/J P D NPl/V3 P D NSg/VB/J+ .
> the Dormouse crossed the court , she said to one of the officers of the court ,
# D NSg VP/J D N🅪Sg/VB/J+ . ISg+ VP/J P NSg/I/VB/J P D NPl/V3 P D N🅪Sg/VB/J+ .
> “ Bring me the list of the singers in the last concert ! ” on which the wretched
# . VB NPr/ISg+ D NSg/VB P D + NPr/J/P D NSg/VB/J NSg/VB+ . . J/P I/C+ D J
> Hatter trembled so , that he shook both his shoes off .
@ -5356,8 +5356,8 @@
#
> Here one of the guinea - pigs cheered , and was immediately suppressed by the
# NSg/J/R NSg/I/VB/J P D+ NPr+ . NPl/V3+ VP/J . VB/C VPt R VP/J NSg/J/P D
> officers of the court . ( As that is rather a hard word , I will just explain to
# NPl/V3 P D+ NSg/VB/J+ . . NSg/R NSg/I/C/Ddem+ VL3 NPr/VB/J/R D/P N🅪Sg/J NSg/VB . ISg/#r+ NPr/VXB VB/J VB P
> officers of the court . ( As that is rather a hard word , I will just explain to
# NPl/V3 P D+ N🅪Sg/VB/J+ . . NSg/R NSg/I/C/Ddem+ VL3 NPr/VB/J/R D/P N🅪Sg/J NSg/VB . ISg/#r+ NPr/VXB VB/J VB P
> you how it was done . They had a large canvas bag , which tied up at the mouth
# ISgPl+ NSg/C NPr/ISg+ VPt NSg/VPp/J . IPl+ VB D/P+ NSg/J+ NSg/VB+ NSg/VB+ . I/C+ VP/J NSg/VB/J/P NSg/P D NSg/VB+
> with strings : into this they slipped the guinea - pig , head first , and then sat
@ -5370,8 +5370,8 @@
# . K NSg/VB/J K NSg/VPp NSg/I/C/Ddem+ NSg/VPp/J . . N🅪Sg/VP NPr+ . . K NSg/I/J/C R NSg/VBP NPr/J/P D
> newspapers , at the end of trials , “ There was some attempts at applause , which
# NPl/V3+ . NSg/P D NSg/VB P NPl/V3+ . . R+ VPt I/J/R/Dq NPl/V3+ NSg/P Nᴹ+ . I/C+
> was immediately suppressed by the officers of the court , ” and I never understood
# VPt R VP/J NSg/J/P D NPl/V3 P D NSg/VB/J+ . . VB/C ISg/#r+ R VP/J
> was immediately suppressed by the officers of the court , ” and I never understood
# VPt R VP/J NSg/J/P D NPl/V3 P D N🅪Sg/VB/J+ . . VB/C ISg/#r+ R VP/J
> what it meant till now . ”
# NSg/I+ NPr/ISg+ VB NSg/VB/C/P NPr/VB/J/C . .
>
@ -5404,8 +5404,8 @@
# NPr/I+ VPt NPrᴹ/Vg/J D NSg/VB P + .
>
#
> “ You may go , ” said the King , and the Hatter hurriedly left the court , without
# . ISgPl+ NPr/VXB NSg/VB/J . . VP/J D+ NPr/VB/J+ . VB/C D NSg/VB R NPr/VB/J D NSg/VB/J+ . C/P
> “ You may go , ” said the King , and the Hatter hurriedly left the court , without
# . ISgPl+ NPr/VXB NSg/VB/J . . VP/J D+ NPr/VB/J+ . VB/C D NSg/VB R NPr/VB/J D N🅪Sg/VB/J+ . C/P
> even waiting to put his shoes on .
# NSg/VB/J Nᴹ/Vg/J P NSg/VBP ISg/D$+ NPl/V3+ J/P .
>
@ -5422,8 +5422,8 @@
#
> The next witness was the Duchess’s cook . She carried the pepper - box in her hand ,
# D+ NSg/J/P+ NSg/VB+ VPt D NSg$ NPr/VB . ISg+ VP/J D N🅪Sg/VB+ . NSg/VB NPr/J/P ISg/D$+ NSg/VB+ .
> and Alice guessed who it was , even before she got into the court , by the way the
# VB/C NPr+ VP/J NPr/I+ NPr/ISg+ VPt . NSg/VB/J C/P ISg+ VB P D+ NSg/VB/J+ . NSg/J/P D+ NSg/J+ D
> and Alice guessed who it was , even before she got into the court , by the way the
# VB/C NPr+ VP/J NPr/I+ NPr/ISg+ VPt . NSg/VB/J C/P ISg+ VB P D+ N🅪Sg/VB/J+ . NSg/J/P D+ NSg/J+ D
> people near the door began sneezing all at once .
# NPl/VB+ NSg/VB/J/P D+ NSg/VB+ VPt Nᴹ/Vg/J NSg/I/J/C/Dq NSg/P NSg/C .
>
@ -5460,12 +5460,12 @@
#
> “ Collar that Dormouse , ” the Queen shrieked out . “ Behead that Dormouse ! Turn that
# . NSg/VB+ NSg/I/C/Ddem+ NSg . . D NPr/VB/J+ VP/J NSg/VB/J/R/P . . VB NSg/I/C/Ddem+ NSg . NSg/VB NSg/I/C/Ddem+
> Dormouse out of court ! Suppress him ! Pinch him ! Off with his whiskers ! ”
# NSg NSg/VB/J/R/P P NSg/VB/J+ . VB ISg+ . NSg/VB ISg+ . NSg/VB/J/P P ISg/D$+ NPl . .
> Dormouse out of court ! Suppress him ! Pinch him ! Off with his whiskers ! ”
# NSg NSg/VB/J/R/P P N🅪Sg/VB/J+ . VB ISg+ . NSg/VB ISg+ . NSg/VB/J/P P ISg/D$+ NPl . .
>
#
> For some minutes the whole court was in confusion , getting the Dormouse turned
# C/P I/J/R/Dq+ NPl/V3+ D+ NSg/J+ NSg/VB/J+ VPt NPr/J/P N🅪Sg/VB+ . NSg/VB D NSg VP/J
> For some minutes the whole court was in confusion , getting the Dormouse turned
# C/P I/J/R/Dq+ NPl/V3+ D+ NSg/J+ N🅪Sg/VB/J+ VPt NPr/J/P N🅪Sg/VB+ . NSg/VB D NSg VP/J
> out , and , by the time they had settled down again , the cook had disappeared .
# NSg/VB/J/R/P . VB/C . NSg/J/P D N🅪Sg/VB/J+ IPl+ VB VP/J N🅪Sg/VB/J/P P . D NPr/VB+ VB VP/J .
>
@ -5544,8 +5544,8 @@
# N🅪Sg/VB J/R R P NSg/VB NSg/VB/J/R/P D/P N🅪Sg P D NSg/J+ . NSg/I/J/C/Dq VB/C/P D
> Lizard , who seemed too much overcome to do anything but sit with its mouth open ,
# NSg . NPr/I+ VP/J R NSg/I/J/R/Dq NSg/VB P NSg/VXB NSg/I/VB+ NSg/C/P NSg/VB P ISg/D$+ NSg/VB+ NSg/VB/J .
> gazing up into the roof of the court .
# Nᴹ/Vg/J NSg/VB/J/P P D NSg/VB P D NSg/VB/J+ .
> gazing up into the roof of the court .
# Nᴹ/Vg/J NSg/VB/J/P P D NSg/VB P D N🅪Sg/VB/J+ .
>
#
> “ What do you know about this business ? ” the King said to Alice .
@ -5598,8 +5598,8 @@
# NSg/P I/Ddem+ NSg+ D+ NPr/VB/J+ . NPr/I+ VB NSg/VPp C/P I/J/R/Dq+ N🅪Sg/VB/J+ R Nᴹ/Vg/J NPr/J/P ISg/D$+
> note - book , cackled out “ Silence ! ” and read out from his book , “ Rule Forty - two .
# NSg/VB+ . NSg/VB+ . VP/J NSg/VB/J/R/P . NSg/VB+ . . VB/C NSg/VBP NSg/VB/J/R/P P ISg/D$+ NSg/VB+ . . NSg/VB+ NSg/J . NSg .
> All persons more than a mile high to leave the court . ”
# NSg/I/J/C/Dq+ NPl/V3+ NPr/I/VB/J/R/Dq C/P D/P+ NSg+ NSg/VB/J P NSg/VB D+ NSg/VB/J+ . .
> All persons more than a mile high to leave the court . ”
# NSg/I/J/C/Dq+ NPl/V3+ NPr/I/VB/J/R/Dq C/P D/P+ NSg+ NSg/VB/J P NSg/VB D+ N🅪Sg/VB/J+ . .
>
#
> Everybody looked at Alice .
@ -5741,7 +5741,7 @@
> “ They told me you had been to her , And mentioned me to him : She gave me a good
# . IPl+ VP NPr/ISg+ ISgPl+ VB NSg/VPp P ISg/D$+ . VB/C VP/J NPr/ISg+ P ISg+ . ISg+ VB NPr/ISg+ D/P+ NPr/VB/J+
> character , But said I could not swim .
# NSg/VB+ . NSg/C/P VP/J ISg/#r+ NSg/VXB NSg/R/C NSg/VB .
# N🅪Sg/VB+ . NSg/C/P VP/J ISg/#r+ NSg/VXB NSg/R/C NSg/VB .
>
#
> He sent them word I had not gone ( We know it to be true ) : If she should push
@ -5794,8 +5794,8 @@
# N🅪Sg/Vg/J+ NPr/J/P NPr/ISg+ . . NSg/C/P NSg/I P NSg/IPl+ VP/J P VB D N🅪Sg/VB/J+ .
>
#
> “ If there’s no meaning in it , ” said the King , “ that saves a world of trouble ,
# . NSg/C K NPr/P N🅪Sg/Vg/J+ NPr/J/P NPr/ISg+ . . VP/J D NPr/VB/J+ . . NSg/I/C/Ddem+ NPl/V3 D/P NSg/VB P NSg/VB+ .
> “ If there’s no meaning in it , ” said the King , “ that saves a world of trouble ,
# . NSg/C K NPr/P N🅪Sg/Vg/J+ NPr/J/P NPr/ISg+ . . VP/J D NPr/VB/J+ . . NSg/I/C/Ddem+ NPl/V3 D/P NSg/VB P N🅪Sg/VB+ .
> you know , as we needn’t try to find any . And yet I don’t know , ” he went on ,
# ISgPl+ NSg/VB . NSg/R IPl+ VXB NSg/VB/J P NSg/VB I/R/Dq . VB/C NSg/VB/C ISg/#r+ VB NSg/VB . . NPr/ISg+ NSg/VPt J/P .
> spreading out the verses on his knee , and looking at them with one eye ; “ I seem
@ -5842,8 +5842,8 @@
# N🅪Sg/VB+ . NSg/I/C/Ddem+ VPt Nᴹ/Vg/J N🅪Sg/VB/J/P ISg/D$+ NSg/VB+ . NSg/R NPr/VB/J NSg/R NPr/ISg+ VP/J . .
>
#
> “ Then the words don’t fit you , ” said the King , looking round the court with a
# . NSg/J/C D+ NPl/V3+ VB NSg/VBP/J ISgPl+ . . VP/J D NPr/VB/J+ . Nᴹ/Vg/J NSg/VB/J/P D NSg/VB/J+ P D/P
> “ Then the words don’t fit you , ” said the King , looking round the court with a
# . NSg/J/C D+ NPl/V3+ VB NSg/VBP/J ISgPl+ . . VP/J D NPr/VB/J+ . Nᴹ/Vg/J NSg/VB/J/P D N🅪Sg/VB/J+ P D/P
> smile . There was a dead silence .
# NSg/VB+ . R+ VPt D/P+ NSg/VB/J+ NSg/VB+ .
>

10
harper-core/tests/text/tagged/Computer science.md
View file

@ -394,8 +394,8 @@
# NSg/J+ NSg/R NPrPl/V3+ NPr/J/P J Nᴹ/Vg/J+ VB/C NPl/V3 NPr/J/P NSg/J+ Nᴹ/Vg/J+ . IPl+
> also argue that while empirical sciences observe what presently exists , computer
# R/C VB NSg/I/C/Ddem NSg/VB/C/P NSg/J+ NPl/V3+ NSg/VB NSg/I+ R V3 . NSg/VB+
> science observes what is possible to exist and while scientists discover laws
# N🅪Sg/VB+ NPl/V3 NSg/I+ VL3 NSg/J P VB VB/C NSg/VB/C/P NPl+ NSg/VB/J NPl/V3
> science observes what is possible to exist and while scientists discover laws
# N🅪Sg/VB+ NPl/V3 NSg/I+ VL3 NSg/J P VB VB/C NSg/VB/C/P NPl+ N🅪Sg/VB/J NPl/V3
> from observation , no proper laws have been found in computer science and it is
# P N🅪Sg+ . NPr/P+ NSg/J+ NPl/V3+ NSg/VXB NSg/VPp NSg/VB NPr/J/P NSg/VB+ N🅪Sg/VB+ VB/C NPr/ISg+ VL3
> instead concerned with creating phenomena .
@ -583,7 +583,7 @@
> The use of formal methods for software and hardware design is motivated by the
# D N🅪Sg/VB P NSg/J NPl/V3 C/P Nᴹ VB/C Nᴹ+ N🅪Sg/VB+ VL3 VP/J NSg/J/P D+
> expectation that , as in other engineering disciplines , performing appropriate
# NSg+ NSg/I/C/Ddem+ . NSg/R NPr/J/P NSg/VB/J+ Nᴹ/Vg/J+ NPl/V3+ . Nᴹ/Vg/J VB/J+
# N🅪Sg+ NSg/I/C/Ddem+ . NSg/R NPr/J/P NSg/VB/J+ Nᴹ/Vg/J+ NPl/V3+ . Nᴹ/Vg/J VB/J+
> mathematical analysis can contribute to the reliability and robustness of a
# J+ N🅪Sg+ NPr/VXB NSg/VB P D+ Nᴹ+ VB/C NSg P D/P
> design . They form an important theoretical underpinning for software
@ -707,7 +707,7 @@
> software in order to ensure it is of high quality , affordable , maintainable , and
# Nᴹ+ NPr/J/P NSg/VB+ P VB NPr/ISg+ VL3 P NSg/VB/J+ N🅪Sg/J+ . J . J . VB/C
> fast to build . It is a systematic approach to software design , involving the
# NSg/VB/J P NSg/VB . NPr/ISg+ VL3 D/P J NSg/VB P Nᴹ N🅪Sg/VB+ . Nᴹ/Vg/J D
# NSg/VB/J P NSg/VB . NPr/ISg+ VL3 D/P J N🅪Sg/VB P Nᴹ N🅪Sg/VB+ . Nᴹ/Vg/J D
> application of engineering practices to software . Software engineering deals
# NSg P Nᴹ/Vg/J+ NPl/V3+ P Nᴹ . Nᴹ+ Nᴹ/Vg/J+ NPl/V3+
> with the organizing and analyzing of software — it does not just deal with the
@ -731,7 +731,7 @@
> environmental adaptation , learning , and communication found in humans and
# NSg/J NSg+ . Nᴹ/Vg/J+ . VB/C N🅪Sg+ NSg/VB NPr/J/P NPl/V3 VB/C
> animals . From its origins in cybernetics and in the Dartmouth Conference ( 1956 ) ,
# NPl+ . P ISg/D$+ NPl+ NPr/J/P NSg VB/C NPr/J/P D NPr+ NSg/VB+ . # . .
# NPl+ . P ISg/D$+ NPl+ NPr/J/P Nᴹ VB/C NPr/J/P D NPr+ NSg/VB+ . # . .
> artificial intelligence research has been necessarily cross - disciplinary ,
# J N🅪Sg+ Nᴹ/VB+ V3 NSg/VPp R NPr/VB/J/P+ . NSg/J .
> drawing on areas of expertise such as applied mathematics , symbolic logic ,

12
harper-core/tests/text/tagged/Difficult sentences.md
View file

@ -127,7 +127,7 @@
> By ' maybe ' she means ' no ' .
# NSg/J/P . NSg/J/R . ISg+ NPl/V3 . NPr/P . .
> The electricity was cut off , so we had to read by candlelight .
# D+ Nᴹ+ VPt NSg/VBP/J NSg/VB/J/P . NSg/I/J/C IPl+ VB P NSg/VBP NSg/J/P NSg .
# D+ Nᴹ+ VPt NSg/VBP/J NSg/VB/J/P . NSg/I/J/C IPl+ VB P NSg/VBP NSg/J/P Nᴹ .
> By the power vested in me , I now pronounce you man and wife .
# NSg/J/P D+ N🅪Sg/VB/J+ VP/J NPr/J/P NPr/ISg+ . ISg/#r+ NPr/VB/J/C NSg/VB ISgPl+ NPr/VB/J VB/C NSg/VB/J+ .
> By Jove ! I think she's got it !
@ -169,7 +169,7 @@
> The bricks used to build the wall measured 10 by 20 by 30 cm .
# D+ NPl/V3+ VP/J P NSg/VB D+ NPr/VB+ VP/J # NSg/J/P # NSg/J/P # NSg/#r+ .
> She's a lovely little filly , by Big Lad , out of Damsel in Distress .
# K D/P NSg/J NPr/I/J/Dq NSg . NSg/J/P NSg/J NSg . NSg/VB/J/R/P P NSg NPr/J/P NSg/VB+ .
# K D/P NSg/J NPr/I/J/Dq NSg . NSg/J/P NSg/J NSg . NSg/VB/J/R/P P NSg NPr/J/P Nᴹ/VB+ .
> Are you eating by Rabbi Fischer ? ( at the house of )
# VB ISgPl+ Nᴹ/Vg/J NSg/J/P NSg+ NPr+ . . NSg/P D NPr/VB P .
> By Chabad , it's different . ( with , among )
@ -389,7 +389,7 @@
> I glanced over at the pretty girl in the red dress .
# ISg/#r+ VP/J NSg/J/P NSg/P D+ NSg/VB/J/R NSg/VB+ NPr/J/P D+ N🅪Sg/J+ NSg/VB+ .
> There wasn't much of interest in her speech .
# R+ VB NSg/I/J/R/Dq P NSg/VB+ NPr/J/P ISg/D$+ N🅪Sg/VB+ .
# R+ VB NSg/I/J/R/Dq P N🅪Sg/VB+ NPr/J/P ISg/D$+ N🅪Sg/VB+ .
> He hasn't got an original idea in him .
# NPr/ISg+ V3 VB D/P NSg/J NSg+ NPr/J/P ISg+ .
> You are one in a million .
@ -751,7 +751,7 @@
> I had a terrible thirst on me .
# ISg/#r+ VB D/P+ J+ Nᴹ/VB+ J/P NPr/ISg+ .
> Have pity or compassion on him .
# NSg/VXB N🅪Sg/VB NPr/C NSg/VB+ J/P ISg+ .
# NSg/VXB N🅪Sg/VB NPr/C Nᴹ/VB+ J/P ISg+ .
> He's on his lunch break .
# NSg$ J/P ISg/D$+ N🅪Sg/VB+ NSg/VB+ .
> I'm on nights all this week .
@ -764,8 +764,8 @@
# NPr/ISg+ NPr/VXB NSg/VB J/P I/J+ NPl/V3+ .
> A curse on him !
# D/P+ NSg/VB+ J/P ISg+ .
> Please don't tell on her and get her in trouble .
# VB VB NPr/VB J/P ISg/D$+ VB/C NSg/VB ISg/D$+ NPr/J/P NSg/VB+ .
> Please don't tell on her and get her in trouble .
# VB VB NPr/VB J/P ISg/D$+ VB/C NSg/VB ISg/D$+ NPr/J/P N🅪Sg/VB+ .
>
#
> Verb

10
harper-core/tests/text/tagged/Part-of-speech tagging.md
View file

@ -86,8 +86,8 @@
# D NSg/J . NSg/J . VB/C NSg/J NPl/V3+ NPr/VXB NSg/VXB VP/J . NPr/J/P NSg/I/J/Dq+
> languages words are also marked for their " case " ( role as subject , object ,
# NPl/V3+ NPl/V3+ VB R/C VP/J C/P D$+ . NPr🅪Sg/VB+ . . NSg NSg/R NSg/VB/J+ . NSg/VB+ .
> etc. ) , grammatical gender , and so on ; while verbs are marked for tense , aspect ,
# + . . J+ N🅪Sg/VB/J+ . VB/C NSg/I/J/C J/P . NSg/VB/C/P NPl/V3+ VB VP/J C/P NSg/VB/J . NSg/VB+ .
> etc. ) , grammatical gender , and so on ; while verbs are marked for tense , aspect ,
# + . . J+ N🅪Sg/VB/J+ . VB/C NSg/I/J/C J/P . NSg/VB/C/P NPl/V3+ VB VP/J C/P NSg/VB/J . N🅪Sg/VB+ .
> and other things . In some tagging systems , different inflections of the same
# VB/C NSg/VB/J+ NPl+ . NPr/J/P I/J/R/Dq NSg/Vg NPl+ . NSg/J NPl P D I/J
> root word will get different parts of speech , resulting in a large number of
@ -281,7 +281,7 @@
> parsing ( 1997 ) that merely assigning the most common tag to each known word and
# Nᴹ/Vg/J . # . NSg/I/C/Ddem+ R Nᴹ/Vg/J D NSg/I/J/R/Dq NSg/VB/J NSg/VB+ P Dq VPp/J NSg/VB+ VB/C
> the tag " proper noun " to all unknowns will approach 90 % accuracy because many
# D NSg/VB+ . NSg/J NSg/VB+ . P NSg/I/J/C/Dq NPl/V3+ NPr/VXB NSg/VB+ # . N🅪Sg+ C/P NSg/I/J/Dq
# D NSg/VB+ . NSg/J NSg/VB+ . P NSg/I/J/C/Dq NPl/V3+ NPr/VXB N🅪Sg/VB+ # . N🅪Sg+ C/P NSg/I/J/Dq
> words are unambiguous , and many others only rarely represent their less - common
# NPl/V3+ VB J . VB/C NSg/I/J/Dq NPl/V3+ J/R/C R VB D$+ VB/J/R/C/P . NSg/VB/J
> parts of speech .
@ -429,9 +429,9 @@
> this particular dataset ) . Thus , it should not be assumed that the results
# I/Ddem NSg/J NSg . . NSg . NPr/ISg+ VXB NSg/R/C NSg/VXB VP/J NSg/I/C/Ddem D+ NPl/V3+
> reported here are the best that can be achieved with a given approach ; nor even
# VP/J NSg/J/R VB D NPr/VXB/JS NSg/I/C/Ddem+ NPr/VXB NSg/VXB VP/J P D/P+ NSg/VB/J/P+ NSg/VB+ . NSg/C NSg/VB/J
# VP/J NSg/J/R VB D NPr/VXB/JS NSg/I/C/Ddem+ NPr/VXB NSg/VXB VP/J P D/P+ NSg/VB/J/P+ N🅪Sg/VB+ . NSg/C NSg/VB/J
> the best that have been achieved with a given approach .
# D+ NPr/VXB/JS+ NSg/I/C/Ddem+ NSg/VXB NSg/VPp VP/J P D/P+ NSg/VB/J/P+ NSg/VB+ .
# D+ NPr/VXB/JS+ NSg/I/C/Ddem+ NSg/VXB NSg/VPp VP/J P D/P+ NSg/VB/J/P+ N🅪Sg/VB+ .
>
#
> In 2014 , a paper reporting using the structure regularization method for

52
harper-core/tests/text/tagged/The Constitution of the United States.md
View file

@ -31,7 +31,7 @@
> Representatives . Congress shall make no law respecting an establishment of
# NPl+ . NPr/VB+ VXB NSg/VB NPr/P+ N🅪Sg/VB+ Nᴹ/Vg/J D/P NSg P
> religion , or prohibiting the free exercise thereof ; or abridging the freedom of
# NSg/VB+ . NPr/C Nᴹ/Vg/J D+ NSg/VB/J NSg/VB+ R . NPr/C Nᴹ/Vg/J D N🅪Sg P
# NSg/VB+ . NPr/C Nᴹ/Vg/J D+ NSg/VB/J N🅪Sg/VB+ R . NPr/C Nᴹ/Vg/J D N🅪Sg P
> speech , or of the press ; or the right of the people peaceably to assemble , and
# N🅪Sg/VB+ . NPr/C P D NSg/VB+ . NPr/C D NPr/VB/J P D NPl/VB+ R P VB . VB/C
> to petition the government for a redress of grievances .
@ -199,7 +199,7 @@
> The Senate shall chuse their other Officers , and also a President pro tempore ,
# D+ NPr+ VXB ? D$+ NSg/VB/J NPl/V3+ . VB/C R/C D/P NSg/VB+ NSg/J/P ? .
> in the Absence of the Vice President , or when he shall exercise the Office of
# NPr/J/P D N🅪Sg P D NSg/VB/J/P+ NSg/VB+ . NPr/C NSg/I/C NPr/ISg+ VXB NSg/VB D NSg/VB P
# NPr/J/P D N🅪Sg P D NSg/VB/J/P+ NSg/VB+ . NPr/C NSg/I/C NPr/ISg+ VXB N🅪Sg/VB D NSg/VB P
> President of the United States .
# NSg/VB P D VP/J NPrPl/V3+ .
>
@ -470,8 +470,8 @@
#
>
#
> To constitute Tribunals inferior to the supreme Court ;
# P NSg/VB NPl NSg/J P D NSg/VB/J NSg/VB/J+ .
> To constitute Tribunals inferior to the supreme Court ;
# P NSg/VB NPl NSg/J P D NSg/VB/J N🅪Sg/VB/J+ .
>
#
>
@ -551,13 +551,13 @@
>
#
> To exercise exclusive Legislation in all Cases whatsoever , over such District
# P NSg/VB NSg/J NSg+ NPr/J/P NSg/I/J/C/Dq+ NPl/V3+ I . NSg/J/P NSg/I NSg/VB/J+
# P N🅪Sg/VB NSg/J NSg+ NPr/J/P NSg/I/J/C/Dq+ NPl/V3+ I . NSg/J/P NSg/I NSg/VB/J+
> ( not exceeding ten Miles square ) as may , by Cession of particular States , and
# . NSg/R/C Nᴹ/Vg/J NSg+ NPrPl+ NSg/VB/J . NSg/R NPr/VXB . NSg/J/P NSg P NSg/J NPrPl/V3+ . VB/C
> the Acceptance of Congress , become the Seat of the Government of the United
# D N🅪Sg P NPr/VB+ . VBPp D NSg/VB P D N🅪Sg P D VP/J
> States , and to exercise like Authority over all Places purchased by the Consent
# NPrPl/V3+ . VB/C P NSg/VB NSg/VB/J/C/P N🅪Sg+ NSg/J/P NSg/I/J/C/Dq NPl/V3+ VP/J NSg/J/P D N🅪Sg/VB
# NPrPl/V3+ . VB/C P N🅪Sg/VB NSg/VB/J/C/P N🅪Sg+ NSg/J/P NSg/I/J/C/Dq NPl/V3+ VP/J NSg/J/P D N🅪Sg/VB
> of the Legislature of the State in which the Same shall be , for the Erection of
# P D NSg P D N🅪Sg/VB+ NPr/J/P I/C+ D I/J VXB NSg/VXB . C/P D NSg P
> Forts , Magazines , Arsenals , dock - Yards , and other needful Buildings ; — And
@ -592,8 +592,8 @@
# NPrPl/V3+ NPr/VB/J/C Nᴹ/Vg/J VXB NSg/VB NSg/J P VB . VXB NSg/R/C NSg/VXB VP/J NSg/J/P D
> Congress prior to the Year one thousand eight hundred and eight , but a Tax or
# NPr/VB+ NSg/J P D NSg+ NSg/I/VB/J+ NSg NSg/J NSg VB/C NSg/J . NSg/C/P D/P N🅪Sg/VB NPr/C
> duty may be imposed on such Importation , not exceeding ten dollars for each
# NSg+ NPr/VXB NSg/VXB VP/J J/P NSg/I N🅪Sg . NSg/R/C Nᴹ/Vg/J NSg NPl+ C/P Dq
> duty may be imposed on such Importation , not exceeding ten dollars for each
# N🅪Sg+ NPr/VXB NSg/VXB VP/J J/P NSg/I N🅪Sg . NSg/R/C Nᴹ/Vg/J NSg NPl+ C/P Dq
> Person .
# NSg/VB+ .
>
@ -620,8 +620,8 @@
# NSg/VB+ NPr/C N🅪Sg .
>
#
> No Tax or Duty shall be laid on Articles exported from any State .
# NPr/P N🅪Sg/VB NPr/C NSg+ VXB NSg/VXB VB/J J/P NPl/V3+ VP/J P I/R/Dq N🅪Sg/VB+ .
> No Tax or Duty shall be laid on Articles exported from any State .
# NPr/P N🅪Sg/VB NPr/C N🅪Sg+ VXB NSg/VXB VB/J J/P NPl/V3+ VP/J P I/R/Dq N🅪Sg/VB+ .
>
#
> No Preference shall be given by any Regulation of Commerce or Revenue to the
@ -693,7 +693,7 @@
>
#
> No State shall , without the Consent of Congress , lay any Duty of Tonnage , keep
# NPr/P+ N🅪Sg/VB+ VXB . C/P D N🅪Sg/VB P NPr/VB+ . NSg/VB/J I/R/Dq NSg P NSg+ . NSg/VB
# NPr/P+ N🅪Sg/VB+ VXB . C/P D N🅪Sg/VB P NPr/VB+ . NSg/VB/J I/R/Dq N🅪Sg P NSg+ . NSg/VB
> Troops , or Ships of War in time of Peace , enter into any Agreement or Compact
# NPl/V3+ . NPr/C NPl/V3 P N🅪Sg/VB+ NPr/J/P N🅪Sg/VB/J P NPr🅪Sg/VB+ . NSg/VB P I/R/Dq N🅪Sg+ NPr/C NSg/VB/J
> with another State , or with a foreign Power , or engage in War , unless actually
@ -1024,8 +1024,8 @@
# NPl/V3+ . VP/J/C NSg NPl/V3 P D+ NPl+ NSg/VB/J+ VB+ . VB/C NPr/ISg+ VXB
> nominate , and by and with the Advice and Consent of the Senate , shall appoint
# VB/J . VB/C NSg/J/P VB/C P D Nᴹ+ VB/C N🅪Sg/VB P D NPr+ . VXB VB
> Ambassadors , other public Ministers and Consuls , Judges of the supreme Court ,
# NPl+ . NSg/VB/J Nᴹ/VB/J NPl/V3+ VB/C NPl . NPrPl/V3 P D NSg/VB/J NSg/VB/J+ .
> Ambassadors , other public Ministers and Consuls , Judges of the supreme Court ,
# NPl+ . NSg/VB/J Nᴹ/VB/J NPl/V3+ VB/C NPl . NPrPl/V3 P D NSg/VB/J N🅪Sg/VB/J+ .
> and all other Officers of the United States , whose Appointments are not herein
# VB/C NSg/I/J/C/Dq NSg/VB/J NPl/V3 P D VP/J NPrPl/V3+ . I+ NPl+ VB NSg/R/C R
> otherwise provided for , and which shall be established by Law : but the Congress
@ -1098,8 +1098,8 @@
#
> The judicial Power of the United States , shall be vested in
# D NSg/J N🅪Sg/VB/J P D+ VP/J NPrPl/V3+ . VXB NSg/VXB VP/J NPr/J/P
> one supreme Court , and in such inferior Courts as the Congress may from time to
# NSg/I/VB/J NSg/VB/J NSg/VB/J+ . VB/C NPr/J/P NSg/I NSg/J+ NPl/V3+ NSg/R D+ NPr/VB+ NPr/VXB P N🅪Sg/VB/J+ P
> one supreme Court , and in such inferior Courts as the Congress may from time to
# NSg/I/VB/J NSg/VB/J N🅪Sg/VB/J+ . VB/C NPr/J/P NSg/I NSg/J+ NPl/V3+ NSg/R D+ NPr/VB+ NPr/VXB P N🅪Sg/VB/J+ P
> time ordain and establish . The Judges , both of the supreme and inferior Courts ,
# N🅪Sg/VB/J VB VB/C VB . D+ NPrPl/V3+ . I/C/Dq P D NSg/VB/J VB/C NSg/J+ NPl/V3+ .
> shall hold their Offices during good Behaviour , and shall , at stated Times ,
@ -1134,10 +1134,10 @@
#
> In all Cases affecting Ambassadors , other public Ministers and Consuls , and
# NPr/J/P NSg/I/J/C/Dq+ NPl/V3+ Nᴹ/Vg/J NPl+ . NSg/VB/J+ Nᴹ/VB/J+ NPl/V3+ VB/C NPl . VB/C
> those in which a State shall be Party , the supreme Court shall have original
# I/Ddem NPr/J/P I/C+ D/P N🅪Sg/VB+ VXB NSg/VXB NSg/VB/J+ . D NSg/VB/J NSg/VB/J+ VXB NSg/VXB NSg/J
> Jurisdiction . In all the other Cases before mentioned , the supreme Court shall
# N🅪Sg+ . NPr/J/P NSg/I/J/C/Dq D+ NSg/VB/J+ NPl/V3+ C/P VP/J . D+ NSg/VB/J+ NSg/VB/J+ VXB
> those in which a State shall be Party , the supreme Court shall have original
# I/Ddem NPr/J/P I/C+ D/P N🅪Sg/VB+ VXB NSg/VXB NSg/VB/J+ . D NSg/VB/J N🅪Sg/VB/J+ VXB NSg/VXB NSg/J
> Jurisdiction . In all the other Cases before mentioned , the supreme Court shall
# N🅪Sg+ . NPr/J/P NSg/I/J/C/Dq D+ NSg/VB/J+ NPl/V3+ C/P VP/J . D+ NSg/VB/J+ N🅪Sg/VB/J+ VXB
> have appellate Jurisdiction , both as to Law and Fact , with such Exceptions , and
# NSg/VXB J N🅪Sg+ . I/C/Dq NSg/R P N🅪Sg/VB VB/C NSg+ . P NSg/I NPl+ . VB/C
> under such Regulations as the Congress shall make .
@ -1164,8 +1164,8 @@
# Nᴹ/Vg/J N🅪Sg/VB+ C/P NSg/IPl+ . NPr/C NPr/J/P Nᴹ/Vg/J P D$+ NPl/V3+ . Nᴹ/Vg/J NSg/IPl+ N🅪Sg/VB VB/C
> Comfort . No Person shall be convicted of Treason unless on the Testimony of two
# N🅪Sg/VB+ . NPr/P+ NSg/VB+ VXB NSg/VXB VP/J P NSg C J/P D NSg P NSg
> Witnesses to the same overt Act , or on Confession in open Court .
# NPl/V3+ P D I/J NSg/J NPr/VB+ . NPr/C J/P N🅪Sg+ NPr/J/P NSg/VB/J NSg/VB/J+ .
> Witnesses to the same overt Act , or on Confession in open Court .
# NPl/V3+ P D I/J NSg/J NPr/VB+ . NPr/C J/P N🅪Sg+ NPr/J/P NSg/VB/J N🅪Sg/VB/J+ .
>
#
> The Congress shall have Power to declare the Punishment of Treason , but no
@ -1201,7 +1201,7 @@
> of war or public danger ; nor shall any person be subject for the same offense
# P N🅪Sg/VB NPr/C Nᴹ/VB/J N🅪Sg/VB/JC+ . NSg/C VXB I/R/Dq NSg/VB+ NSg/VXB NSg/VB/J C/P D I/J N🅪Sg+
> to be twice put in jeopardy of life or limb ; nor shall be compelled in any
# P NSg/VXB R NSg/VBP NPr/J/P NSg/VB P N🅪Sg/VB NPr/C NSg/VB+ . NSg/C VXB NSg/VXB VB/J NPr/J/P I/R/Dq
# P NSg/VXB R NSg/VBP NPr/J/P NSg/VB P N🅪Sg/VB NPr/C NSg/VB+ . NSg/C VXB NSg/VXB VP/J NPr/J/P I/R/Dq
> criminal case to be a witness against himself , nor be deprived of life ,
# NSg/J NPr🅪Sg/VB+ P NSg/VXB D/P NSg/VB+ C/P ISg+ . NSg/C NSg/VXB VP/J P N🅪Sg/VB+ .
> liberty , or property , without due process of law ; nor shall private property be
@ -1219,7 +1219,7 @@
> ascertained by law , and to be informed of the nature and cause of the
# VP/J NSg/J/P N🅪Sg/VB+ . VB/C P NSg/VXB VP/J P D N🅪Sg/VB+ VB/C N🅪Sg/VB/C P D
> accusation ; to be confronted with the witnesses against him ; to have compulsory
# NSg . P NSg/VXB VP/J P D NPl/V3+ C/P ISg+ . P NSg/VXB NSg/J
# N🅪Sg . P NSg/VXB VP/J P D NPl/V3+ C/P ISg+ . P NSg/VXB NSg/J
> process for obtaining witnesses in his favor , and to have the assistance of
# NSg/VB+ C/P Nᴹ/Vg/J NPl/V3+ NPr/J/P ISg/D$+ N🅪Sg/VB/Am+ . VB/C P NSg/VXB D Nᴹ P
> counsel for his defense .
@ -1230,8 +1230,8 @@
# NPr/J/P NPl/V3 NSg/P NSg/VB/J+ N🅪Sg/VB+ . NSg/C D N🅪Sg/VB+ NPr/J/P N🅪Sg+ VXB VB NSg+
> dollars , the right of trial by jury shall be preserved , and no fact tried by a
# NPl+ . D NPr/VB/J P NSg/VB/J+ NSg/J/P NSg/VB/J+ VXB NSg/VXB VP/J . VB/C NPr/P+ NSg+ VP/J NSg/J/P D/P+
> jury , shall be otherwise reexamined in any court of the United States , than
# NSg/VB/J+ . VXB NSg/VXB J VP/J NPr/J/P I/R/Dq NSg/VB/J P D VP/J NPrPl/V3+ . C/P
> jury , shall be otherwise reexamined in any court of the United States , than
# NSg/VB/J+ . VXB NSg/VXB J VP/J NPr/J/P I/R/Dq N🅪Sg/VB/J P D VP/J NPrPl/V3+ . C/P
> according to the rules of the common law .
# Nᴹ/Vg/J P D NPl/V3 P D NSg/VB/J N🅪Sg/VB+ .
>
@ -1351,7 +1351,7 @@
> Invasion ; and on Application of the Legislature , or of the Executive ( when the
# NSg+ . VB/C J/P NSg P D+ NSg+ . NPr/C P D NSg/J . NSg/I/C D+
> Legislature cannot be convened ) against domestic Violence .
# NSg+ NSg/VB NSg/VXB VP/J . C/P NSg/J NSg/VB+ .
# NSg+ NSg/VB NSg/VXB VP/J . C/P NSg/J Nᴹ/VB+ .
>
#
> Section . 5 .

204
harper-core/tests/text/tagged/The Great Gatsby.md
View file

@ -89,7 +89,7 @@
> all right at the end ; it is what preyed on Gatsby , what foul dust floated in the
# NSg/I/J/C/Dq NPr/VB/J NSg/P D NSg/VB+ . NPr/ISg+ VL3 NSg/I+ VP/J J/P NPr . NSg/I+ NSg/VB/J Nᴹ/VB+ VP/J NPr/J/P D
> wake of his dreams that temporarily closed out my interest in the abortive
# NPr/VB P ISg/D$+ NPl/V3+ NSg/I/C/Ddem+ R VP/J NSg/VB/J/R/P D$+ NSg/VB+ NPr/J/P D NSg/VB/J
# NPr/VB P ISg/D$+ NPl/V3+ NSg/I/C/Ddem+ R VP/J NSg/VB/J/R/P D$+ N🅪Sg/VB+ NPr/J/P D NSg/VB/J
> sorrows and short - winded elations of men .
# NPl/V3+ VB/C NPr/VB/J/P . VP/J NPl P NPl+ .
>
@ -99,7 +99,7 @@
> three generations . The Carraways are something of a clan , and we have a
# NSg+ NPl+ . D ? VB NSg/I/VB/J P D/P NSg+ . VB/C IPl+ NSg/VXB D/P
> tradition that we’re descended from the Dukes of Buccleuch , but the actual
# NSg/VB+ NSg/I/C/Ddem+ K VP/J P D NPl/V3 P ? . NSg/C/P D NSg/J
# N🅪Sg/VB+ NSg/I/C/Ddem+ K VP/J P D NPl/V3 P ? . NSg/C/P D NSg/J
> founder of my line was my grandfather’s brother , who came here in fifty - one ,
# NSg/VB P D$+ NSg/VB+ VPt D$+ NSg$ NSg/VB/J+ . NPr/I+ NSg/VPt/P NSg/J/R NPr/J/P NSg . NSg/I/VB/J .
> sent a substitute to the Civil War , and started the wholesale hardware business
@ -173,7 +173,7 @@
>
#
> And so with the sunshine and the great bursts of leaves growing on the trees ,
# VB/C NSg/I/J/C P D NSg/J+ VB/C D NSg/J NPl/V3 P NPl/V3+ Nᴹ/Vg/J J/P D+ NPl/V3+ .
# VB/C NSg/I/J/C P D Nᴹ/J+ VB/C D NSg/J NPl/V3 P NPl/V3+ Nᴹ/Vg/J J/P D+ NPl/V3+ .
> just as things grow in fast movies , I had that familiar conviction that life was
# VB/J NSg/R NPl+ VB NPr/J/P NSg/VB/J+ NPl+ . ISg/#r+ VB NSg/I/C/Ddem NSg/J+ N🅪Sg+ NSg/I/C/Ddem+ N🅪Sg/VB+ VPt
> beginning over again with the summer .
@ -335,7 +335,7 @@
> a great pack of muscle shifting when his shoulder moved under his thin coat . It
# D/P NSg/J NSg/VB P N🅪Sg/VB+ Nᴹ/Vg/J+ NSg/I/C ISg/D$+ NSg/VB+ VP/J NSg/J/P ISg/D$+ NSg/VB/J NSg/VB+ . NPr/ISg+
> was a body capable of enormous leverage — a cruel body .
# VPt D/P NSg/VB J P J NSg/VB . D/P+ NSg/VB/J+ NSg/VB+ .
# VPt D/P NSg/VB J P J Nᴹ/VB . D/P+ NSg/VB/J+ NSg/VB+ .
>
#
> His speaking voice , a gruff husky tenor , added to the impression of
@ -635,7 +635,7 @@
> Before I could reply that he was my neighbor dinner was announced ; wedging his
# C/P ISg/#r+ NSg/VXB NSg/VB+ NSg/I/C/Ddem+ NPr/ISg+ VPt D$+ NSg/VB/J/Am+ N🅪Sg/VB+ VPt VP/J . Nᴹ/Vg/J ISg/D$+
> tense arm imperatively under mine , Tom Buchanan compelled me from the room as
# NSg/VB/J NSg/VB/J+ R NSg/J/P NSg/I/VB+ . NPr/VB+ NPr+ VB/J NPr/ISg+ P D N🅪Sg/VB/J+ NSg/R
# NSg/VB/J NSg/VB/J+ R NSg/J/P NSg/I/VB+ . NPr/VB+ NPr+ VP/J NPr/ISg+ P D N🅪Sg/VB/J+ NSg/R
> though he were moving a checker to another square .
# VB/C NPr/ISg+ NSg/VPt Nᴹ/Vg/J D/P NSg/VB P I/D NSg/VB/J .
>
@ -829,13 +829,13 @@
>
#
> For a moment the last sunshine fell with romantic affection upon her glowing
# C/P D/P+ NSg+ D+ NSg/VB/J+ NSg/J+ NSg/VPt/J P NSg/J+ Nᴹ+ P ISg/D$+ Nᴹ/Vg/J
# C/P D/P+ NSg+ D+ NSg/VB/J+ Nᴹ/J+ NSg/VPt/J P NSg/J+ Nᴹ+ P ISg/D$+ Nᴹ/Vg/J
> face ; her voice compelled me forward breathlessly as I listened — then the glow
# NSg/VB+ . ISg/D$+ NSg/VB+ VB/J NPr/ISg+ NSg/VB/J R NSg/R ISg/#r+ VP/J . NSg/J/C D NSg/VB+
# NSg/VB+ . ISg/D$+ NSg/VB+ VP/J NPr/ISg+ NSg/VB/J R NSg/R ISg/#r+ VP/J . NSg/J/C D NSg/VB+
> faded , each light deserting her with lingering regret , like children leaving a
# J . Dq N🅪Sg/VB/J+ Nᴹ/Vg/J ISg/D$+ P Nᴹ/Vg/J N🅪Sg/VB+ . NSg/VB/J/C/P NPl+ Nᴹ/Vg/J D/P
> pleasant street at dusk .
# NSg/J NSg/VB/J+ NSg/P NSg/VB/J+ .
> pleasant street at dusk .
# NSg/J NSg/VB/J+ NSg/P Nᴹ/VB/J+ .
>
#
> The butler came back and murmured something close to Tom’s ear , whereupon Tom
@ -980,8 +980,8 @@
#
> Daisy took her face in her hands as if feeling its lovely shape , and her eyes
# NPr+ VB ISg/D$+ NSg/VB+ NPr/J/P ISg/D$+ NPl/V3+ NSg/R NSg/C+ N🅪Sg/Vg/J ISg/D$+ NSg/J+ N🅪Sg/VB+ . VB/C ISg/D$+ NPl/V3+
> moved gradually out into the velvet dusk . I saw that turbulent emotions
# VP/J R NSg/VB/J/R/P P D+ Nᴹ/VB/J+ NSg/VB/J+ . ISg/#r+ NSg/VPt NSg/I/C/Ddem J NPl+
> moved gradually out into the velvet dusk . I saw that turbulent emotions
# VP/J R NSg/VB/J/R/P P D+ Nᴹ/VB/J+ Nᴹ/VB/J+ . ISg/#r+ NSg/VPt NSg/I/C/Ddem J NPl+
> possessed her , so I asked what I thought would be some sedative questions about
# VP/J ISg/D$+ . NSg/I/J/C ISg/#r+ VP/J NSg/I+ ISg/#r+ N🅪Sg/VP VXB NSg/VXB I/J/R/Dq NSg/J NPl/V3+ J/P
> her little girl .
@ -1237,7 +1237,7 @@
>
#
> Their interest rather touched me and made them less remotely rich — nevertheless ,
# D$+ NSg/VB+ NPr/VB/J/R VP/J NPr/ISg+ VB/C VB NSg/IPl+ VB/J/R/C/P R NPr/VB/J . R .
# D$+ N🅪Sg/VB+ NPr/VB/J/R VP/J NPr/ISg+ VB/C VB NSg/IPl+ VB/J/R/C/P R NPr/VB/J . R .
> I was confused and a little disgusted as I drove away . It seemed to me that the
# ISg/#r+ VPt VP/J VB/C D/P NPr/I/J/Dq VP/J NSg/R ISg/#r+ NSg/VPt VB/J . NPr/ISg+ VP/J P NPr/ISg+ NSg/I/C/Ddem D+
> thing for Daisy to do was to rush out of the house , child in arms — but apparently
@ -1377,7 +1377,7 @@
> I think he’d tanked up a good deal at luncheon , and his determination to have my
# ISg/#r+ NSg/VB K VP/J NSg/VB/J/P D/P NPr/VB/J NSg/VB/J+ NSg/P NSg/VB+ . VB/C ISg/D$+ NSg+ P NSg/VXB D$+
> company bordered on violence . The supercilious assumption was that on Sunday
# N🅪Sg/VB+ VP/J J/P NSg/VB+ . D J N🅪Sg+ VPt NSg/I/C/Ddem+ J/P NSg/VB+
# N🅪Sg/VB+ VP/J J/P Nᴹ/VB+ . D J N🅪Sg+ VPt NSg/I/C/Ddem+ J/P NSg/VB+
> afternoon I had nothing better to do .
# N🅪Sg+ ISg/#r+ VB NSg/I/J+ NSg/VXB/JC P NSg/VXB .
>
@ -1551,7 +1551,7 @@
> she selected a new one , lavender - colored with gray upholstery , and in this we
# ISg+ VP/J D/P NSg/VB/J NSg/I/VB/J+ . Nᴹ/VB/J . NSg/VP/J/Am P NPr🅪Sg/VB/J/Am NSg . VB/C NPr/J/P I/Ddem IPl+
> slid out from the mass of the station into the glowing sunshine . But immediately
# VP NSg/VB/J/R/P P D NPr🅪Sg/VB/J P D NSg/VB+ P D Nᴹ/Vg/J NSg/J+ . NSg/C/P R
# VP NSg/VB/J/R/P P D NPr🅪Sg/VB/J P D NSg/VB+ P D Nᴹ/Vg/J Nᴹ/J+ . NSg/C/P R
> she turned sharply from the window and , leaning forward , tapped on the front
# ISg+ VP/J R P D+ NSg/VB+ VB/C . Nᴹ/Vg/J NSg/VB/J . VB/J J/P D NSg/VB/J+
> glass .
@ -1703,7 +1703,7 @@
> large , hard dog - biscuits — one of which decomposed apathetically in the saucer of
# NSg/J . N🅪Sg/J+ NSg/VB/J+ . NPl . NSg/I/VB/J P I/C+ VP/J R NPr/J/P D NSg/VB P
> milk all afternoon . Meanwhile Tom brought out a bottle of whiskey from a locked
# N🅪Sg/VB+ NSg/I/J/C/Dq N🅪Sg+ . NSg NPr/VB+ VP NSg/VB/J/R/P D/P NSg/VB P NSg P D/P VP/J
# N🅪Sg/VB+ NSg/I/J/C/Dq N🅪Sg+ . NSg NPr/VB+ VP NSg/VB/J/R/P D/P NSg/VB P N🅪Sg P D/P VP/J
> bureau door .
# NSg+ NSg/VB+ .
>
@ -1721,7 +1721,7 @@
> had both disappeared , so I sat down discreetly in the living - room and read a
# VB I/C/Dq VP/J . NSg/I/J/C ISg/#r+ NSg/VP/J N🅪Sg/VB/J/P R NPr/J/P D Nᴹ/Vg/J+ . N🅪Sg/VB/J+ VB/C NSg/VBP D/P
> chapter of “ Simon Called Peter ” — either it was terrible stuff or the whiskey
# NSg/VB P . NPr+ VP/J NPr/VB/JC+ . . I/C NPr/ISg+ VPt J Nᴹ/VB+ NPr/C D NSg
# NSg/VB P . NPr+ VP/J NPr/VB/JC+ . . I/C NPr/ISg+ VPt J Nᴹ/VB+ NPr/C D N🅪Sg
> distorted things , because it didn’t make any sense to me .
# VP/J NPl+ . C/P NPr/ISg+ VB NSg/VB I/R/Dq N🅪Sg/VB+ P NPr/ISg+ .
>
@ -1783,7 +1783,7 @@
> personality had also undergone a change . The intense vitality that had been so
# N🅪Sg+ VB R/C VB D/P+ N🅪Sg/VB+ . D+ J+ Nᴹ+ NSg/I/C/Ddem+ VB NSg/VPp NSg/I/J/C
> remarkable in the garage was converted into impressive hauteur . Her laughter ,
# J NPr/J/P D+ NSg/VB+ VPt VP/J P J NSg . ISg/D$+ NSg+ .
# J NPr/J/P D+ NSg/VB+ VPt VP/J P J NSg . ISg/D$+ Nᴹ+ .
> her gestures , her assertions became more violently affected moment by moment ,
# ISg/D$+ NPl/V3+ . ISg/D$+ NSg+ VPt NPr/I/VB/J/R/Dq R NSg/VP/J NSg+ NSg/J/P NSg+ .
> and as she expanded the room grew smaller around her , until she seemed to be
@ -1961,7 +1961,7 @@
>
#
> “ Ask Myrtle , ” said Tom , breaking into a short shout of laughter as Mrs . Wilson
# . NSg/VB NPr . . VP/J NPr/VB+ . Nᴹ/Vg/J P D/P NPr/VB/J/P NSg/VB P NSg+ NSg/R NPl+ . NPr+
# . NSg/VB NPr . . VP/J NPr/VB+ . Nᴹ/Vg/J P D/P NPr/VB/J/P NSg/VB P Nᴹ+ NSg/R NPl+ . NPr+
> entered with a tray . “ She'll give you a letter of introduction , won’t you ,
# VP/J P D/P+ NSg/VB+ . . K NSg/VB ISgPl+ D/P NSg/VB P NSg+ . VB ISgPl+ .
> Myrtle ? ”
@ -2147,7 +2147,7 @@
>
#
> The bottle of whiskey — a second one — was now in constant demand by all present ,
# D NSg/VB P NSg . D/P NSg/VB/J NSg/I/VB/J+ . VPt NPr/VB/J/C NPr/J/P NSg/J N🅪Sg/VB+ NSg/J/P NSg/I/J/C/Dq NSg/VB/J .
# D NSg/VB P N🅪Sg . D/P NSg/VB/J NSg/I/VB/J+ . VPt NPr/VB/J/C NPr/J/P NSg/J N🅪Sg/VB+ NSg/J/P NSg/I/J/C/Dq NSg/VB/J .
> excepting Catherine , who “ felt just as good on nothing at all . ” Tom rang for the
# Nᴹ/Vg/J NPr+ . NPr/I+ . N🅪Sg/VB/J VB/J NSg/R NPr/VB/J J/P NSg/I/J+ NSg/P NSg/I/J/C/Dq . . NPr/VB+ VPt C/P D
> janitor and sent him for some celebrated sandwiches , which were a complete
@ -2197,7 +2197,7 @@
>
#
> She turned to Mrs . McKee and the room rang full of her artificial laughter .
# ISg+ VP/J P NPl . NPr VB/C D N🅪Sg/VB/J+ VPt NSg/VB/J P ISg/D$+ J NSg+ .
# ISg+ VP/J P NPl . NPr VB/C D N🅪Sg/VB/J+ VPt NSg/VB/J P ISg/D$+ J Nᴹ+ .
>
#
> “ My dear , ” she cried , “ I’m going to give you this dress as soon as I’m through
@ -2383,7 +2383,7 @@
> Castile . The bar is in full swing , and floating rounds of cocktails permeate the
# ? . D+ NSg/VB/P+ VL3 NPr/J/P NSg/VB/J+ NSg/VB+ . VB/C Nᴹ/Vg/J NPl/V3 P NPl/V3+ NSg/VB D+
> garden outside , until the air is alive with chatter and laughter , and casual
# NSg/VB/J+ Nᴹ/VB/J/P . C/P D+ N🅪Sg/VB+ VL3 J P NSg/VB VB/C NSg+ . VB/C NSg/J
# NSg/VB/J+ Nᴹ/VB/J/P . C/P D+ N🅪Sg/VB+ VL3 J P NSg/VB VB/C Nᴹ+ . VB/C NSg/J
> innuendo and introductions forgotten on the spot , and enthusiastic meetings
# NSg/VB VB/C NPl+ NSg/VB/J J/P D NSg/VB/J+ . VB/C J NPl/V3
> between women who never knew each other’s names .
@ -2395,7 +2395,7 @@
> orchestra is playing yellow cocktail music , and the opera of voices pitches a
# NSg+ VL3 Nᴹ/Vg/J NSg/VB/J NSg/VB/J+ N🅪Sg/VB/J+ . VB/C D NSg P NPl/V3+ NPl/V3+ D/P
> key higher . Laughter is easier minute by minute , spilled with prodigality ,
# NPr/VB/J NSg/JC . NSg+ VL3 NSg/JC NSg/VB/J NSg/J/P NSg/VB/J+ . VP/J P Nᴹ .
# NPr/VB/J NSg/JC . Nᴹ+ VL3 NSg/JC NSg/VB/J NSg/J/P NSg/VB/J+ . VP/J P Nᴹ .
> tipped out at a cheerful word . The groups change more swiftly , swell with new
# VP NSg/VB/J/R/P NSg/P D/P J NSg/VB+ . D+ NPl/V3+ N🅪Sg/VB+ NPr/I/VB/J/R/Dq R . NSg/VB/J+ P NSg/VB/J
> arrivals , dissolve and form in the same breath ; already there are wanderers ,
@ -2493,7 +2493,7 @@
> came out of the house and stood at the head of the marble steps , leaning a
# NSg/VPt/P NSg/VB/J/R/P P D+ NPr/VB+ VB/C VB NSg/P D NPr/VB/J P D+ NSg/VB/J+ NPl/V3+ . Nᴹ/Vg/J D/P
> little backward and looking with contemptuous interest down into the garden .
# NPr/I/J/Dq NSg/J VB/C Nᴹ/Vg/J P J NSg/VB+ N🅪Sg/VB/J/P P D NSg/VB/J+ .
# NPr/I/J/Dq NSg/J VB/C Nᴹ/Vg/J P J N🅪Sg/VB+ N🅪Sg/VB/J/P P D NSg/VB/J+ .
>
#
> Welcome or not , I found it necessary to attach myself to some one before I
@ -2590,8 +2590,8 @@
#
> “ There’s something funny about a fellow that’ll do a thing like that , ” said the
# . K NSg/I/VB/J+ NSg/J J/P D/P NSg/VB K NSg/VXB D/P NSg+ NSg/VB/J/C/P NSg/I/C/Ddem+ . . VP/J D
> other girl eagerly . “ He doesn’t want any trouble with anybody . ”
# NSg/VB/J NSg/VB+ R . . NPr/ISg+ VB NSg/VB I/R/Dq NSg/VB+ P NSg/I+ . .
> other girl eagerly . “ He doesn’t want any trouble with anybody . ”
# NSg/VB/J NSg/VB+ R . . NPr/ISg+ VB NSg/VB I/R/Dq N🅪Sg/VB+ P NSg/I+ . .
>
#
> “ Who doesn’t ? ” I inquired .
@ -2815,7 +2815,7 @@
> jazz , and between the numbers people were doing ‘ ‘ stunts ” all over the garden ,
# NSg/VB+ . VB/C NSg/P D NPrPl/V3+ NPl/VB+ NSg/VPt Nᴹ/Vg/J Unlintable Unlintable NPl/V3 . NSg/I/J/C/Dq NSg/J/P D NSg/VB/J+ .
> while happy , vacuous bursts of laughter rose toward the summer sky . A pair of
# NSg/VB/C/P NSg/VB/J . J NPl/V3 P NSg+ NPr/VPt/J J/P D NPr🅪Sg/VB+ N🅪Sg/VB+ . D/P NSg/VB P
# NSg/VB/C/P NSg/VB/J . J NPl/V3 P Nᴹ+ NPr/VPt/J J/P D NPr🅪Sg/VB+ N🅪Sg/VB+ . D/P NSg/VB P
> stage twins , who turned out to be the girls in yellow , did a baby act in
# NSg/VB+ NPl/V3+ . NPr/I+ VP/J NSg/VB/J/R/P P NSg/VXB D+ NPl/V3+ NPr/J/P NSg/VB/J . VPt D/P+ NSg/VB/J+ NPr/VB+ NPr/J/P
> costume , and champagne was served in glasses bigger than finger - bowls . The moon
@ -2831,7 +2831,7 @@
> age and a rowdy little girl , who gave way upon the slightest provocation to
# N🅪Sg/VB VB/C D/P+ NSg/J+ NPr/I/J/Dq+ NSg/VB+ . NPr/I+ VB NSg/J+ P D JS NSg+ P
> uncontrollable laughter . I was enjoying myself now . I had taken two finger - bowls
# NSg/J NSg+ . ISg/#r+ VPt Nᴹ/Vg/J ISg+ NPr/VB/J/C . ISg/#r+ VB VB/J NSg NSg/VB+ . NPl/V3
# NSg/J Nᴹ+ . ISg/#r+ VPt Nᴹ/Vg/J ISg+ NPr/VB/J/C . ISg/#r+ VB VB/J NSg NSg/VB+ . NPl/V3
> of champagne , and the scene had changed before my eyes into something
# P N🅪Sg/VB/J+ . VB/C D+ NSg/VB+ VB VP/J C/P D$+ NPl/V3+ P NSg/I/VB/J+
> significant , elemental , and profound .
@ -3447,7 +3447,7 @@
> the lawn toward home . I glanced back once . A wafer of a moon was shining over
# D NSg/VB+ J/P NSg/VB/J+ . ISg/#r+ VP/J NSg/VB/J NSg/C . D/P NSg/VB P D/P+ NPr/VB+ VPt Nᴹ/Vg/J NSg/J/P
> Gatsby’s house , making the night fine as before , and surviving the laughter and
# NSg$ NPr/VB+ . Nᴹ/Vg/J D N🅪Sg/VB+ NSg/VB/J NSg/R C/P . VB/C Nᴹ/Vg/J D NSg+ VB/C
# NSg$ NPr/VB+ . Nᴹ/Vg/J D N🅪Sg/VB+ NSg/VB/J NSg/R C/P . VB/C Nᴹ/Vg/J D Nᴹ+ VB/C
> the sound of his still glowing garden . A sudden emptiness seemed to flow now
# D N🅪Sg/VB/J P ISg/D$+ NSg/VB/J Nᴹ/Vg/J NSg/VB/J+ . D/P+ NSg/J+ Nᴹ+ VP/J P NSg/VB NPr/VB/J/C
> from the windows and the great doors , endowing with complete isolation the
@ -3520,8 +3520,8 @@
# R . VB/C N🅪Sg/VB/J NPr/ISg+ NPr/J/P NPl/V3+ . NSg/VB/J NPr/VB/J NPl/V3+ NPr/I+ VP/J NPr/J/P NSg/VB/J P
> windows waiting until it was time for a solitary restaurant dinner — young clerks
# NPrPl/V3+ Nᴹ/Vg/J C/P NPr/ISg+ VPt N🅪Sg/VB/J C/P D/P NSg/J NSg+ N🅪Sg/VB+ . NPr/VB/J NPl/V3+
> in the dusk , wasting the most poignant moments of night and life .
# NPr/J/P D NSg/VB/J+ . Nᴹ/Vg/J D NSg/I/J/R/Dq J NPl P N🅪Sg/VB VB/C N🅪Sg/VB+ .
> in the dusk , wasting the most poignant moments of night and life .
# NPr/J/P D Nᴹ/VB/J+ . Nᴹ/Vg/J D NSg/I/J/R/Dq J NPl P N🅪Sg/VB VB/C N🅪Sg/VB+ .
>
#
> Again at eight o’clock , when the dark lanes of the Forties were lined five deep
@ -3531,7 +3531,7 @@
> heart . Forms leaned together in the taxis as they waited , and voices sang , and
# N🅪Sg/VB+ . NPl/V3+ VP/J J NPr/J/P D+ NPl/V3+ NSg/R IPl+ VP/J . VB/C NPl/V3+ NPr/VPt . VB/C
> there was laughter from unheard jokes , and lighted cigarettes made
# R+ VPt NSg P VP/J+ NPl/V3+ . VB/C VP/J NPl/V3+ VB
# R+ VPt Nᴹ P VP/J+ NPl/V3+ . VB/C VP/J NPl/V3+ VB
> unintelligible circles inside . Imagining that I , too , was hurrying toward gayety
# J NPl/V3+ NSg/J/P . Nᴹ/Vg/J NSg/I/C/Ddem+ ISg/#r+ . R . VPt Nᴹ/Vg/J J/P ?
> and sharing their intimate excitement , I wished them well .
@ -3905,7 +3905,7 @@
> now . I was brought up in America but educated at Oxford , because all my
# NPr/VB/J/C . ISg/#r+ VPt VP NSg/VB/J/P NPr/J/P NPr+ NSg/C/P VP/J NSg/P NPr+ . C/P NSg/I/J/C/Dq+ D$+
> ancestors have been educated there for many years . It is a family tradition . ”
# NPl/V3+ NSg/VXB NSg/VPp VP/J R C/P NSg/I/J/Dq+ NPl+ . NPr/ISg+ VL3 D/P N🅪Sg/J NSg/VB . .
# NPl/V3+ NSg/VXB NSg/VPp VP/J R C/P NSg/I/J/Dq+ NPl+ . NPr/ISg+ VL3 D/P N🅪Sg/J N🅪Sg/VB . .
>
#
> He looked at me sideways — and I knew why Jordan Baker had believed he was lying .
@ -3955,11 +3955,11 @@
>
#
> With an effort I managed to restrain my incredulous laughter . The very phrases
# P D/P+ N🅪Sg/VB+ ISg/#r+ VP/J P N🅪Sg/VB D$+ J NSg+ . D+ J/R+ NPl/V3+
# P D/P+ N🅪Sg/VB+ ISg/#r+ VP/J P N🅪Sg/VB D$+ J Nᴹ+ . D+ J/R+ NPl/V3+
> were worn so threadbare that they evoked no image except that of a turbaned
# NSg/VPt VB/J NSg/I/J/C J NSg/I/C/Ddem IPl+ VP/J NPr/P N🅪Sg/VB+ VB/C/P NSg/I/C/Ddem P D/P VP/J
> “ character ” leaking sawdust at every pore as he pursued a tiger through the Bois
# . NSg/VB+ . Nᴹ/Vg/J Nᴹ/VB+ NSg/P Dq NSg/VB NSg/R NPr/ISg+ VP/J D/P NSg+ NSg/J/P D ?
# . N🅪Sg/VB+ . Nᴹ/Vg/J Nᴹ/VB+ NSg/P Dq NSg/VB NSg/R NPr/ISg+ VP/J D/P NSg+ NSg/J/P D ?
> de Boulogne .
# NPr+ ? .
>
@ -4467,7 +4467,7 @@
> “ He becomes very sentimental sometimes , ” explained Gatsby . “ This is one of his
# . NPr/ISg+ V3 J/R J R . . VP/J NPr . . I/Ddem+ VL3 NSg/I/VB/J P ISg/D$+
> sentimental days . He’s quite a character around New York — a denizen of Broadway . ”
# J+ NPl+ . NSg$ R D/P NSg/VB+ J/P NSg/VB/J NPr+ . D/P NSg/VB P NPr/J+ . .
# J+ NPl+ . NSg$ R D/P N🅪Sg/VB+ J/P NSg/VB/J NPr+ . D/P NSg/VB P NPr/J+ . .
>
#
> “ Who is he , anyhow , an actor ? ”
@ -5014,8 +5014,8 @@
#
> “ Oh , that’s all right , ” he said carelessly . “ I don’t want to put you to any
# . NPr/VB . NSg$ NSg/I/J/C/Dq NPr/VB/J . . NPr/ISg+ VP/J R . . ISg/#r+ VB NSg/VB P NSg/VBP ISgPl+ P I/R/Dq
> trouble . ”
# NSg/VB+ . .
> trouble . ”
# N🅪Sg/VB+ . .
>
#
> “ What day would suit you ? ”
@ -5024,8 +5024,8 @@
#
> “ What day would suit you ? ” he corrected me quickly . “ I don’t want to put you to
# . NSg/I+ NPr🅪Sg+ VXB NSg/VB ISgPl+ . . NPr/ISg+ VP/J NPr/ISg+ R . . ISg/#r+ VB NSg/VB P NSg/VBP ISgPl+ P
> any trouble , you see . ”
# I/R/Dq NSg/VB+ . ISgPl+ NSg/VB . .
> any trouble , you see . ”
# I/R/Dq N🅪Sg/VB+ . ISgPl+ NSg/VB . .
>
#
> “ How about the day after to - morrow ? ”
@ -5083,7 +5083,7 @@
>
#
> “ Well , this would interest you . It wouldn’t take up much of your time and you
# . NSg/VB/J . I/Ddem+ VXB NSg/VB ISgPl+ . NPr/ISg+ VXB NSg/VB NSg/VB/J/P NSg/I/J/R/Dq P D$+ N🅪Sg/VB/J+ VB/C ISgPl+
# . NSg/VB/J . I/Ddem+ VXB N🅪Sg/VB ISgPl+ . NPr/ISg+ VXB NSg/VB NSg/VB/J/P NSg/I/J/R/Dq P D$+ N🅪Sg/VB/J+ VB/C ISgPl+
> might pick up a nice bit of money . It happens to be a rather confidential sort
# Nᴹ/VXB/J NSg/VB NSg/VB/J/P D/P NPr/VB/J NSg/VPt P N🅪Sg/J+ . NPr/ISg+ V3 P NSg/VXB D/P NPr/VB/J/R J NSg/VB
> of thing . ”
@ -5547,7 +5547,7 @@
> “ Has it ? ” When he realized what I was talking about , that there were
# . V3 NPr/ISg+ . . NSg/I/C NPr/ISg+ VP/J/NoAm NSg/I+ ISg/#r+ VPt Nᴹ/Vg/J J/P . NSg/I/C/Ddem R+ NSg/VPt
> twinkle - bells of sunshine in the room , he smiled like a weather man , like an
# NSg/VB . NPl/V3 P NSg/J+ NPr/J/P D N🅪Sg/VB/J+ . NPr/ISg+ VP/J NSg/VB/J/C/P D/P Nᴹ/VB/J+ NPr/VB/J+ . NSg/VB/J/C/P D/P
# NSg/VB . NPl/V3 P Nᴹ/J+ NPr/J/P D N🅪Sg/VB/J+ . NPr/ISg+ VP/J NSg/VB/J/C/P D/P Nᴹ/VB/J+ NPr/VB/J+ . NSg/VB/J/C/P D/P
> ecstatic patron of recurrent light , and repeated the news to Daisy . “ What do you
# NSg/J NSg/VB P NSg/J N🅪Sg/VB/J+ . VB/C VP/J D Nᴹ/V3+ P NPr . . NSg/I+ NSg/VXB ISgPl+
> think of that ? It’s stopped raining . ”
@ -5650,8 +5650,8 @@
#
> Instead of taking the short cut along the Sound we went down to the road and
# R P NSg/Vg/J D NPr/VB/J/P NSg/VBP/J P D+ N🅪Sg/VB/J+ IPl+ NSg/VPt N🅪Sg/VB/J/P P D+ N🅪Sg/J+ VB/C
> entered by the big postern . With enchanting murmurs Daisy admired this aspect or
# VP/J NSg/J/P D NSg/J ? . P Nᴹ/Vg/J NPl/V3 NPr+ VP/J I/Ddem NSg/VB+ NPr/C
> entered by the big postern . With enchanting murmurs Daisy admired this aspect or
# VP/J NSg/J/P D NSg/J ? . P Nᴹ/Vg/J NPl/V3 NPr+ VP/J I/Ddem N🅪Sg/VB+ NPr/C
> that of the feudal silhouette against the sky , admired the gardens , the
# NSg/I/C/Ddem P D J NSg/VB+ C/P D N🅪Sg/VB+ . VP/J D NPl/V3+ . D
> sparkling odor of jonquils and the frothy odor of hawthorn and plum blossoms and
@ -5673,7 +5673,7 @@
> closed the door of ‘ ‘ the Merton College Library ” I could have sworn I heard the
# VP/J D NSg/VB P Unlintable Unlintable D NPr NSg+ NSg+ . ISg/#r+ NSg/VXB NSg/VXB VB/J ISg/#r+ VP/J D
> owl - eyed man break into ghostly laughter .
# NSg/VB+ . VP/J NPr/VB/J+ NSg/VB+ P J/R NSg+ .
# NSg/VB+ . VP/J NPr/VB/J+ NSg/VB+ P J/R Nᴹ+ .
>
#
> We went up - stairs , through period bedrooms swathed in rose and lavender silk and
@ -5974,8 +5974,8 @@
# ISg/D$+ NSg/VB/J+ NSg/VB+ . NSg/C/P C/P P D J Nᴹ P ISg/D$+ N🅪Sg+ . NPr/ISg+ VB VPp/J/P
> beyond her , beyond everything . He had thrown himself into it with a creative
# NSg/P ISg/D$+ . NSg/P NSg/I/VB+ . NPr/ISg+ VB VB/J ISg+ P NPr/ISg+ P D/P+ NSg/J+
> passion , adding to it all the time , decking it out with every bright feather
# NPr/VB+ . Nᴹ/Vg/J P NPr/ISg+ NSg/I/J/C/Dq D+ N🅪Sg/VB/J+ . Nᴹ/Vg/J+ NPr/ISg+ NSg/VB/J/R/P P Dq+ NPr/VB/J+ NSg/VB+
> passion , adding to it all the time , decking it out with every bright feather
# NPrᴹ/VB+ . Nᴹ/Vg/J P NPr/ISg+ NSg/I/J/C/Dq D+ N🅪Sg/VB/J+ . Nᴹ/Vg/J+ NPr/ISg+ NSg/VB/J/R/P P Dq+ NPr/VB/J+ NSg/VB+
> that drifted his way . No amount of fire or freshness can challenge what a man
# NSg/I/C/Ddem+ VP/J ISg/D$+ NSg/J+ . NPr/P NSg/VB P N🅪Sg/VB/J NPr/C NSg+ NPr/VXB N🅪Sg/VB NSg/I+ D/P+ NPr/VB/J+
> can store up in his ghostly heart .
@ -6193,7 +6193,7 @@
> hard , empty face — the pioneer debauchee , who during one phase of American life
# N🅪Sg/J . NSg/VB/J NSg/VB+ . D NSg/VB+ NSg . NPr/I+ VB/P NSg/I/VB/J NPr/VB P NPr/J N🅪Sg/VB+
> brought back to the Eastern seaboard the savage violence of the frontier brothel
# VP NSg/VB/J P D J NSg+ D NPr/VB/J+ NSg/VB P D NSg/VB+ NSg
# VP NSg/VB/J P D J NSg+ D NPr/VB/J+ Nᴹ/VB P D NSg/VB+ NSg
> and saloon . It was indirectly due to Cody that Gatsby drank so little . Sometimes
# VB/C NSg+ . NPr/ISg+ VPt R NSg/J P NPr NSg/I/C/Ddem+ NPr NSg/VPt NSg/I/J/C NPr/I/J/Dq . R
> in the course of gay parties women used to rub champagne into his hair ; for
@ -6471,7 +6471,7 @@
> people , or at least the same sort of people , the same profusion of champagne ,
# NPl/VB+ . NPr/C NSg/P NSg/J D I/J NSg/VB P NPl/VB+ . D I/J N🅪Sg/VB P N🅪Sg/VB/J+ .
> the same many - colored , many - keyed commotion , but I felt an unpleasantness in the
# D I/J NSg/I/J/Dq . NSg/VP/J/Am . NSg/I/J/Dq . VP/J NSg . NSg/C/P ISg/#r+ N🅪Sg/VB/J D/P NSg NPr/J/P D
# D I/J NSg/I/J/Dq . NSg/VP/J/Am . NSg/I/J/Dq . VP/J N🅪Sg . NSg/C/P ISg/#r+ N🅪Sg/VB/J D/P NSg NPr/J/P D
> air , a pervading harshness that hadn’t been there before . Or perhaps I had
# N🅪Sg/VB+ . D/P Nᴹ/Vg/J NSg NSg/I/C/Ddem+ VB NSg/VPp R+ C/P . NPr/C NSg/R ISg/#r+ VB
> merely grown used to it , grown to accept West Egg as a world complete in itself ,
@ -6921,7 +6921,7 @@
>
#
> He talked a lot about the past , and I gathered that he wanted to recover
# NPr/ISg+ VP/J D/P+ NPr/VB+ J/P D NSg/VB/J/P . VB/C ISg/#r+ VP/J NSg/I/C/Ddem NPr/ISg+ VP/J P NSg/VB/J
# NPr/ISg+ VP/J D/P+ NPr/VB+ J/P D NSg/VB/J/P . VB/C ISg/#r+ VP/J NSg/I/C/Ddem NPr/ISg+ VP/J P N🅪Sg/VB/J
> something , some idea of himself perhaps , that had gone into loving Daisy . His
# NSg/I/VB/J+ . I/J/R/Dq NSg P ISg+ NSg/R . NSg/I/C/Ddem+ VB VPp/J/P P Nᴹ/Vg/J+ NPr+ . ISg/D$+
> life had been confused and disordered since then , but if he could once return to
@ -7360,8 +7360,8 @@
# NPr VB NSg/VB/J/P ISg/D$+ NSg/VB+ .
>
#
> “ They certainly look cool , ” he said , with visible tension .
# . IPl+ R NSg/VB NSg/VB/J . . NPr/ISg+ VP/J . P J+ NSg/VB+ .
> “ They certainly look cool , ” he said , with visible tension .
# . IPl+ R NSg/VB NSg/VB/J . . NPr/ISg+ VP/J . P J+ N🅪Sg/VB+ .
>
#
> We drank in long , greedy swallows .
@ -7563,7 +7563,7 @@
>
#
> “ I’ll get some whiskey , ” answered Tom . He went inside .
# . K NSg/VB I/J/R/Dq NSg . . VP/J NPr/VB+ . NPr/ISg+ NSg/VPt NSg/J/P .
# . K NSg/VB I/J/R/Dq N🅪Sg . . VP/J NPr/VB+ . NPr/ISg+ NSg/VPt NSg/J/P .
>
#
> Gatsby turned to me rigidly :
@ -7584,8 +7584,8 @@
#
> That was it . I’d never understood before . It was full of money — that was the
# NSg/I/C/Ddem+ VPt NPr/ISg+ . K R VP/J C/P . NPr/ISg+ VPt NSg/VB/J P N🅪Sg/J+ . NSg/I/C/Ddem+ VPt D
> inexhaustible charm that rose and fell in it , the jingle of it , the cymbals ’
# J NSg/VB NSg/I/C/Ddem+ NPr/VPt/J VB/C NSg/VPt/J NPr/J/P NPr/ISg+ . D NSg/VB P NPr/ISg+ . D NPl .
> inexhaustible charm that rose and fell in it , the jingle of it , the cymbals ’
# J N🅪Sg/VB NSg/I/C/Ddem+ NPr/VPt/J VB/C NSg/VPt/J NPr/J/P NPr/ISg+ . D NSg/VB P NPr/ISg+ . D NPl .
> song of it . . . . High in a white palace the king’s daughter , the golden girl . .
# N🅪Sg P NPr/ISg+ . . . . NSg/VB/J NPr/J/P D/P NPr🅪Sg/VB/J NSg/VB+ D NSg$ NSg+ . D NPr/VB/J NSg/VB+ . .
> . .
@ -7946,8 +7946,8 @@
#
> The word “ sensuous ” had the effect of further disquieting Tom , but before he
# D+ NSg/VB+ . J . VB D NSg/VB P VB/JC Nᴹ/Vg/J NPr/VB+ . NSg/C/P C/P NPr/ISg+
> could invent a protest the coupé came to a stop , and Daisy signalled us to draw
# NSg/VXB VB D/P NSg/VB+ D ? NSg/VPt/P P D/P NSg/VB+ . VB/C NPr+ VP/Comm NPr/IPl+ P NSg/VB
> could invent a protest the coupé came to a stop , and Daisy signalled us to draw
# NSg/VXB VB D/P N🅪Sg/VB+ D ? NSg/VPt/P P D/P NSg/VB+ . VB/C NPr+ VP/Comm NPr/IPl+ P NSg/VB
> up alongside .
# NSg/VB/J/P P .
>
@ -8039,7 +8039,7 @@
>
#
> He unrolled the bottle of whiskey from the towel and put it on the table .
# NPr/ISg+ VP/J D NSg/VB P NSg P D NSg/VB+ VB/C NSg/VBP NPr/ISg+ J/P D NSg/VB+ .
# NPr/ISg+ VP/J D NSg/VB P N🅪Sg P D NSg/VB+ VB/C NSg/VBP NPr/ISg+ J/P D NSg/VB+ .
>
#
> “ Why not let her alone , old sport ? ” remarked Gatsby . “ You’re the one that wanted
@ -8222,8 +8222,8 @@
# I/D+ NSg/VB+ . D/P+ NSg/VB+ VP/J VB/C NSg/VPt/P NPr/J/P P VP/J NSg/VB/J VB/C NPr🅪Sg/VB+ NSg/C/P D
> silence was unbroken by his “ thank you ” and the soft closing of the door . This
# NSg/VB+ VPt J NSg/J/P ISg/D$+ . NSg/VB ISgPl+ . VB/C D NSg/J Nᴹ/Vg/J P D NSg/VB+ . I/Ddem+
> tremendous detail was to be cleared up at last .
# J+ NSg/VB/J+ VPt P NSg/VXB VP/J NSg/VB/J/P NSg/P NSg/VB/J .
> tremendous detail was to be cleared up at last .
# J+ N🅪Sg/VB/J+ VPt P NSg/VXB VP/J NSg/VB/J/P NSg/P NSg/VB/J .
>
#
> “ I told you I went there , ” said Gatsby .
@ -8263,7 +8263,7 @@
>
#
> “ Open the whiskey , Tom , ” she ordered , ‘ ‘ and I'll make you a mint julep . Then you
# . NSg/VB/J D NSg . NPr/VB+ . . ISg+ VP/J . Unlintable Unlintable VB/C K NSg/VB ISgPl+ D/P NSg/VB/J NSg . NSg/J/C ISgPl+
# . NSg/VB/J D N🅪Sg . NPr/VB+ . . ISg+ VP/J . Unlintable Unlintable VB/C K NSg/VB ISgPl+ D/P NSg/VB/J NSg . NSg/J/C ISgPl+
> won’t seem so stupid to yourself . . . . Look at the mint ! ”
# VB VB NSg/I/J/C NSg/J P ISg+ . . . . NSg/VB NSg/P D NSg/VB/J . .
>
@ -8399,7 +8399,7 @@
> other all that time , old sport , and you didn’t know . I used to laugh
# NSg/VB/J NSg/I/J/C/Dq NSg/I/C/Ddem+ N🅪Sg/VB/J+ . NSg/J+ NSg/VB+ . VB/C ISgPl+ VB NSg/VB . ISg/#r+ VP/J P NSg/VB
> sometimes ” — but there was no laughter in his eyes — “ to think that you didn’t
# R . . NSg/C/P R+ VPt NPr/P NSg+ NPr/J/P ISg/D$+ NPl/V3+ . . P NSg/VB NSg/I/C/Ddem ISgPl+ VB
# R . . NSg/C/P R+ VPt NPr/P Nᴹ+ NPr/J/P ISg/D$+ NPl/V3+ . . P NSg/VB NSg/I/C/Ddem ISgPl+ VB
> know . ”
# NSg/VB . .
>
@ -8426,8 +8426,8 @@
# . NPr/P . . VP/J NPr . Nᴹ/Vg/J ISg/D$+ NPr/VB/J+ .
>
#
> “ She does , though . The trouble is that sometimes she gets foolish ideas in her
# . ISg+ NPl/V3 . VB/C . D+ NSg/VB+ VL3 NSg/I/C/Ddem+ R ISg+ NPl/V3 J NPl+ NPr/J/P ISg/D$+
> “ She does , though . The trouble is that sometimes she gets foolish ideas in her
# . ISg+ NPl/V3 . VB/C . D+ N🅪Sg/VB+ VL3 NSg/I/C/Ddem+ R ISg+ NPl/V3 J NPl+ NPr/J/P ISg/D$+
> head and doesn’t know what she’s doing . ” He nodded sagely . “ And what’s more , I
# NPr/VB/J+ VB/C VB NSg/VB NSg/I+ K Nᴹ/Vg/J . . NPr/ISg+ VB R . . VB/C NSg$ NPr/I/VB/J/R/Dq . ISg/#r+
> love Daisy too . Once in a while I go off on a spree and make a fool of myself ,
@ -8717,7 +8717,7 @@
>
#
> After a moment Tom got up and began wrapping the unopened bottle of whiskey in
# P D/P+ NSg+ NPr/VB+ VB NSg/VB/J/P VB/C VPt N🅪Sg/Vg+ D VB/J NSg/VB P NSg NPr/J/P
# P D/P+ NSg+ NPr/VB+ VB NSg/VB/J/P VB/C VPt N🅪Sg/Vg+ D VB/J NSg/VB P N🅪Sg NPr/J/P
> the towel .
# D NSg/VB+ .
>
@ -8838,8 +8838,8 @@
# NPr/VB/J . .
>
#
> A moment later she rushed out into the dusk , waving her hands and
# D/P+ NSg+ JC ISg+ VP/J NSg/VB/J/R/P P D+ NSg/VB/J+ . Nᴹ/Vg/J ISg/D$+ NPl/V3 VB/C
> A moment later she rushed out into the dusk , waving her hands and
# D/P+ NSg+ JC ISg+ VP/J NSg/VB/J/R/P P D+ Nᴹ/VB/J+ . Nᴹ/Vg/J ISg/D$+ NPl/V3 VB/C
> shouting — before he could move from his door the business was over .
# Nᴹ/Vg/J+ . C/P NPr/ISg+ NSg/VXB NSg/VB P ISg/D$+ NSg/VB D+ N🅪Sg/J+ VPt NSg/J/P .
>
@ -8906,8 +8906,8 @@
# NSg/VB .
>
#
> “ There’s some bad trouble here , ” said Tom excitedly .
# . K I/J/R/Dq+ NSg/VB/J NSg/VB+ NSg/J/R . . VP/J NPr/VB+ R .
> “ There’s some bad trouble here , ” said Tom excitedly .
# . K I/J/R/Dq+ NSg/VB/J N🅪Sg/VB+ NSg/J/R . . VP/J NPr/VB+ R .
>
#
> He reached up on tiptoes and peered over a circle of heads into the garage ,
@ -8930,8 +8930,8 @@
#
> Myrtle Wilson’s body , wrapped in a blanket , and then in another blanket , as
# NPr NSg$ NSg/VB+ . VP/J NPr/J/P D/P NSg/VB/J+ . VB/C NSg/J/C NPr/J/P I/D NSg/VB/J+ . NSg/R
> though she suffered from a chill in the hot night , lay on a work - table by the
# VB/C ISg+ VP/J P D/P NSg/VB/J+ NPr/J/P D NSg/VB/J N🅪Sg/VB+ . NSg/VB/J J/P D/P N🅪Sg/VB+ . NSg/VB+ NSg/J/P D
> though she suffered from a chill in the hot night , lay on a work - table by the
# VB/C ISg+ VP/J P D/P N🅪Sg/VB/J+ NPr/J/P D NSg/VB/J N🅪Sg/VB+ . NSg/VB/J J/P D/P N🅪Sg/VB+ . NSg/VB+ NSg/J/P D
> wall , and Tom , with his back to us , was bending over it , motionless . Next to him
# NPr/VB+ . VB/C NPr/VB+ . P ISg/D$+ NSg/VB/J P NPr/IPl+ . VPt Nᴹ/Vg/J NSg/J/P NPr/ISg+ . J . NSg/J/P P ISg+
> stood a motorcycle policeman taking down names with much sweat and correction in
@ -9272,8 +9272,8 @@
# NPl/V3 P . ? NPl/VB+ . . NSg/J/P ISg+ NPr/J/P D NSg/VB/J NSg .
>
#
> “ Did you see any trouble on the road ? ” he asked after a minute .
# . VPt ISgPl+ NSg/VB I/R/Dq NSg/VB+ J/P D+ N🅪Sg/J+ . . NPr/ISg+ VP/J P D/P+ NSg/VB/J+ .
> “ Did you see any trouble on the road ? ” he asked after a minute .
# . VPt ISgPl+ NSg/VB I/R/Dq N🅪Sg/VB+ J/P D+ N🅪Sg/J+ . . NPr/ISg+ VP/J P D/P+ NSg/VB/J+ .
>
#
> “ Yes . ”
@ -9399,7 +9399,7 @@
>
#
> “ You wait here , ” I said . “ I’ll see if there’s any sign of a commotion . ”
# . ISgPl+ NSg/VB NSg/J/R . . ISg/#r+ VP/J . . K NSg/VB NSg/C K I/R/Dq NSg/VB P D/P NSg . .
# . ISgPl+ NSg/VB NSg/J/R . . ISg/#r+ VP/J . . K NSg/VB NSg/C K I/R/Dq NSg/VB P D/P N🅪Sg . .
>
#
> I walked back along the border of the lawn , traversed the gravel softly , and
@ -9474,8 +9474,8 @@
# ISg/#r+ VB N🅪Sg/VB+ NSg/I/J/C/Dq N🅪Sg/VB+ . D/P N🅪Sg/VB+ . NPr/VB+ VPt Nᴹ/Vg/J R J/P D N🅪Sg/VB/J+ .
> and I tossed half - sick between grotesque reality and savage , frightening dreams .
# VB/C ISg/#r+ VP/J N🅪Sg/VB/J/P+ . NSg/VB/J NSg/P NSg/J N🅪Sg VB/C NPr/VB/J+ . Nᴹ/Vg/J NPl/V3+ .
> Toward dawn I heard a taxi go up Gatsby’s drive , and immediately I jumped out of
# J/P NPr/VB+ ISg/#r+ VP/J D/P+ NSg/VB+ NSg/VB/J NSg/VB/J/P NSg$ N🅪Sg/VB . VB/C R ISg/#r+ VP/J NSg/VB/J/R/P P
> Toward dawn I heard a taxi go up Gatsby’s drive , and immediately I jumped out of
# J/P NPr🅪Sg/VB+ ISg/#r+ VP/J D/P+ NSg/VB+ NSg/VB/J NSg/VB/J/P NSg$ N🅪Sg/VB . VB/C R ISg/#r+ VP/J NSg/VB/J/R/P P
> bed and began to dress — I felt that I had something to tell him , something to
# NSg/VBP/J+ VB/C VPt P NSg/VB . ISg/#r+ N🅪Sg/VB/J NSg/I/C/Ddem ISg/#r+ VB NSg/I/VB/J+ P NPr/VB ISg+ . NSg/I/VB/J+ P
> warn him about , and morning would be too late .
@ -9629,7 +9629,7 @@
> voice huskier and more charming than ever , and Gatsby was overwhelmingly aware
# NSg/VB+ JC VB/C NPr/I/VB/J/R/Dq Nᴹ/Vg/J C/P J . VB/C NPr VPt R VB/J
> of the youth and mystery that wealth imprisons and preserves , of the freshness
# P D NSg VB/C N🅪Sg+ NSg/I/C/Ddem+ Nᴹ+ V3 VB/C NPl/V3 . P D NSg
# P D NSg VB/C N🅪Sg+ NSg/I/C/Ddem+ N🅪Sg+ V3 VB/C NPl/V3 . P D NSg
> of many clothes , and of Daisy , gleaming like silver , safe and proud above the
# P NSg/I/J/Dq NPl/V3+ . VB/C P NPr+ . Nᴹ/Vg/J NSg/VB/J/C/P Nᴹ/VB/J+ . NSg/VB/J VB/C J NSg/J/P D
> hot struggles of the poor .
@ -9712,8 +9712,8 @@
# NSg/J/P I/Ddem+ Nᴹ/VB/J+ NPr+ NPr+ VPt P NSg/VB P P D+ NSg/VB+ .
> suddenly she was again keeping half a dozen dates a day with half a dozen men ,
# R ISg+ VPt P Nᴹ/Vg/J N🅪Sg/VB/J/P+ D/P+ NSg NPl/V3+ D/P NPr🅪Sg P N🅪Sg/VB/J/P+ D/P+ NSg+ NPl+ .
> and drowsing asleep at dawn with the beads and chiffon of an evening dress
# VB/C Nᴹ/Vg/J J NSg/P NPr/VB+ P D NPl/V3+ VB/C NSg P D/P N🅪Sg/Vg/J+ NSg/VB+
> and drowsing asleep at dawn with the beads and chiffon of an evening dress
# VB/C Nᴹ/Vg/J J NSg/P NPr🅪Sg/VB+ P D NPl/V3+ VB/C NSg P D/P N🅪Sg/Vg/J+ NSg/VB+
> tangled among dying orchids on the floor beside her bed . And all the time
# VP/J P Nᴹ/Vg/J NPl J/P D NSg/VB+ P ISg/D$+ NSg/VBP/J+ . VB/C NSg/I/J/C/Dq D+ N🅪Sg/VB/J+
> something within her was crying for a decision . She wanted her life shaped now ,
@ -9734,8 +9734,8 @@
# NSg/VB+ VP/J NPr NSg/VB/C/P NPr/ISg+ VPt NSg/VB/J NSg/P NPr+ .
>
#
> It was dawn now on Long Island and we went about opening the rest of the windows
# NPr/ISg+ VPt NPr/VB+ NPr/VB/J/C J/P NPr/VB/J+ NSg/VB+ VB/C IPl+ NSg/VPt J/P Nᴹ/Vg/J D NSg/VB P D+ NPrPl/V3+
> It was dawn now on Long Island and we went about opening the rest of the windows
# NPr/ISg+ VPt NPr🅪Sg/VB+ NPr/VB/J/C J/P NPr/VB/J+ NSg/VB+ VB/C IPl+ NSg/VPt J/P Nᴹ/Vg/J D NSg/VB P D+ NPrPl/V3+
> down - stairs , filling the house with gray - turning , gold - turning light . The shadow
# N🅪Sg/VB/J/P . NPl+ . N🅪Sg/Vg/J D+ NPr/VB+ P NPr🅪Sg/VB/J/Am . Nᴹ/Vg/J . Nᴹ/VB/J+ . Nᴹ/Vg/J N🅪Sg/VB/J+ . D NSg/VB/J
> of a tree fell abruptly across the dew and ghostly birds began to sing among the
@ -9840,8 +9840,8 @@
#
> “ I’m going to drain the pool to - day , Mr . Gatsby . Leaves’ll start falling pretty
# . K Nᴹ/Vg/J P NSg/VB D NSg/VB+ P . NPr🅪Sg+ . NSg+ . NPr . ? NSg/VB Nᴹ/Vg/J NSg/VB/J/R
> soon , and then there’s always trouble with the pipes . ”
# J/R . VB/C NSg/J/C K R NSg/VB+ P D NPl/V3+ . .
> soon , and then there’s always trouble with the pipes . ”
# J/R . VB/C NSg/J/C K R N🅪Sg/VB+ P D NPl/V3+ . .
>
#
> “ Don’t do it to - day , ” Gatsby answered . He turned to me apologetically . “ You
@ -10072,8 +10072,8 @@
# NSg/VB/JC+ P NSg/VB R+ NSg+ NPl/V3+ NSg/JC . NSg/VB/C/P NPr/ISg+ NSg/VPt NSg/VB/J P ISg/D$+ NSg/VB/J+
> place and made a pot of coffee . After that , he stayed there alone with Wilson
# N🅪Sg/VB+ VB/C VB D/P N🅪Sg/VB P N🅪Sg/VB/J+ . P NSg/I/C/Ddem+ . NPr/ISg+ VP/J R J P NPr+
> until dawn .
# C/P NPr/VB+ .
> until dawn .
# C/P NPr🅪Sg/VB+ .
>
#
> About three o’clock the quality of Wilson’s incoherent muttering changed — he grew
@ -10281,7 +10281,7 @@
> not enough of him for his wife . He was glad a little later when he noticed a
# NSg/R/C NSg/I P ISg+ C/P ISg/D$+ NSg/VB/J+ . NPr/ISg+ VPt NSg/VB/J D/P NPr/I/J/Dq JC NSg/I/C NPr/ISg+ VP/J D/P
> change in the room , a blue quickening by the window , and realized that dawn
# N🅪Sg/VB+ NPr/J/P D+ N🅪Sg/VB/J+ . D/P N🅪Sg/VB/J+ Nᴹ/Vg/J+ NSg/J/P D+ NSg/VB+ . VB/C VP/J/NoAm NSg/I/C/Ddem+ NPr/VB+
# N🅪Sg/VB+ NPr/J/P D+ N🅪Sg/VB/J+ . D/P N🅪Sg/VB/J+ Nᴹ/Vg/J+ NSg/J/P D+ NSg/VB+ . VB/C VP/J/NoAm NSg/I/C/Ddem+ NPr🅪Sg/VB+
> wasn’t far off . About five o’clock it was blue enough outside to snap off the
# VB NSg/VB/J NSg/VB/J/P . J/P NSg R NPr/ISg+ VPt N🅪Sg/VB/J NSg/I Nᴹ/VB/J/P P NSg/VB/J+ NSg/VB/J/P D+
> light .
@ -10290,8 +10290,8 @@
#
> Wilson’s glazed eyes turned out to the ashheaps , where small gray clouds took on
# NSg$ VP/J NPl/V3+ VP/J NSg/VB/J/R/P P D ? . NSg/C NPr/VB/J NPr🅪Sg/VB/J/Am NPl/V3+ VB J/P
> fantastic shapes and scurried here and there in the faint dawn wind .
# NSg/J NPl/V3+ VB/C VP/J NSg/J/R VB/C R NPr/J/P D NSg/VB/J NPr/VB+ N🅪Sg/VB+ .
> fantastic shapes and scurried here and there in the faint dawn wind .
# NSg/J NPl/V3+ VB/C VP/J NSg/J/R VB/C R NPr/J/P D NSg/VB/J NPr🅪Sg/VB+ N🅪Sg/VB+ .
>
#
> “ I spoke to her , ” he muttered , after a long silence . “ I told her she might fool
@ -10481,7 +10481,7 @@
> racy pasquinade — but Catherine , who might have said anything , didn’t say a word .
# J ? . NSg/C/P NPr+ . NPr/I+ Nᴹ/VXB/J NSg/VXB VP/J NSg/I/VB+ . VB NSg/VB D/P NSg/VB+ .
> She showed a surprising amount of character about it too — looked at the coroner
# ISg+ VP/J D/P Nᴹ/Vg/J NSg/VB P NSg/VB+ J/P NPr/ISg+ R . VP/J NSg/P D+ NSg+
# ISg+ VP/J D/P Nᴹ/Vg/J NSg/VB P N🅪Sg/VB+ J/P NPr/ISg+ R . VP/J NSg/P D+ NSg+
> with determined eyes under that corrected brow of hers , and swore that her
# P VP/J NPl/V3+ NSg/J/P NSg/I/C/Ddem+ VP/J NSg/VB P ISg+ . VB/C VB NSg/I/C/Ddem ISg/D$+
> sister had never seen Gatsby , that her sister was completely happy with her
@ -10509,7 +10509,7 @@
> I was responsible , because no one else was interested — interested , I mean , with
# ISg/#r+ VPt NSg/J . C/P NPr/P NSg/I/VB/J+ NSg/J/C VPt VP/J . VP/J . ISg/#r+ NSg/VB/J . P
> that intense personal interest to which every one has some vague right at the
# NSg/I/C/Ddem J NSg/J NSg/VB+ P I/C+ Dq NSg/I/VB/J+ V3 I/J/R/Dq NSg/VB/J NPr/VB/J NSg/P D
# NSg/I/C/Ddem J NSg/J N🅪Sg/VB+ P I/C+ Dq NSg/I/VB/J+ V3 I/J/R/Dq NSg/VB/J NPr/VB/J NSg/P D
> end .
# NSg/VB+ .
>
@ -10583,7 +10583,7 @@
> visitors , all these official people who suddenly filled it . But , though they
# NPl+ . NSg/I/J/C/Dq I/Ddem+ NSg/J+ NPl/VB+ NPr/I+ R VP/J NPr/ISg+ . NSg/C/P . VB/C IPl+
> drew back the sheet and looked at Gatsby with shocked eyes , his protest
# NPr/VB NSg/VB/J D+ NSg/VB+ VB/C VP/J NSg/P NPr P VP/J NPl/V3+ . ISg/D$+ NSg/VB+
# NPr/VB NSg/VB/J D+ NSg/VB+ VB/C VP/J NSg/P NPr P VP/J NPl/V3+ . ISg/D$+ N🅪Sg/VB+
> continued in my brain :
# VP/J NPr/J/P D$+ NPr🅪Sg/VB+ .
>
@ -10601,7 +10601,7 @@
> definitely that his parents were dead . But there was nothing — only the picture of
# R NSg/I/C/Ddem ISg/D$+ NPl/V3+ NSg/VPt NSg/VB/J . NSg/C/P R+ VPt NSg/I/J+ . J/R/C D NSg/VB P
> Dan Cody , a token of forgotten violence , staring down from the wall .
# NPr+ NPr . D/P NSg/VB/J P NSg/VB/J NSg/VB+ . Nᴹ/Vg/J N🅪Sg/VB/J/P P D NPr/VB+ .
# NPr+ NPr . D/P NSg/VB/J P NSg/VB/J Nᴹ/VB+ . Nᴹ/Vg/J N🅪Sg/VB/J/P P D NPr/VB+ .
>
#
> Next morning I sent the butler to New York with a letter to Wolfshiem , which
@ -10678,8 +10678,8 @@
# . R+ VB NSg/VPp I/R/Dq NPl/V3+ . .
>
#
> “ Young Parke’s in trouble , ” he said rapidly . “ They picked him up when he handed
# . NPr/VB/J ? NPr/J/P NSg/VB+ . . NPr/ISg+ VP/J R . . IPl+ VP/J ISg+ NSg/VB/J/P NSg/I/C NPr/ISg+ VP/J
> “ Young Parke’s in trouble , ” he said rapidly . “ They picked him up when he handed
# . NPr/VB/J ? NPr/J/P N🅪Sg/VB+ . . NPr/ISg+ VP/J R . . IPl+ VP/J ISg+ NSg/VB/J/P NSg/I/C NPr/ISg+ VP/J
> the bonds over the counter . They got a circular from New York giving ’ em the
# D+ NPl/V3+ NSg/J/P D+ NSg/VB/J+ . IPl+ VB D/P NSg/VB/J P NSg/VB/J+ NPr+ Nᴹ/Vg/J . NSg/I/J+ D+
> numbers just five minutes before . What d’you know about that , hey ? You never can
@ -10904,8 +10904,8 @@
#
> “ What I called up about was a pair of shoes I left there . I wonder if it’d be
# . NSg/I+ ISg/#r+ VP/J NSg/VB/J/P J/P VPt D/P NSg/VB P NPl/V3+ ISg/#r+ NPr/VB/J R . ISg/#r+ N🅪Sg/VB NSg/C K NSg/VXB
> too much trouble to have the butler send them on . You see , they’re tennis shoes ,
# R NSg/I/J/R/Dq NSg/VB+ P NSg/VXB D NPr/VB NSg/VB NSg/IPl+ J/P . ISgPl+ NSg/VB . K NSg/VB+ NPl/V3+ .
> too much trouble to have the butler send them on . You see , they’re tennis shoes ,
# R NSg/I/J/R/Dq N🅪Sg/VB+ P NSg/VXB D NPr/VB NSg/VB NSg/IPl+ J/P . ISgPl+ NSg/VB . K NSg/VB+ NPl/V3+ .
> and I’m sort of helpless without them . My address is care of B. F. — — — ”
# VB/C K NSg/VB P J C/P NSg/IPl+ . D$+ NSg/VB+ VL3 N🅪Sg/VB P ? ? . . . .
>
@ -11130,8 +11130,8 @@
#
> It was a photograph of the house , cracked in the corners and dirty with many
# NPr/ISg+ VPt D/P NSg/VB P D+ NPr/VB+ . VP/J NPr/J/P D+ + VB/C VB/J P NSg/I/J/Dq+
> hands . He pointed out every detail to me eagerly . “ Look there ! ” and then sought
# NPl/V3+ . NPr/ISg+ VP/J NSg/VB/J/R/P Dq+ NSg/VB/J+ P NPr/ISg+ R . . NSg/VB R . . VB/C NSg/J/C VB
> hands . He pointed out every detail to me eagerly . “ Look there ! ” and then sought
# NPl/V3+ . NPr/ISg+ VP/J NSg/VB/J/R/P Dq+ N🅪Sg/VB/J+ P NPr/ISg+ R . . NSg/VB R . . VB/C NSg/J/C VB
> admiration from my eyes . He had shown it so often that I think it was more real
# NSg+ P D$+ NPl/V3+ . NPr/ISg+ VB VPp NPr/ISg+ NSg/I/J/C R NSg/I/C/Ddem ISg/#r+ NSg/VB NPr/ISg+ VPt NPr/I/VB/J/R/Dq NSg/J
> to him now than the house itself .
@ -11168,8 +11168,8 @@
# . NSg/VB NSg/J/R . I/Ddem+ VL3 D/P NSg/VB NPr/ISg+ VB NSg/I/C NPr/ISg+ VPt D/P NSg/VB . NPr/ISg+ VB/J NPl/V3 ISgPl+ . .
>
#
> He opened it at the back cover and turned it around for me to see . On the last
# NPr/ISg+ VP/J NPr/ISg+ NSg/P D NSg/VB/J NSg/VB/J VB/C VP/J NPr/ISg+ J/P C/P NPr/ISg+ P NSg/VB . J/P D NSg/VB/J
> He opened it at the back cover and turned it around for me to see . On the last
# NPr/ISg+ VP/J NPr/ISg+ NSg/P D NSg/VB/J N🅪Sg/VB/J VB/C VP/J NPr/ISg+ J/P C/P NPr/ISg+ P NSg/VB . J/P D NSg/VB/J
> fly - leaf was printed the word SCHEDULE , and the date September 12 , 1906 . And
# NSg/VB/J+ . NSg/VB+ VPt VP/J D+ NSg/VB+ NSg/VB+ . VB/C D+ N🅪Sg/VB+ NPr+ # . # . VB/C
> underneath :
@ -11399,7 +11399,7 @@
> eyes ’ power of correction . So when the blue smoke of brittle leaves was in the
# NPl/V3+ . N🅪Sg/VB/J P NSg+ . NSg/I/J/C NSg/I/C D N🅪Sg/VB/J N🅪Sg/VB P NSg/VB/J NPl/V3+ VPt NPr/J/P D
> air and the wind blew the wet laundry stiff on the line I decided to come back
# N🅪Sg/VB VB/C D N🅪Sg/VB+ NSg/VPt/J D NSg/VB/J NSg+ NSg/VB/J J/P D NSg/VB+ ISg/#r+ NSg/VP/J P NSg/VBPp/P NSg/VB/J
# N🅪Sg/VB VB/C D N🅪Sg/VB+ NSg/VPt/J D NSg/VB/J N🅪Sg+ NSg/VB/J J/P D NSg/VB+ ISg/#r+ NSg/VP/J P NSg/VBPp/P NSg/VB/J
> home .
# NSg/VB/J+ .
>
@ -11593,7 +11593,7 @@
> of his were with me so vividly that I could still hear the music and the
# P ISg/D$+ NSg/VPt P NPr/ISg+ NSg/I/J/C R NSg/I/C/Ddem ISg/#r+ NSg/VXB NSg/VB/J VB D N🅪Sg/VB/J VB/C D+
> laughter , faint and incessant , from his garden , and the cars going up and down
# NSg+ . NSg/VB/J VB/C J . P ISg/D$+ NSg/VB/J+ . VB/C D+ NPl+ Nᴹ/Vg/J NSg/VB/J/P VB/C N🅪Sg/VB/J/P
# Nᴹ+ . NSg/VB/J VB/C J . P ISg/D$+ NSg/VB/J+ . VB/C D+ NPl+ Nᴹ/Vg/J NSg/VB/J/P VB/C N🅪Sg/VB/J/P
> his drive . One night I did hear a material car there , and saw its lights stop at
# ISg/D$+ N🅪Sg/VB . NSg/I/VB/J+ N🅪Sg/VB+ ISg/#r+ VPt VB D/P+ N🅪Sg/VB/J+ NSg+ R . VB/C NSg/VPt ISg/D$+ NPl/V3+ NSg/VB NSg/P
> his front steps . But I didn’t investigate . Probably it was some final guest who
@ -11629,7 +11629,7 @@
> all human dreams ; for a transitory enchanted moment man must have held his
# NSg/I/J/C/Dq NSg/VB/J NPl/V3+ . C/P D/P J VP/J NSg+ NPr/VB/J+ NSg/VB NSg/VXB VB ISg/D$+
> breath in the presence of this continent , compelled into an esthetic
# N🅪Sg/VB/J+ NPr/J/P D N🅪Sg/VB P I/Ddem NPr/J+ . VB/J P D/P ?
# N🅪Sg/VB/J+ NPr/J/P D N🅪Sg/VB P I/Ddem NPr/J+ . VP/J P D/P ?
> contemplation he neither understood nor desired , face to face for the last time
# Nᴹ NPr/ISg+ I/C VP/J NSg/C VP/J . NSg/VB+ P NSg/VB C/P D NSg/VB/J N🅪Sg/VB/J+
> in history with something commensurate to his capacity for wonder .