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feat(core): create rule to detect incorrect verbs in nominal phrase (#2176)

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Elijah Potter 2025-11-13 15:32:54 -07:00 • committed by GitHub
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15 changed files with 359 additions and 207 deletions
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8
harper-core/annotations.json
View file

@ -648,6 +648,14 @@
"verb": {}
}
},
"j": {
"#": "verb past property",
"metadata": {
"verb": {
"verb_form": "PAST"
}
}
},
"J": {
"#": "adjective property",
"metadata": {

10
harper-core/dictionary.dict
View file

@ -23946,7 +23946,7 @@ exploiter/NgV
exploration/~NwgS
exploratory/~JN
explore/~VGd>NSZ
explored/~VU
explored/~jU
explorer/~Ng
explosion/~NSg
explosive/~JYNSgwp
@ -35391,7 +35391,7 @@ nevermore/~
nevertheless/~R
nevi/N
nevus/Ng
new/~J^YNSgV>p
new/~J^YNSg>p
newbie/~NgS
newborn/~JNSg
newcomer/~NSg
@ -44262,7 +44262,7 @@ shiver/VdGNg
shivery/J
shoal/~JNgSVGd
shoat/NgS
shock/~NwgSJVGd>Z
shock/~NwgSJGd>Z
shocker/~Ng
shocking/~JYV6N
shockproof/JV
@ -46855,7 +46855,7 @@ submission/~NgSr
submissive/~JYNp
submissiveness/Ng
submit/~VSr
submitted/~Vr
submitted/~jr
submitter/N
submitting/~VNr
submodule/NgS
@ -48808,7 +48808,7 @@ tokenism/Nmg
tokenization/Nmg
tokenize/VdSG
tokenizer/NgS
told/~VtTrU
told/~jtTrU
tole/NgV
tolerable/Ji
tolerably/Ryi

4
harper-core/src/expr/sequence_expr.rs
View file

@ -292,7 +292,7 @@ impl SequenceExpr {
}
/// Match a token where either of the two token kind predicates returns true.
/// For instance, an adjetive or an adverb.
/// For instance, an adjective or an adverb.
pub fn then_kind_either<F1, F2>(self, pred_is_1: F1, pred_is_2: F2) -> Self
where
F1: Fn(&TokenKind) -> bool + Send + Sync + 'static,
@ -374,7 +374,6 @@ impl SequenceExpr {
{
self.then(move |tok: &Token, src: &[char]| {
preds.iter().any(|pred| pred(&tok.kind))
// && !words
|| words
.iter()
.any(|&word| tok.span.get_content(src).eq_ignore_ascii_case_str(word))
@ -463,6 +462,7 @@ impl SequenceExpr {
gen_then_from_is!(possessive_determiner);
gen_then_from_is!(quantifier);
gen_then_from_is!(non_quantifier_determiner);
gen_then_from_is!(non_demonstrative_determiner);
/// Push an [`IndefiniteArticle`] to the end of the operation list.
pub fn then_indefinite_article(self) -> Self {

2
harper-core/src/linting/lint_group.rs
View file

@ -158,6 +158,7 @@ use super::touristic::Touristic;
use super::unclosed_quotes::UnclosedQuotes;
use super::update_place_names::UpdatePlaceNames;
use super::use_genitive::UseGenitive;
use super::verb_to_adjective::VerbToAdjective;
use super::very_unique::VeryUnique;
use super::vice_versa::ViceVersa;
use super::was_aloud::WasAloud;
@ -473,6 +474,7 @@ impl LintGroup {
insert_expr_rule!(CautionaryTale, true);
insert_expr_rule!(ChangeTack, true);
insert_expr_rule!(ChockFull, true);
insert_expr_rule!(VerbToAdjective, true);
insert_struct_rule!(CommaFixes, true);
insert_struct_rule!(CompoundNouns, true);
insert_expr_rule!(CompoundSubjectI, true);

2
harper-core/src/linting/mod.rs
View file

@ -174,6 +174,7 @@ mod touristic;
mod unclosed_quotes;
mod update_place_names;
mod use_genitive;
mod verb_to_adjective;
mod very_unique;
mod vice_versa;
mod was_aloud;
@ -341,6 +342,7 @@ pub use touristic::Touristic;
pub use unclosed_quotes::UnclosedQuotes;
pub use update_place_names::UpdatePlaceNames;
pub use use_genitive::UseGenitive;
pub use verb_to_adjective::VerbToAdjective;
pub use very_unique::VeryUnique;
pub use vice_versa::ViceVersa;
pub use was_aloud::WasAloud;

129
harper-core/src/linting/verb_to_adjective.rs Normal file
View file

@ -0,0 +1,129 @@
use harper_brill::UPOS;
use crate::expr::All;
use crate::expr::Expr;
use crate::expr::SequenceExpr;
use crate::patterns::UPOSSet;
use crate::patterns::WordSet;
use crate::{Token, TokenStringExt};
use super::{ExprLinter, Lint, LintKind};
pub struct VerbToAdjective {
expr: Box<dyn Expr>,
}
impl Default for VerbToAdjective {
fn default() -> Self {
let expr = SequenceExpr::default()
.then(WordSet::new(&["the", "a", "an"]))
.t_ws()
.then(|tok: &Token, _: &[char]| {
(tok.kind.is_verb()
&& !tok.kind.is_verb_past_form()
&& !tok.kind.is_adjective()
&& !tok.kind.is_noun())
|| tok.kind.is_degree_adverb()
})
.t_ws()
.then(UPOSSet::new(&[UPOS::NOUN, UPOS::PROPN]));
let exceptions = SequenceExpr::default()
.t_any()
.t_any()
.then_unless(WordSet::new(&["very"]));
Self {
expr: Box::new(All::new(vec![Box::new(expr), Box::new(exceptions)])),
}
}
}
impl ExprLinter for VerbToAdjective {
fn expr(&self) -> &dyn Expr {
self.expr.as_ref()
}
fn match_to_lint(&self, matched_tokens: &[Token], _source: &[char]) -> Option<Lint> {
Some(Lint {
span: matched_tokens.span()?,
lint_kind: LintKind::Typo,
suggestions: vec![],
message: "Did you intend to use an adjective here?".to_owned(),
priority: 31,
})
}
fn description(&self) -> &'static str {
"Looks for situations where a verb was written where an adjective is often intended."
}
}
#[cfg(test)]
mod tests {
use crate::linting::tests::{assert_lint_count, assert_no_lints};
use super::VerbToAdjective;
#[test]
fn fully_accounting() {
assert_lint_count(
"By scheduling time to do a fully accounting of where your CPU cycles are going, you can preemptively save yourself (and your contributors) a lot of time.",
VerbToAdjective::default(),
1,
);
}
#[test]
fn new_car_is_valid() {
assert_no_lints("I really like my new car.", VerbToAdjective::default());
}
#[test]
fn new_sentence_is_valid() {
assert_no_lints(
"I want you to write a new sentence for me.",
VerbToAdjective::default(),
);
}
#[test]
fn correct_term_is_valid() {
assert_no_lints(
"Ensure the correct term is used for individuals residing abroad.",
VerbToAdjective::default(),
);
}
#[test]
fn causes_amazement_is_valid() {
assert_no_lints(
"It is something that causes amazement.",
VerbToAdjective::default(),
);
}
#[test]
fn correct_auxiliary_is_valid() {
assert_no_lints(
"Can you suggest a correct auxiliary?",
VerbToAdjective::default(),
);
}
#[test]
fn submitted_form_data_is_valid() {
assert_no_lints(
"This is the email address that will receive the submitted form data.",
VerbToAdjective::default(),
);
}
#[test]
fn the_unexplored_territories_is_valid() {
assert_no_lints(
"Not the unexplored territories, ripe for discovery, but the areas actively erased, obscured, or simply deemed unworthy of representation?",
VerbToAdjective::default(),
);
}
}

2
harper-core/src/token_kind.rs
View file

@ -93,6 +93,7 @@ impl TokenKind {
is_auxiliary_verb,
is_linking_verb,
is_verb_lemma,
is_verb_past_form,
is_verb_simple_past_form,
is_verb_past_participle_form,
is_verb_progressive_form,
@ -116,6 +117,7 @@ impl TokenKind {
is_possessive_determiner,
is_quantifier,
is_non_quantifier_determiner,
is_non_demonstrative_determiner,
// Conjunction methods
is_conjunction,

8
harper-core/tests/text/linters/The Great Gatsby.snap.yml
View file

@ -3687,6 +3687,14 @@ Suggest:
Lint: Typo (31 priority)
Message: |
2286 | (said Jordan Baker that afternoon, sitting up very straight on a straight chair
| ^~~~~~~~~~~~~~~~ Did you intend to use an adjective here?
2287 | in the tea-garden at the Plaza Hotel)
Lint: Readability (127 priority)
Message: |
2291 | with rubber nobs on the soles that bit into the soft ground. I had on a new

26
harper-core/tests/text/tagged/Alice's Adventures in Wonderland.md
View file

@ -132,8 +132,8 @@
# Nᴹ/Vg/J . I/Ddem N🅪Sg/VB/J+ . NSg/R NPr/ISg+ VB N🅪Sg/VB/J+ NSg/P NSg/I/J/C/Dq D NPr/VB/J NSg/VB+ . . . NSg/C/P ISg/#r+ VXB
> have to ask them what the name of the country is , you know . Please , Ma’am , is
# NSg/VXB P NSg/VB NSg/IPl+ NSg/I+ D NSg/VB P D NSg/J+ VL3 . ISgPl+ NSg/VB . VB . NSg/VB . VL3
> this New Zealand or Australia ? ” ( and she tried to curtsey as she spoke — fancy
# I/Ddem NSg/VB/J NPr NPr/C NPr+ . . . VB/C ISg+ VP/J P ? NSg/R ISg+ NSg/VPt . NSg/VB/J
> this New Zealand or Australia ? ” ( and she tried to curtsey as she spoke — fancy
# I/Ddem NSg/J NPr NPr/C NPr+ . . . VB/C ISg+ VP/J P ? NSg/R ISg+ NSg/VPt . NSg/VB/J
> curtseying as you’re falling through the air ! Do you think you could manage it ? )
# ? NSg/R K Nᴹ/Vg/J NSg/J/P D N🅪Sg/VB+ . NSg/VXB ISgPl+ NSg/VB ISgPl+ NSg/VXB NSg/VB NPr/ISg+ . .
> “ And what an ignorant little girl she’ll think me for asking ! No , it’ll never do
@ -390,8 +390,8 @@
# R NSg/VB/J NSg/VB/J/P P N🅪Sg/VB ISg+ J/P ISgPl+ . ISgPl+ NSg/VB NSg/VB D+ NPr/VXB/JS+ NSg/J+ ISgPl+
> can ; — but I must be kind to them , ” thought Alice , “ or perhaps they won’t walk the
# NPr/VXB . . NSg/C/P ISg/#r+ NSg/VB NSg/VXB NSg/J P NSg/IPl+ . . N🅪Sg/VP NPr+ . . NPr/C NSg/R IPl+ VB NSg/VB D
> way I want to go ! Let me see : I’ll give them a new pair of boots every
# NSg/J+ ISg/#r+ NSg/VB P NSg/VB/J . NSg/VBP NPr/ISg+ NSg/VB . K NSg/VB NSg/IPl+ D/P NSg/VB/J NSg/VB P NPl/V3+ Dq
> way I want to go ! Let me see : I’ll give them a new pair of boots every
# NSg/J+ ISg/#r+ NSg/VB P NSg/VB/J . NSg/VBP NPr/ISg+ NSg/VB . K NSg/VB NSg/IPl+ D/P NSg/J NSg/VB P NPl/V3+ Dq
> Christmas . ”
# NPr/VB/J+ . .
>
@ -773,7 +773,7 @@
> driest thing I know . Silence all round , if you please ! ‘ William the Conqueror ,
# JS NSg ISg/#r+ NSg/VB . NSg/VB+ NSg/I/J/C/Dq NSg/VB/J/P . NSg/C ISgPl+ VB . Unlintable NPr+ D NSg .
> whose cause was favoured by the pope , was soon submitted to by the English , who
# I+ N🅪Sg/VB/C+ VPt VP/J/Comm NSg/J/P D NPr/VB+ . VPt J/R VB P NSg/J/P D NPr🅪Sg/VB/J+ . NPr/I+
# I+ N🅪Sg/VB/C+ VPt VP/J/Comm NSg/J/P D NPr/VB+ . VPt J/R VP P NSg/J/P D NPr🅪Sg/VB/J+ . NPr/I+
> wanted leaders , and had been of late much accustomed to usurpation and conquest .
# VP/J NPl+ . VB/C VB NSg/VPp P NSg/J NSg/I/J/R/Dq VP/J P NSg VB/C NSg/VB+ .
> Edwin and Morcar , the earls of Mercia and Northumbria — ’ ”
@ -2058,8 +2058,8 @@
# P NSg/VB+ . NSg$ NSg/I/J/C/Dq ISg/#r+ NPr/VXB NSg/VB . .
>
#
> This was such a new idea to Alice , that she was quite silent for a minute or
# I/Ddem+ VPt NSg/I D/P NSg/VB/J NSg P NPr+ . NSg/I/C/Ddem ISg+ VPt R NSg/J C/P D/P+ NSg/VB/J+ NPr/C
> This was such a new idea to Alice , that she was quite silent for a minute or
# I/Ddem+ VPt NSg/I D/P NSg/J NSg P NPr+ . NSg/I/C/Ddem ISg+ VPt R NSg/J C/P D/P+ NSg/VB/J+ NPr/C
> two , which gave the Pigeon the opportunity of adding , “ You’re looking for eggs ,
# NSg . I/C+ VPt D NSg/VB+ D N🅪Sg P Nᴹ/Vg/J+ . . K Nᴹ/Vg/J C/P NPl/V3+ .
> I know that well enough ; and what does it matter to me whether you’re a little
@ -3922,8 +3922,8 @@
# . ISg/#r+ VB NSg/VXB I/R/Dq N🅪Sg/VB+ NPr/J/P D$+ NSg/VB+ NSg/P NSg/I/J/C/Dq . N🅪Sg/VB+ NPl/V3 J/R NSg/VB/J/R C/P . NSg/J/R
> it’s always pepper that makes people hot - tempered , ” she went on , very much
# K R N🅪Sg/VB NSg/I/C/Ddem+ NPl/V3 NPl/VB+ NSg/VB/J . VP/J . . ISg+ NSg/VPt J/P . J/R NSg/I/J/R/Dq
> pleased at having found out a new kind of rule , “ and vinegar that makes them
# VP/J NSg/P Nᴹ/Vg/J NSg/VB NSg/VB/J/R/P D/P NSg/VB/J NSg/J P NSg/VB+ . . VB/C NSg/VB+ NSg/I/C/Ddem+ NPl/V3 NSg/IPl+
> pleased at having found out a new kind of rule , “ and vinegar that makes them
# VP/J NSg/P Nᴹ/Vg/J NSg/VB NSg/VB/J/R/P D/P NSg/J NSg/J P NSg/VB+ . . VB/C NSg/VB+ NSg/I/C/Ddem+ NPl/V3 NSg/IPl+
> sour — and camomile that makes them bitter — and — and barley - sugar and such things
# NSg/VB/J . VB/C ? NSg/I/C/Ddem+ NPl/V3 NSg/IPl+ NSg/VB/J . VB/C . VB/C Nᴹ . N🅪Sg/VB VB/C NSg/I NPl+
> that make children sweet - tempered . I only wish people knew that : then they
@ -4466,8 +4466,8 @@
# VB/C P NPr🅪Sg+ P NPr🅪Sg . .
>
#
> This was quite a new idea to Alice , and she thought it over a little before she
# I/Ddem+ VPt R D/P NSg/VB/J NSg P NPr+ . VB/C ISg+ N🅪Sg/VP NPr/ISg+ NSg/J/P D/P NPr/I/J/Dq C/P ISg+
> This was quite a new idea to Alice , and she thought it over a little before she
# I/Ddem+ VPt R D/P NSg/J NSg P NPr+ . VB/C ISg+ N🅪Sg/VP NPr/ISg+ NSg/J/P D/P NPr/I/J/Dq C/P ISg+
> made her next remark . “ Then the eleventh day must have been a holiday ? ”
# VB ISg/D$+ NSg/J/P+ NSg/VB+ . . NSg/J/C D+ NSg/J+ NPr🅪Sg+ NSg/VB NSg/VXB NSg/VPp D/P+ NPr/VB+ . .
>
@ -5536,8 +5536,8 @@
# VXB NSg/VXB R NSg/R NSg/I/J/R/Dq N🅪Sg/VB NPr/J/P D+ NSg/VB/J+ NSg/I/VB/J+ NSg/J+ NSg/VB/J/P NSg/R D NSg/VB/J . .
>
#
> As soon as the jury had a little recovered from the shock of being upset , and
# NSg/R J/R NSg/R D+ NSg/VB/J+ VB D/P NPr/I/J/Dq VP/J+ P D N🅪Sg/VB/J P N🅪Sg/Vg/J/C NSg/VB/J . VB/C
> As soon as the jury had a little recovered from the shock of being upset , and
# NSg/R J/R NSg/R D+ NSg/VB/J+ VB D/P NPr/I/J/Dq VP/J+ P D N🅪Sg/J P N🅪Sg/Vg/J/C NSg/VB/J . VB/C
> their slates and pencils had been found and handed back to them , they set to
# D$+ NPl/V3 VB/C NPl/V3+ VB NSg/VPp NSg/VB VB/C VP/J NSg/VB/J P NSg/IPl+ . IPl+ NPr/VBP/J P
> work very diligently to write out a history of the accident , all except the

28
harper-core/tests/text/tagged/Computer science.md
View file

@ -158,8 +158,8 @@
# NPr/ISg+ NSg/R . NSg$ NSg/VB/J+ NSg/VBPp/P NSg/VB/J . .
>
#
> During the 1940s , with the development of new and more powerful computing
# VB/P D+ #d . P D N🅪Sg P NSg/VB/J VB/C NPr/I/VB/J/R/Dq J Nᴹ/Vg/J+
> During the 1940s , with the development of new and more powerful computing
# VB/P D+ #d . P D N🅪Sg P NSg/J VB/C NPr/I/VB/J/R/Dq J Nᴹ/Vg/J+
> machines such as the Atanasoff – Berry computer and ENIAC , the term computer came
# NPl/V3 NSg/I NSg/R D ? . NPr🅪Sg/VB+ NSg/VB+ VB/C ? . D NSg/VB/J+ NSg/VB+ NSg/VPt/P
> to refer to the machines rather than their human predecessors . As it became
@ -170,16 +170,16 @@
# D NSg/VB P NSg/VB+ N🅪Sg/VB+ VP/J P NSg/VB NSg NPr/J/P NSg/VB/J . NPr/J/P
> 1945 , IBM founded the Watson Scientific Computing Laboratory at Columbia
# # . NPr+ VP/J D+ NPr+ J+ Nᴹ/Vg/J+ NSg+ NSg/P NPr+
> University in New York City . The renovated fraternity house on Manhattan's West
# NSg NPr/J/P NSg/VB/J+ NPr+ NSg+ . D VP/J NSg+ NPr/VB J/P NSg$ NPr/VB/J+
> University in New York City . The renovated fraternity house on Manhattan's West
# NSg NPr/J/P NSg/J+ NPr+ NSg+ . D VP/J NSg+ NPr/VB J/P NSg$ NPr/VB/J+
> Side was IBM's first laboratory devoted to pure science . The lab is the
# NSg/VB/J+ VPt NSg$ NSg/VB/J NSg+ VP/J P NSg/VB/J N🅪Sg/VB+ . D+ NPr+ VL3 D
> forerunner of IBM's Research Division , which today operates research facilities
# NSg P NSg$ Nᴹ/VB+ NSg+ . I/C+ NSg/J+ V3 Nᴹ/VB+ NPl+
> around the world . Ultimately , the close relationship between IBM and Columbia
# J/P D NSg/VB+ . R . D NSg/VB/J NSg NSg/P NPr VB/C NPr+
> University was instrumental in the emergence of a new scientific discipline ,
# NSg+ VPt NSg/J NPr/J/P D Nᴹ P D/P NSg/VB/J J NSg/VB+ .
> University was instrumental in the emergence of a new scientific discipline ,
# NSg+ VPt NSg/J NPr/J/P D Nᴹ P D/P NSg/J J NSg/VB+ .
> with Columbia offering one of the first academic - credit courses in computer
# P NPr+ N🅪Sg/Vg/J NSg/I/VB/J P D NSg/VB/J NSg/J . NSg/VB+ NPl/V3 NPr/J/P NSg/VB+
> science in 1946 . Computer science began to be established as a distinct academic
@ -368,8 +368,8 @@
# NSg/J+ N🅪Sg/VB+ . NSg/C/P NSg/VB/J/C/P Nᴹ+ . Nᴹ+ . VB/C NSg . I/J/R/Dq P ISg/D$+
> unique forms of observation and experience do not fit a narrow stereotype of
# NSg/J NPl/V3 P N🅪Sg VB/C N🅪Sg/VB+ NSg/VXB NSg/R/C NSg/VBP/J D/P NSg/VB/J NSg/VB P
> the experimental method . Nonetheless , they are experiments . Each new machine
# D NSg/J NSg/VB+ . R . IPl+ VB NPl/V3+ . Dq+ NSg/VB/J+ NSg/VB+
> the experimental method . Nonetheless , they are experiments . Each new machine
# D NSg/J NSg/VB+ . R . IPl+ VB NPl/V3+ . Dq+ NSg/J+ NSg/VB+
> that is built is an experiment . Actually constructing the machine poses a
# NSg/I/C/Ddem+ VL3 NSg/VB/J VL3 D/P+ NSg/VB+ . R Nᴹ/Vg/J D+ NSg/VB+ NPl/V3+ D/P+
> question to nature ; and we listen for the answer by observing the machine in
@ -674,8 +674,8 @@
# NPl . P NSg/I/J/Dq NPl/V3+ . NSg/J NPl/V3+ VB N🅪Sg P NSg/I
> designs as complete aircraft . Notable in electrical and electronic circuit
# NPl/V3+ NSg/R NSg/VB/J+ NSgPl+ . J NPr/J/P NSg/J VB/C J+ NSg/VB+
> design are SPICE , as well as software for physical realization of new ( or
# N🅪Sg/VB+ VB N🅪Sg/VB+ . NSg/R NSg/VB/J/R NSg/R Nᴹ C/P NSg/J NSg/NoAm P NSg/VB/J . NPr/C
> design are SPICE , as well as software for physical realization of new ( or
# N🅪Sg/VB+ VB N🅪Sg/VB+ . NSg/R NSg/VB/J/R NSg/R Nᴹ C/P NSg/J NSg/NoAm P NSg/J . NPr/C
> modified ) designs . The latter includes essential design software for integrated
# NSg/VP/J . NPl/V3+ . D NSg/J NPl/V3 NSg/J+ N🅪Sg/VB+ Nᴹ+ C/P VP/J
> circuits .
@ -712,8 +712,8 @@
# NSg P Nᴹ/Vg/J+ NPl/V3+ P Nᴹ . Nᴹ+ Nᴹ/Vg/J+ NPl/V3+
> with the organizing and analyzing of software — it does not just deal with the
# P D Nᴹ/Vg/J VB/C Nᴹ/Vg/J P Nᴹ+ . NPr/ISg+ NPl/V3 NSg/R/C VB/J NSg/VB/J P D+
> creation or manufacture of new software , but its internal arrangement and
# NSg+ NPr/C NSg/VB P NSg/VB/J+ Nᴹ+ . NSg/C/P ISg/D$+ J NSg VB/C
> creation or manufacture of new software , but its internal arrangement and
# NSg+ NPr/C NSg/VB P NSg/J+ Nᴹ+ . NSg/C/P ISg/D$+ J NSg VB/C
> maintenance . For example software testing , systems engineering , technical debt
# Nᴹ+ . C/P NSg/VB+ Nᴹ+ Nᴹ/Vg/J+ . NPl+ Nᴹ/Vg/J+ . NSg/J N🅪Sg
> and software development processes .
@ -1058,7 +1058,7 @@
# D Nᴹ/VB/J P NSg/VB+ NPl/V3+ VL3 JC C/P NSg/I/C/Ddem P NSg/VB/J+ NPl+ .
> One proposed explanation for this is the quick development of this relatively
# NSg/I/VB/J VP/J N🅪Sg+ C/P I/Ddem+ VL3 D NSg/VB/J N🅪Sg P I/Ddem R
> new field requires rapid review and distribution of results , a task better
# NSg/VB/J NSg/VB+ NPl/V3 NSg/J NSg/VB VB/C NSg P NPl/V3+ . D/P+ NSg/VB+ NSg/VXB/JC
> new field requires rapid review and distribution of results , a task better
# NSg/J NSg/VB+ NPl/V3 NSg/J NSg/VB VB/C NSg P NPl/V3+ . D/P+ NSg/VB+ NSg/VXB/JC
> handled by conferences than by journals .
# VP/J NSg/J/P NPl/V3+ C/P NSg/J/P NPl/V3+ .

14
harper-core/tests/text/tagged/Difficult sentences.md
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@ -234,8 +234,8 @@
# D+ NSg+ VPt D/P N🅪Sg/VB C/P D+ NPr+ NSg/J+ .
> If having to bag the groceries correctly is more than you can handle , then this isn't the job for you .
# NSg/C Nᴹ/Vg/J P NSg/VB D+ NPl/V3+ R VL3 NPr/I/VB/J/R/Dq C/P ISgPl+ NPr/VXB NSg/VB . NSg/J/C I/Ddem NSg/VB D NPr/VB+ C/P ISgPl+ .
> This is a new bell for my bicycle .
# I/Ddem+ VL3 D/P NSg/VB/J NPr/VB C/P D$+ NSg/VB+ .
> This is a new bell for my bicycle .
# I/Ddem+ VL3 D/P NSg/J NPr/VB C/P D$+ NSg/VB+ .
> The cake is for Tom and Helen's anniversary .
# D+ N🅪Sg/VB+ VL3 C/P NPr/VB VB/C NSg$ NSg+ .
> This medicine is for your cough .
@ -256,8 +256,8 @@
# NSg VP/J C/P . VB/C NSg C/P . . P VP/J NSg/VB+ .
> Make way for the president !
# NSg/VB NSg/J C/P D+ NSg/VB+ .
> Clear the shelves for our new Christmas stock !
# NSg/VB/J D NPl/V3 C/P D$+ NSg/VB/J+ NPr/VB/J+ N🅪Sg/VB/J+ .
> Clear the shelves for our new Christmas stock !
# NSg/VB/J D NPl/V3 C/P D$+ NSg/J+ NPr/VB/J+ N🅪Sg/VB/J+ .
> Stand by for your cue .
# NSg/VB NSg/J/P C/P D$+ NSg/VB+ .
> Prepare for battle .
@ -324,12 +324,12 @@
# P
>
#
> Paul is from New Zealand .
# NPr+ VL3 P NSg/VB/J+ NPr+ .
> Paul is from New Zealand .
# NPr+ VL3 P NSg/J+ NPr+ .
> I got a letter from my brother .
# ISg/#r+ VP D/P NSg/VB+ P D$+ NSg/VB/J+ .
> You can't get all your news from the Internet .
# ISgPl+ VXB NSg/VB NSg/I/J/C/Dq D$+ Nᴹ/V3+ P D NPrᴹ/VB+ .
# ISgPl+ VXB NSg/VB NSg/I/J/C/Dq D$+ Nᴹ/VB+ P D NPrᴹ/VB+ .
> He had books piled from floor to ceiling .
# NPr/ISg+ VB NPl/V3+ VP/J P NSg/VB+ P NSg/VB .
> He departed yesterday from Chicago .

4
harper-core/tests/text/tagged/Part-of-speech tagging.md
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@ -380,8 +380,8 @@
# N🅪Sg . NSg NPl/V3 P NPl/V3+ NSg/VB NSg/I/C/Ddem+ VB R NSg/J P
> those human linguists would expect ; and the differences themselves sometimes
# I/Ddem NSg/VB/J NPl+ VXB VB . VB/C D NPl/VB+ IPl+ R
> suggest valuable new insights .
# VB NSg/J NSg/VB/J NPl+ .
> suggest valuable new insights .
# VB NSg/J NSg/J NPl+ .
>
#
> These two categories can be further subdivided into rule - based , stochastic , and

14
harper-core/tests/text/tagged/The Constitution of the United States.md
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@ -121,11 +121,11 @@
> not exceed one for every thirty Thousand , but each State shall have at Least
# NSg/R/C VB NSg/I/VB/J C/P Dq NSg NSg . NSg/C/P Dq+ N🅪Sg/VB+ VXB NSg/VXB NSg/P NSg/J+
> one Representative ; and until such enumeration shall be made , the State of New
# NSg/I/VB/J+ NSg/J+ . VB/C C/P NSg/I N🅪Sg VXB NSg/VXB VB . D N🅪Sg/VB P NSg/VB/J
# NSg/I/VB/J+ NSg/J+ . VB/C C/P NSg/I N🅪Sg VXB NSg/VXB VB . D N🅪Sg/VB P NSg/J
> Hampshire shall be entitled to chuse three , Massachusetts eight , Rhode - Island
# NPr+ VXB NSg/VXB VP/J P ? NSg . NPr+ NSg/J . NPr . NSg/VB
> and Providence Plantations one , Connecticut five , New - York six , New Jersey
# VB/C NPr+ NPl NSg/I/VB/J . NPr+ NSg . NSg/VB/J . NPr+ NSg . NSg/VB/J NPr+
> and Providence Plantations one , Connecticut five , New - York six , New Jersey
# VB/C NPr+ NPl NSg/I/VB/J . NPr+ NSg . NSg/J . NPr+ NSg . NSg/J NPr+
> four , Pennsylvania eight , Delaware one , Maryland six , Virginia ten , North
# NSg . NPr+ NSg/J . NPr NSg/I/VB/J . NPr NSg . NPr+ NSg . NPr/VB/J+
> Carolina five , South Carolina five , and Georgia three .
@ -1318,10 +1318,10 @@
# NSg/VB+ . # .
>
#
> New States may be admitted by the Congress into this Union ; but
# NSg/VB/J+ NPrPl/V3+ NPr/VXB NSg/VXB VP/J NSg/J/P D+ NPr/VB+ P I/Ddem+ NPr/VB/J+ . NSg/C/P
> no new State shall be formed or erected within the Jurisdiction of any other
# NPr/P+ NSg/VB/J+ N🅪Sg/VB+ VXB NSg/VXB VP/J NPr/C VP/J NSg/J/P D N🅪Sg P I/R/Dq+ NSg/VB/J+
> New States may be admitted by the Congress into this Union ; but
# NSg/J+ NPrPl/V3+ NPr/VXB NSg/VXB VP/J NSg/J/P D+ NPr/VB+ P I/Ddem+ NPr/VB/J+ . NSg/C/P
> no new State shall be formed or erected within the Jurisdiction of any other
# NPr/P+ NSg/J+ N🅪Sg/VB+ VXB NSg/VXB VP/J NPr/C VP/J NSg/J/P D N🅪Sg P I/R/Dq+ NSg/VB/J+
> State ; nor any State be formed by the Junction of two or more States , or Parts
# N🅪Sg/VB+ . NSg/C I/R/Dq+ N🅪Sg/VB+ NSg/VXB VP/J NSg/J/P D NSg/VB P NSg NPr/C NPr/I/VB/J/R/Dq NPrPl/V3+ . NPr/C NPl/V3
> of States , without the Consent of the Legislatures of the States concerned as

314
harper-core/tests/text/tagged/The Great Gatsby.md
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@ -112,8 +112,8 @@
# ISg/#r+ R NSg/VPt I/Ddem NSg/J . NSg/VB+ . NSg/C/P K VP/J P NSg/VB NSg/VB/J/C/P ISg+ . P NSg/VB/J
> reference to the rather hard - boiled painting that hangs in father’s office . I
# NSg/VB+ P D NPr/VB/J/R N🅪Sg/J/R . VP/J N🅪Sg/Vg/J+ NSg/I/C/Ddem+ NPl/V3 NPr/J/P NSg$ NSg/VB+ . ISg/#r+
> graduated from New Haven in 1915 , just a quarter of a century after my father ,
# VP/J P NSg/VB/J+ NSg/VB+ NPr/J/P # . VB/J D/P NSg/VB/J P D/P NSg+ P D$+ NPr/VB+ .
> graduated from New Haven in 1915 , just a quarter of a century after my father ,
# VP/J P NSg/J+ NSg/VB+ NPr/J/P # . VB/J D/P NSg/VB/J P D/P NSg+ P D$+ NPr/VB+ .
> and a little later I participated in that delayed Teutonic migration known as
# VB/C D/P NPr/I/J/Dq JC ISg/#r+ VP/J NPr/J/P NSg/I/C/Ddem+ VP/J NSg/J NSg+ VPp/J NSg/R
> the Great War . I enjoyed the counter - raid so thoroughly that I came back
@ -186,14 +186,14 @@
# N🅪Sg/VB/J/P NSg/VB/J/R/P P D+ NPr/VB/J+ N🅪Sg/VB/J+ . Nᴹ/Vg/J N🅪Sg/VB+ . ISg/#r+ NSg/VP D/P NSg NPl/V3 J/P Nᴹ/Vg/J VB/C
> credit and investment securities , and they stood on my shelf in red and gold
# NSg/VB VB/C N🅪Sg+ NPl+ . VB/C IPl+ VB J/P D$+ NSg+ NPr/J/P N🅪Sg/J VB/C Nᴹ/VB/J
> like new money from the mint , promising to unfold the shining secrets that only
# NSg/VB/J/C/P NSg/VB/J+ N🅪Sg/J+ P D NSg/VB/J . Nᴹ/Vg/J P NSg/VB D Nᴹ/Vg/J NPl/V3+ NSg/I/C/Ddem J/R/C
> like new money from the mint , promising to unfold the shining secrets that only
# NSg/VB/J/C/P NSg/J+ N🅪Sg/J+ P D NSg/VB/J . Nᴹ/Vg/J P NSg/VB D Nᴹ/Vg/J NPl/V3+ NSg/I/C/Ddem J/R/C
> Midas and Morgan and Mæcenas knew . And I had the high intention of reading many
# NPr VB/C NPr+ VB/C ? VPt . VB/C ISg/#r+ VB D NSg/VB/J/R NSg/VB P NPrᴹ/Vg/J NSg/I/J/Dq+
> other books besides . I was rather literary in college — one year I wrote a series
# NSg/VB/J+ NPl/V3+ R/P . ISg/#r+ VPt NPr/VB/J/R J NPr/J/P NSg . NSg/I/VB/J+ NSg+ ISg/#r+ VPt D/P NSgPl
> of very solemn and obvious editorials for the Yale News — and now I was going to
# P J/R J VB/C J NPl C/P D+ NPr+ Nᴹ/V3+ . VB/C NPr/VB/J/C ISg/#r+ VPt Nᴹ/Vg/J P
# P J/R J VB/C J NPl C/P D+ NPr+ Nᴹ/VB+ . VB/C NPr/VB/J/C ISg/#r+ VPt Nᴹ/Vg/J P
> bring back all such things into my life and become again that most limited of
# VB NSg/VB/J NSg/I/J/C/Dq NSg/I NPl+ P D$+ N🅪Sg/VB+ VB/C VBPp P NSg/I/C/Ddem NSg/I/J/R/Dq NSg/VP/J P
> all specialists , the “ well - rounded man . ” This isn’t just an epigram — life is much
@ -206,8 +206,8 @@
# NPr/ISg+ VPt D/P N🅪Sg/VB P NPr/VB/J+ NSg/I/C/Ddem+ ISg/#r+ VXB NSg/VXB VP/J D/P+ NPr/VB+ NPr/J/P NSg/I/VB/J P D
> strangest communities in North America . It was on that slender riotous island
# JS NPl NPr/J/P NPr/VB/J+ NPr+ . NPr/ISg+ VPt J/P NSg/I/C/Ddem+ J J NSg/VB+
> which extends itself due east of New York — and where there are , among other
# I/C+ NPl/V3 ISg+ NSg/J NPr/J P NSg/VB/J NPr+ . VB/C NSg/C R+ VB . P NSg/VB/J
> which extends itself due east of New York — and where there are , among other
# I/C+ NPl/V3 ISg+ NSg/J NPr/J P NSg/J NPr+ . VB/C NSg/C R+ VB . P NSg/VB/J
> natural curiosities , two unusual formations of land . Twenty miles from the city
# NSg/J NPl . NSg NSg/J NPl P NPr🅪Sg/VB+ . NSg NPrPl+ P D+ NSg+
> a pair of enormous eggs , identical in contour and separated only by a courtesy
@ -238,8 +238,8 @@
# NSg+ D/P+ NSg/VB+ . D NSg/I/VB/J J/P D$+ NPr/VB/J VPt D/P J NSg NSg/J/P I/R/Dq NSg/J . NPr/ISg+
> was a factual imitation of some Hôtel de Ville in Normandy , with a tower on one
# VPt D/P NSg/J N🅪Sg P I/J/R/Dq ? NPr+ ? NPr/J/P NPr . P D/P NSg/VB+ J/P NSg/I/VB/J
> side , spanking new under a thin beard of raw ivy , and a marble swimming pool ,
# NSg/VB/J+ . Nᴹ/Vg/J NSg/VB/J NSg/J/P D/P NSg/VB/J NPr/VB P NSg/VB/J NPr+ . VB/C D/P NSg/VB/J+ NSg/VB NSg/VB+ .
> side , spanking new under a thin beard of raw ivy , and a marble swimming pool ,
# NSg/VB/J+ . Nᴹ/Vg/J NSg/J NSg/J/P D/P NSg/VB/J NPr/VB P NSg/VB/J NPr+ . VB/C D/P NSg/VB/J+ NSg/VB NSg/VB+ .
> and more than forty acres of lawn and garden . It was Gatsby’s mansion . Or ,
# VB/C NPr/I/VB/J/R/Dq C/P NSg/J NPl P NSg/VB VB/C NSg/VB/J+ . NPr/ISg+ VPt NSg$ NSg+ . NPr/C .
> rather , as I didn’t know Mr . Gatsby , it was a mansion inhabited by a gentleman
@ -268,8 +268,8 @@
#
> Her husband , among various physical accomplishments , had been one of the most
# ISg/D$+ NSg/VB+ . P J+ NSg/J+ NPl+ . VB NSg/VPp NSg/I/VB/J P D NSg/I/J/R/Dq
> powerful ends that ever played football at New Haven — a national figure in a way ,
# J NPl/V3+ NSg/I/C/Ddem+ J VP/J NSg/VB+ NSg/P NSg/VB/J+ NSg/VB+ . D/P NSg/J NSg/VB+ NPr/J/P D/P+ NSg/J+ .
> powerful ends that ever played football at New Haven — a national figure in a way ,
# J NPl/V3+ NSg/I/C/Ddem+ J VP/J NSg/VB+ NSg/P NSg/J+ NSg/VB+ . D/P NSg/J NSg/VB+ NPr/J/P D/P+ NSg/J+ .
> one of those men who reach such an acute limited excellence at twenty - one that
# NSg/I/VB/J P I/Ddem+ NPl+ NPr/I+ NSg/VB NSg/I D/P+ NSg/VB/J+ NSg/VP/J+ NSg+ NSg/P NSg . NSg/I/VB/J NSg/I/C/Ddem
> everything afterward savors of anti - climax . His family were enormously
@ -320,8 +320,8 @@
# J/P D+ NSg/VB/J+ NSg+ .
>
#
> He had changed since his New Haven years . Now he was a sturdy straw - haired man
# NPr/ISg+ VB VP/J C/P ISg/D$+ NSg/VB/J+ NSg/VB+ NPl+ . NPr/VB/J/C NPr/ISg+ VPt D/P NSg/J N🅪Sg/VB/J . VP/J NPr/VB/J
> He had changed since his New Haven years . Now he was a sturdy straw - haired man
# NPr/ISg+ VB VP/J C/P ISg/D$+ NSg/J+ NSg/VB+ NPl+ . NPr/VB/J/C NPr/ISg+ VPt D/P NSg/J N🅪Sg/VB/J . VP/J NPr/VB/J
> of thirty with a rather hard mouth and a supercilious manner . Two shining
# P NSg P D/P NPr/VB/J/R N🅪Sg/J/R NSg/VB+ VB/C D/P J NSg+ . NSg Nᴹ/Vg/J
> arrogant eyes had established dominance over his face and gave him the
@ -342,8 +342,8 @@
# ISg/D$+ Nᴹ/Vg/J NSg/VB+ . D/P NSg/VB/J NSg/J NSg/J . VP/J P D NSg/VB+ P
> fractiousness he conveyed . There was a touch of paternal contempt in it , even
# NSg NPr/ISg+ VP/J . R+ VPt D/P N🅪Sg/VB P J Nᴹ NPr/J/P NPr/ISg+ . NSg/VB/J
> toward people he liked — and there were men at New Haven who had hated his guts .
# J/P NPl/VB+ NPr/ISg+ VP/J . VB/C R+ NSg/VPt NPl+ NSg/P NSg/VB/J+ NSg/VB+ NPr/I+ VB VP/J ISg/D$+ NPl/V3+ .
> toward people he liked — and there were men at New Haven who had hated his guts .
# J/P NPl/VB+ NPr/ISg+ VP/J . VB/C R+ NSg/VPt NPl+ NSg/P NSg/J+ NSg/VB+ NPr/I+ VB VP/J ISg/D$+ NPl/V3+ .
>
#
> “ Now , don’t think my opinion on these matters is final , ” he seemed to say , “ just
@ -580,8 +580,8 @@
# NSg/VB . .
>
#
> “ Don’t look at me , ” Daisy retorted , “ ‘ I’ve been trying to get you to New York
# . VB NSg/VB NSg/P NPr/ISg+ . . NPr+ VP/J . . Unlintable K NSg/VPp Nᴹ/Vg/J P NSg/VB ISgPl+ P NSg/VB/J NPr+
> “ Don’t look at me , ” Daisy retorted , “ ‘ I’ve been trying to get you to New York
# . VB NSg/VB NSg/P NPr/ISg+ . . NPr+ VP/J . . Unlintable K NSg/VPp Nᴹ/Vg/J P NSg/VB ISgPl+ P NSg/J NPr+
> all afternoon . ”
# NSg/I/J/C/Dq N🅪Sg+ . .
>
@ -812,8 +812,8 @@
#
> “ Well , he wasn’t always a butler ; he used to be the silver polisher for some
# . NSg/VB/J/R . NPr/ISg+ VB R D/P NPr/VB . NPr/ISg+ VP/J P NSg/VXB D Nᴹ/VB/J+ NSg/JC C/P I/J/R/Dq
> people in New York that had a silver service for two hundred people . He had to
# NPl/VB+ NPr/J/P NSg/VB/J NPr+ NSg/I/C/Ddem+ VB D/P Nᴹ/VB/J+ NSg/VB+ C/P NSg NSg NPl/VB+ . NPr/ISg+ VB P
> people in New York that had a silver service for two hundred people . He had to
# NPl/VB+ NPr/J/P NSg/J NPr+ NSg/I/C/Ddem+ VB D/P Nᴹ/VB/J+ NSg/VB+ C/P NSg NSg NPl/VB+ . NPr/ISg+ VB P
> polish it from morning till night , until finally it began to affect his nose — — — ”
# NSg/VB/J NPr/ISg+ P N🅪Sg/Vg/J+ NSg/VB/C/P N🅪Sg/VB+ . C/P R NPr/ISg+ VPt P NSg/VB ISg/D$+ NSg/VB+ . . . .
>
@ -900,8 +900,8 @@
# . ISg/#r+ VB . .
>
#
> “ Why — ” she said hesitantly , ‘ ‘ Tom’s got some woman in New York . ”
# . NSg/VB . . ISg+ VP/J R . Unlintable Unlintable NSg$ VP I/J/R/Dq NSg/VB+ NPr/J/P NSg/VB/J NPr+ . .
> “ Why — ” she said hesitantly , ‘ ‘ Tom’s got some woman in New York . ”
# . NSg/VB . . ISg+ VP/J R . Unlintable Unlintable NSg$ VP I/J/R/Dq NSg/VB+ NPr/J/P NSg/J NPr+ . .
>
#
> “ Got some woman ? ” I repeated blankly .
@ -1170,8 +1170,8 @@
# NPr VB/C NPr/VB+ VP/J NSg/P Dq NSg/VB/J C/P D/P NSg NPr/J/P NSg/VB+ .
>
#
> “ Is she from New York ? ” I asked quickly .
# . VL3 ISg+ P NSg/VB/J+ NPr+ . . ISg/#r+ VP/J R .
> “ Is she from New York ? ” I asked quickly .
# . VL3 ISg+ P NSg/J+ NPr+ . . ISg/#r+ VP/J R .
>
#
> “ From Louisville . Our white girlhood was passed together there . Our beautiful
@ -1244,8 +1244,8 @@
# NSg+ C/P NPr+ P NSg/VXB VPt P NPr/VB/J NSg/VB/J/R/P P D+ NPr/VB+ . NSg/VB+ NPr/J/P NPl/V3+ . NSg/C/P R
> there were no such intentions in her head . As for Tom , the fact that he “ had
# R+ NSg/VPt NPr/P NSg/I NPl/V3+ NPr/J/P ISg/D$+ NPr/VB/J+ . NSg/R C/P NPr/VB+ . D+ NSg+ NSg/I/C/Ddem+ NPr/ISg+ . VB
> some woman in New York ” was really less surprising than that he had been
# I/J/R/Dq NSg/VB NPr/J/P NSg/VB/J+ NPr+ . VPt R VB/J/R/C/P Nᴹ/Vg/J C/P NSg/I/C/Ddem NPr/ISg+ VB NSg/VPp
> some woman in New York ” was really less surprising than that he had been
# I/J/R/Dq NSg/VB NPr/J/P NSg/J+ NPr+ . VPt R VB/J/R/C/P Nᴹ/Vg/J C/P NSg/I/C/Ddem NPr/ISg+ VB NSg/VPp
> depressed by a book . Something was making him nibble at the edge of stale ideas
# VP/J NSg/J/P D/P+ NSg/VB+ . NSg/I/VB/J+ VPt Nᴹ/Vg/J ISg+ NSg/VB NSg/P D NSg/VB P NSg/VB/J+ NPl+
> as if his sturdy physical egotism no longer nourished his peremptory heart .
@ -1254,8 +1254,8 @@
#
> Already it was deep summer on roadhouse roofs and in front of wayside garages ,
# R NPr/ISg+ VPt NSg/J NPr🅪Sg/VB J/P NSg+ NPl/V3+ VB/C NPr/J/P NSg/VB/J+ P NSg/J NPl/V3 .
> where new red gaspumps sat out in pools of light , and when I reached my estate
# NSg/C NSg/VB/J N🅪Sg/J ? NSg/VP/J NSg/VB/J/R/P NPr/J/P NPl/V3 P N🅪Sg/VB/J+ . VB/C NSg/I/C ISg/#r+ VP/J D$+ NSg/VB/J+
> where new red gaspumps sat out in pools of light , and when I reached my estate
# NSg/C NSg/J N🅪Sg/J ? NSg/VP/J NSg/VB/J/R/P NPr/J/P NPl/V3 P N🅪Sg/VB/J+ . VB/C NSg/I/C ISg/#r+ VP/J D$+ NSg/VB/J+
> at West Egg I ran the car under its shed and sat for a while on an abandoned
# NSg/P NPr/VB/J+ N🅪Sg/VB+ ISg/#r+ NSg/VPt D NSg+ NSg/J/P ISg/D$+ NSg/VP+ VB/C NSg/VP/J C/P D/P NSg/VB/C/P+ J/P D/P VP/J
> grass roller in the yard . The wind had blown off , leaving a loud , bright night ,
@ -1300,8 +1300,8 @@
# NSg/VB+ #r
>
#
> About half way between West Egg and New York the motor road hastily joins the
# J/P N🅪Sg/VB/J/P+ NSg/J NSg/P NPr/VB/J+ N🅪Sg/VB VB/C NSg/VB/J+ NPr+ D+ NSg/VB/J+ N🅪Sg/J+ R NPl/V3 D+
> About half way between West Egg and New York the motor road hastily joins the
# J/P N🅪Sg/VB/J/P+ NSg/J NSg/P NPr/VB/J+ N🅪Sg/VB VB/C NSg/J+ NPr+ D+ NSg/VB/J+ N🅪Sg/J+ R NPl/V3 D+
> railroad and runs beside it for a quarter of a mile , so as to shrink away from a
# NSg/VB+ VB/C NPl/V3 P NPr/ISg+ C/P D/P NSg/VB/J P D/P NSg+ . NSg/I/J/C NSg/R P NSg/VB VB/J P D/P
> certain desolate area of land . This is a valley of ashes — a fantastic farm where
@ -1362,8 +1362,8 @@
# Nᴹ/Vg/J ISg/D$+ NSg/P D/P NSg/VB+ . VP/J J/P . NSg/Vg P I NPr/ISg+ VPt .
> Though I was curious to see her , I had no desire to meet her — but I did . I went
# VB/C ISg/#r+ VPt J P NSg/VB ISg/D$+ . ISg/#r+ VB NPr/P+ N🅪Sg/VB+ P NSg/VB/J ISg/D$+ . NSg/C/P ISg/#r+ VPt . ISg/#r+ NSg/VPt
> up to New York with Tom on the train one afternoon , and when we stopped by the
# NSg/VB/J/P P NSg/VB/J NPr+ P NPr/VB+ J/P D+ NSg/VB+ NSg/I/VB/J+ N🅪Sg+ . VB/C NSg/I/C IPl+ VB/J NSg/J/P D
> up to New York with Tom on the train one afternoon , and when we stopped by the
# NSg/VB/J/P P NSg/J NPr+ P NPr/VB+ J/P D+ NSg/VB+ NSg/I/VB/J+ N🅪Sg+ . VB/C NSg/I/C IPl+ VB/J NSg/J/P D
> ashheaps he jumped to his feet and , taking hold of my elbow , literally forced me
# ? NPr/ISg+ VP/J P ISg/D$+ NPl+ VB/C . NSg/Vg/J NSg/VB/J P D$+ NSg/VB+ . R VP/J NPr/ISg+
> from the car .
@ -1491,7 +1491,7 @@
>
#
> “ I’ll meet you by the news - stand on the lower level . ”
# . K NSg/VB/J ISgPl+ NSg/J/P D Nᴹ/V3+ . NSg/VB J/P D NSg/VB/JC NSg/VB/J+ . .
# . K NSg/VB/J ISgPl+ NSg/J/P D Nᴹ/VB+ . NSg/VB J/P D NSg/VB/JC NSg/VB/J+ . .
>
#
> She nodded and moved away from him just as George Wilson emerged with two chairs
@ -1524,14 +1524,14 @@
# . VB ISg/D$+ NSg/VB+ NSg/VB+ . .
>
#
> “ Wilson ? He thinks she goes to see her sister in New York . He’s so dumb he
# . NPr+ . NPr/ISg+ NPl/V3 ISg+ NPl/VB P NSg/VB ISg/D$+ NSg/VB NPr/J/P NSg/VB/J+ NPr+ . NSg$ NSg/I/J/C VB/J NPr/ISg+
> “ Wilson ? He thinks she goes to see her sister in New York . He’s so dumb he
# . NPr+ . NPr/ISg+ NPl/V3 ISg+ NPl/VB P NSg/VB ISg/D$+ NSg/VB NPr/J/P NSg/J+ NPr+ . NSg$ NSg/I/J/C VB/J NPr/ISg+
> doesn’t know he’s alive . ”
# VB NSg/VB NSg$ J . .
>
#
> So Tom Buchanan and his girl and I went up together to New York — or not quite
# NSg/I/J/C NPr/VB+ NPr+ VB/C ISg/D$+ NSg/VB+ VB/C ISg/#r+ NSg/VPt NSg/VB/J/P J P NSg/VB/J+ NPr+ . NPr/C NSg/R/C R
> So Tom Buchanan and his girl and I went up together to New York — or not quite
# NSg/I/J/C NPr/VB+ NPr+ VB/C ISg/D$+ NSg/VB+ VB/C ISg/#r+ NSg/VPt NSg/VB/J/P J P NSg/J+ NPr+ . NPr/C NSg/R/C R
> together , for Mrs . Wilson sat discreetly in another car . Tom deferred that much
# J . C/P NPl+ . NPr+ NSg/VP/J R NPr/J/P I/D NSg+ . NPr/VB+ NSg/VB/J NSg/I/C/Ddem+ NSg/I/J/R/Dq
> to the sensibilities of those East Eggers who might be on the train .
@ -1540,16 +1540,16 @@
#
> She had changed her dress to a brown figured muslin , which stretched tight over
# ISg+ VB VP/J ISg/D$+ NSg/VB+ P D/P+ NPr🅪Sg/VB/J+ VP/J+ NSg+ . I/C+ VP/J VB/J NSg/J/P
> her rather wide hips as Tom helped her to the platform in New York . At the
# ISg/D$+ NPr/VB/J/R NSg/J+ NPl/V3+ NSg/R NPr/VB+ VP/J ISg/D$+ P D NSg/VB NPr/J/P NSg/VB/J+ NPr+ . NSg/P D+
> her rather wide hips as Tom helped her to the platform in New York . At the
# ISg/D$+ NPr/VB/J/R NSg/J+ NPl/V3+ NSg/R NPr/VB+ VP/J ISg/D$+ P D NSg/VB NPr/J/P NSg/J+ NPr+ . NSg/P D+
> news - stand she bought a copy of Town Tattle and a moving - picture magazine , and
# Nᴹ/V3+ . NSg/VB ISg+ NSg/VP D/P NSg/VB P NSg+ NSg/VB VB/C D/P Nᴹ/Vg/J+ . NSg/VB+ NSg+ . VB/C
# Nᴹ/VB+ . NSg/VB ISg+ NSg/VP D/P NSg/VB P NSg+ NSg/VB VB/C D/P Nᴹ/Vg/J+ . NSg/VB+ NSg+ . VB/C
> in the station drug - store some cold cream and a small flask of perfume .
# NPr/J/P D NSg/VB+ NSg/VB+ . NSg/VB+ I/J/R/Dq NSg/J N🅪Sg/VB/J+ VB/C D/P NPr/VB/J NSg/VB P N🅪Sg/VB+ .
> Up - stairs , in the solemn echoing drive she let four taxicabs drive away before
# NSg/VB/J/P . NPl+ . NPr/J/P D+ J+ Nᴹ/Vg/J+ N🅪Sg/VB ISg+ NSg/VBP NSg NPl/V3 N🅪Sg/VB VB/J C/P
> she selected a new one , lavender - colored with gray upholstery , and in this we
# ISg+ VP/J D/P NSg/VB/J NSg/I/VB/J+ . Nᴹ/VB/J . NSg/VP/J/Am P NPr🅪Sg/VB/J/Am NSg . VB/C NPr/J/P I/Ddem IPl+
> she selected a new one , lavender - colored with gray upholstery , and in this we
# ISg+ VP/J D/P NSg/J NSg/I/VB/J+ . Nᴹ/VB/J . NSg/VP/J/Am P NPr🅪Sg/VB/J/Am NSg . VB/C NPr/J/P I/Ddem IPl+
> slid out from the mass of the station into the glowing sunshine . But immediately
# VP NSg/VB/J/R/P P D NPr🅪Sg/VB/J P D NSg/VB+ P D Nᴹ/Vg/J Nᴹ/J+ . NSg/C/P R
> she turned sharply from the window and , leaning forward , tapped on the front
@ -2019,7 +2019,7 @@
>
#
> Daisy was not a Catholic , and I was a little shocked at the elaborateness of the
# NPr+ VPt NSg/R/C D/P NSg/J . VB/C ISg/#r+ VPt D/P NPr/I/J/Dq VP/J NSg/P D NSg P D+
# NPr+ VPt NSg/R/C D/P NSg/J . VB/C ISg/#r+ VPt D/P NPr/I/J/Dq J NSg/P D NSg P D+
> lie .
# NPr/VB+ .
>
@ -2176,8 +2176,8 @@
#
> “ It was on the two little seats facing each other that are always the last ones
# . NPr/ISg+ VPt J/P D+ NSg+ NPr/I/J/Dq+ NPl/V3+ Nᴹ/Vg/J Dq+ NSg/VB/J+ NSg/I/C/Ddem+ VB R D NSg/VB/J NPl/V3
> left on the train . I was going up to New York to see my sister and spend the
# NPr/VB/J J/P D+ NSg/VB+ . ISg/#r+ VPt Nᴹ/Vg/J NSg/VB/J/P P NSg/VB/J+ NPr+ P NSg/VB D$+ NSg/VB+ VB/C NSg/VB D+
> left on the train . I was going up to New York to see my sister and spend the
# NPr/VB/J J/P D+ NSg/VB+ . ISg/#r+ VPt Nᴹ/Vg/J NSg/VB/J/P P NSg/J+ NPr+ P NSg/VB D$+ NSg/VB+ VB/C NSg/VB D+
> night . He had on a dress suit and patent leather shoes , and I couldn’t keep my
# N🅪Sg/VB+ . NPr/ISg+ VB J/P D/P NSg/VB+ NSg/VB VB/C NSg/VB/J+ N🅪Sg/VB/J+ NPl/V3+ . VB/C ISg/#r+ VB NSg/VB D$+
> eyes off him , but every time he looked at me I had to pretend to be looking at
@ -2339,7 +2339,7 @@
>
#
> Every Friday five crates of oranges and lemons arrived from a fruiterer in New
# Dq+ NSg+ NSg NPl/V3 P NPl/V3 VB/C NPl/V3+ VP/J P D/P NSg NPr/J/P NSg/VB/J
# Dq+ NSg+ NSg NPl/V3 P NPl/V3 VB/C NPl/V3+ VP/J P D/P NSg NPr/J/P NSg/J
> York — every Monday these same oranges and lemons left his back door in a pyramid
# NPr+ . Dq NSg+ I/Ddem I/J NPl/V3 VB/C NPl/V3+ NPr/VB/J ISg/D$+ NSg/VB/J NSg/VB+ NPr/J/P D/P NSg/VB
> of pulpless halves . There was a machine in the kitchen which could extract the
@ -2374,12 +2374,12 @@
# NSg/J ? P NPl VB/C NPl/V3 VB/C NPl/V3 VB/C NPl/V3 VB/C NPl VB/C
> piccolos , and low and high drums . The last swimmers have come in from the beach
# NPl . VB/C NSg/VB/J/R VB/C NSg/VB/J/R NPl/V3+ . D NSg/VB/J NPl NSg/VXB NSg/VBPp/P NPr/J/P P D NPr/VB+
> now and are dressing up - stairs ; the cars from New York are parked five deep in
# NPr/VB/J/C VB/C VB Nᴹ/Vg/J NSg/VB/J/P . NPl+ . D NPl+ P NSg/VB/J NPr+ VB VP/J NSg NSg/J NPr/J/P
> now and are dressing up - stairs ; the cars from New York are parked five deep in
# NPr/VB/J/C VB/C VB Nᴹ/Vg/J NSg/VB/J/P . NPl+ . D NPl+ P NSg/J NPr+ VB VP/J NSg NSg/J NPr/J/P
> the drive , and already the halls and salons and verandas are gaudy with primary
# D N🅪Sg/VB+ . VB/C R D NPl VB/C NPl+ VB/C NPl/NoAm/Br VB NSg/J P NSg/VB/J
> colors , and hair bobbed in strange new ways , and shawls beyond the dreams of
# NPl/V3/Am+ . VB/C N🅪Sg/VB+ VP/J NPr/J/P NSg/VB/J NSg/VB/J NPl+ . VB/C NPl/V3 NSg/P D NPl/V3+ P
> colors , and hair bobbed in strange new ways , and shawls beyond the dreams of
# NPl/V3/Am+ . VB/C N🅪Sg/VB+ VP/J NPr/J/P NSg/VB/J NSg/J NPl+ . VB/C NPl/V3 NSg/P D NPl/V3+ P
> Castile . The bar is in full swing , and floating rounds of cocktails permeate the
# ? . D+ NSg/VB/P+ VL3 NPr/J/P NSg/VB/J+ NSg/VB+ . VB/C Nᴹ/Vg/J NPl/V3 P NPl/V3+ NSg/VB D+
> garden outside , until the air is alive with chatter and laughter , and casual
@ -2397,7 +2397,7 @@
> key higher . Laughter is easier minute by minute , spilled with prodigality ,
# NPr/VB/J NSg/JC . Nᴹ+ VL3 NSg/JC NSg/VB/J NSg/J/P NSg/VB/J+ . VP/J P Nᴹ .
> tipped out at a cheerful word . The groups change more swiftly , swell with new
# VP NSg/VB/J/R/P NSg/P D/P J NSg/VB+ . D+ NPl/V3+ N🅪Sg/VB+ NPr/I/VB/J/R/Dq R . NSg/VB/J+ P NSg/VB/J
# VP NSg/VB/J/R/P NSg/P D/P J NSg/VB+ . D+ NPl/V3+ N🅪Sg/VB+ NPr/I/VB/J/R/Dq R . NSg/VB/J+ P NSg/J
> arrivals , dissolve and form in the same breath ; already there are wanderers ,
# NPl . NSg/VB VB/C N🅪Sg/VB+ NPr/J/P D I/J N🅪Sg/VB/J+ . R R+ VB NPl .
> confident girls who weave here and there among the stouter and more stable ,
@ -2417,7 +2417,7 @@
> alone on the canvas platform . A momentary hush ; the orchestra leader varies his
# J J/P D NSg/VB+ NSg/VB+ . D/P+ J+ NSg/VB+ . D+ NSg+ NSg/JC+ NPl/V3 ISg/D$+
> rhythm obligingly for her , and there is a burst of chatter as the erroneous news
# N🅪Sg/VB+ R C/P ISg/D$+ . VB/C R+ VL3 D/P NSg/VB P NSg/VB+ NSg/R D J Nᴹ/V3+
# N🅪Sg/VB+ R C/P ISg/D$+ . VB/C R+ VL3 D/P NSg/VB P NSg/VB+ NSg/R D J Nᴹ/VB+
> goes around that she is Gilda Gray’s understudy from the Follies . The party has
# NPl/VB J/P NSg/I/C/Ddem ISg+ VL3 NPr NSg$/Am NSg/VB P D NPl/V3 . D+ NSg/VB/J+ V3
> begun .
@ -2570,8 +2570,8 @@
# . ISg/#r+ NSg/VB/J/C/P P NSg/VBPp/P . . NPr+ VP/J . . ISg/#r+ R N🅪Sg/VB NSg/I+ ISg/#r+ NSg/VXB . NSg/I/J/C ISg/#r+ R NSg/VXB D/P+ NPr/VB/J+
> time . When I was here last I tore my gown on a chair , and he asked me my name
# N🅪Sg/VB/J+ . NSg/I/C ISg/#r+ VPt NSg/J/R NSg/VB/J ISg/#r+ NSg/VB/J D$+ NSg/VB+ J/P D/P+ NSg/VB+ . VB/C NPr/ISg+ VP/J NPr/ISg+ D$+ NSg/VB
> and address — inside of a week I got a package from Croirier’s with a new evening
# VB/C NSg/VB+ . NSg/J/P P D/P+ NSg/J+ ISg/#r+ VP D/P+ NSg/VB+ P ? P D/P NSg/VB/J N🅪Sg/Vg/J+
> and address — inside of a week I got a package from Croirier’s with a new evening
# VB/C NSg/VB+ . NSg/J/P P D/P+ NSg/J+ ISg/#r+ VP D/P+ NSg/VB+ P ? P D/P NSg/J N🅪Sg/Vg/J+
> gown in it . ”
# NSg/VB+ NPr/J/P NPr/ISg+ . .
>
@ -2888,8 +2888,8 @@
# . Nᴹ/Vg/J D/P+ NPr/VB/J+ N🅪Sg/VB/J+ NPr/VB/J/C . . ISg+ VP/J .
>
#
> “ Much better . ” I turned again to my new acquaintance . “ This is an unusual party
# . NSg/I/J/R/Dq NSg/VXB/JC . . ISg/#r+ VP/J P P D$+ NSg/VB/J+ NSg+ . . I/Ddem+ VL3 D/P NSg/J NSg/VB/J
> “ Much better . ” I turned again to my new acquaintance . “ This is an unusual party
# . NSg/I/J/R/Dq NSg/VXB/JC . . ISg/#r+ VP/J P P D$+ NSg/J+ NSg+ . . I/Ddem+ VL3 D/P NSg/J NSg/VB/J
> for me . I haven’t even seen the host . I live over there — ” I waved my hand at the
# C/P NPr/ISg+ . ISg/#r+ VB NSg/VB/J NSg/VPp D NSg/VB+ . ISg/#r+ VB/J NSg/J/P R . . ISg/#r+ VP/J D$+ NSg/VB+ NSg/P D
> invisible hedge in the distance , “ and this man Gatsby sent over his chauffeur
@ -3002,8 +3002,8 @@
# VB/C VB D NSg/VB P Nᴹ/Vg/J D$+ NSg+ . ISg/#r+ VXB NSg/VXB VP/J C/P
> question the information that Gatsby sprang from the swamps of Louisiana or from
# NSg/VB+ D+ Nᴹ+ NSg/I/C/Ddem+ NPr VB P D NPl/V3 P NPr+ NPr/C P
> the lower East Side of New York . That was comprehensible . But young men
# D NSg/VB/JC NPr/J+ NSg/VB/J P NSg/VB/J NPr+ . NSg/I/C/Ddem+ VPt J . NSg/C/P NPr/VB/J+ NPl+
> the lower East Side of New York . That was comprehensible . But young men
# D NSg/VB/JC NPr/J+ NSg/VB/J P NSg/J NPr+ . NSg/I/C/Ddem+ VPt J . NSg/C/P NPr/VB/J+ NPl+
> didn’t — at least in my provincial inexperience I believed they didn’t — drift
# VB . NSg/P NSg/J NPr/J/P D$+ NSg/J Nᴹ ISg/#r+ VP/J IPl+ VB . NSg/VB
> coolly out of nowhere and buy a palace on Long Island Sound .
@ -3282,8 +3282,8 @@
# NPl P D+ NSg/VB+ D/P NSg NPl VP/J D/P J VB/C J
> scene . In the ditch beside the road , right side up , but violently shorn of one
# NSg/VB+ . NPr/J/P D+ NSg/VB+ P D+ N🅪Sg/J+ . NPr/VB/J+ NSg/VB/J+ NSg/VB/J/P . NSg/C/P R ? P NSg/I/VB/J+
> wheel , rested a new coupé which had left Gatsby’s drive not two minutes before .
# NSg/VB+ . VP/J D/P NSg/VB/J ? I/C+ VB NPr/VB/J NSg$ N🅪Sg/VB NSg/R/C NSg NPl/V3+ C/P .
> wheel , rested a new coupé which had left Gatsby’s drive not two minutes before .
# NSg/VB+ . VP/J D/P NSg/J ? I/C+ VB NPr/VB/J NSg$ N🅪Sg/VB NSg/R/C NSg NPl/V3+ C/P .
> The sharp jut of a wall accounted for the detachment of the wheel , which was now
# D NPr/VB/J NSg/VB P D/P NPr/VB+ VP/J C/P D N🅪Sg P D NSg/VB+ . I/C+ VPt NPr/VB/J/C
> getting considerable attention from half a dozen curious chauffeurs . However , as
@ -3362,8 +3362,8 @@
# I/D NPr/VB/J+ NPr/J/P D NSg+ . .
>
#
> The shock that followed this declaration found voice in a sustained “ Ah - h - h ! ” as
# D+ N🅪Sg/VB/J+ NSg/I/C/Ddem+ VP/J I/Ddem+ NSg+ NSg/VB NSg/VB+ NPr/J/P D/P VP/J . NSg/I/VB . NSg/VB/J . NSg/VB/J+ . . NSg/R
> The shock that followed this declaration found voice in a sustained “ Ah - h - h ! ” as
# D+ N🅪Sg/J+ NSg/I/C/Ddem+ VP/J I/Ddem+ NSg+ NSg/VB NSg/VB+ NPr/J/P D/P VP/J . NSg/I/VB . NSg/VB/J . NSg/VB/J+ . . NSg/R
> the door of the coupé swung slowly open . The crowd — it was now a crowd — stepped
# D NSg/VB P D ? VPp R NSg/VB/J . D+ NSg/VB+ . NPr/ISg+ VPt NPr/VB/J/C D/P NSg/VB+ . J
> back involuntarily , and when the door had opened wide there was a ghostly pause .
@ -3470,8 +3470,8 @@
#
> Most of the time I worked . In the early morning the sun threw my shadow westward
# NSg/I/J/R/Dq P D+ N🅪Sg/VB/J+ ISg/#r+ VP/J . NPr/J/P D+ NSg/J/R+ N🅪Sg/Vg/J+ D+ NPr/VB+ VB D$+ NSg/VB/J+ NSg/J
> as I hurried down the white chasms of lower New York to the Probity Trust . I
# NSg/R ISg/#r+ VP/J N🅪Sg/VB/J/P D NPr🅪Sg/VB/J NPl P NSg/VB/JC NSg/VB/J NPr+ P D Nᴹ N🅪Sg/VB/J . ISg/#r+
> as I hurried down the white chasms of lower New York to the Probity Trust . I
# NSg/R ISg/#r+ VP/J N🅪Sg/VB/J/P D NPr🅪Sg/VB/J NPl P NSg/VB/JC NSg/J NPr+ P D Nᴹ N🅪Sg/VB/J . ISg/#r+
> knew the other clerks and young bond - salesmen by their first names , and lunched
# VPt D NSg/VB/J NPl/V3 VB/C NPr/VB/J+ NPr/VB/J+ . NPl NSg/J/P D$+ NSg/VB/J NPl/V3+ . VB/C VP/J
> with them in dark , crowded restaurants on little pig sausages and mashed
@ -3500,8 +3500,8 @@
# NPr+ NPr/VB+ NSg+ . VB/C NSg/J/P # NPr/J/#r+ NSg/VB/J+ P D+ NPr+ NSg/VB+ .
>
#
> I began to like New York , the racy , adventurous feel of it at night , and the
# ISg/#r+ VPt P NSg/VB/J/C/P NSg/VB/J+ NPr+ . D J . J NSg/I/VB P NPr/ISg+ NSg/P N🅪Sg/VB+ . VB/C D
> I began to like New York , the racy , adventurous feel of it at night , and the
# ISg/#r+ VPt P NSg/VB/J/C/P NSg/J+ NPr+ . D J . J NSg/I/VB P NPr/ISg+ NSg/P N🅪Sg/VB+ . VB/C D
> satisfaction that the constant flicker of men and women and machines gives to
# Nᴹ+ NSg/I/C/Ddem D NSg/J NSg/VB P NPl VB/C NPl+ VB/C NPl/V3+ NPl/V3 P
> the restless eye . I liked to walk up Fifth Avenue and pick out romantic women
@ -3754,8 +3754,8 @@
# . D NSg+ . . ISg/#r+ N🅪Sg/VB NSg/C NPr/ISg+ VB I/R/Dq NSg/VB/J NSg/VB/J+ . P NSg/J+ NPl/VB+ R+ NSg/VPt
> Gus Waize and Horace O’Donavan and Lester Myer and George Duckweed and Francis
# NPr+ ? VB/C NPr+ ? VB/C NPr ? VB/C NPr+ Nᴹ VB/C NPr+
> Bull . Also from New York were the Chromes and the Backhyssons and the Dennickers
# NSg/VB/J+ . R/C P NSg/VB/J+ NPr+ NSg/VPt D NPl/V3 VB/C D ? VB/C D ?
> Bull . Also from New York were the Chromes and the Backhyssons and the Dennickers
# NSg/VB/J+ . R/C P NSg/J+ NPr+ NSg/VPt D NPl/V3 VB/C D ? VB/C D ?
> and Russel Betty and the Corrigans and the Kellehers and the Dewars and the
# VB/C NPr NPr+ VB/C D ? VB/C D ? VB/C D ? VB/C D
> Scullys and S. W. Belcher and the Smirkes and the young Quinns , divorced now ,
@ -4214,8 +4214,8 @@
#
> Gatsby took an arm of each of us and moved forward into the restaurant ,
# NPr VPt D/P NSg/VB/J P Dq P NPr/IPl+ VB/C VP/J NSg/VB/J P D NSg+ .
> whereupon Mr . Wolfshiem swallowed a new sentence he was starting and lapsed into
# C NSg+ . ? VP/J D/P NSg/VB/J NSg/VB+ NPr/ISg+ VPt Nᴹ/Vg/J VB/C VP/J P
> whereupon Mr . Wolfshiem swallowed a new sentence he was starting and lapsed into
# C NSg+ . ? VP/J D/P NSg/J NSg/VB+ NPr/ISg+ VPt Nᴹ/Vg/J VB/C VP/J P
> a somnambulatory abstraction .
# D/P ? N🅪Sg+ .
>
@ -4466,8 +4466,8 @@
#
> “ He becomes very sentimental sometimes , ” explained Gatsby . “ This is one of his
# . NPr/ISg+ V3 J/R J R . . VP/J NPr . . I/Ddem+ VL3 NSg/I/VB/J P ISg/D$+
> sentimental days . He’s quite a character around New York — a denizen of Broadway . ”
# J+ NPl+ . NSg$ R D/P N🅪Sg/VB+ J/P NSg/VB/J NPr+ . D/P NSg/VB P NPr/J+ . .
> sentimental days . He’s quite a character around New York — a denizen of Broadway . ”
# J+ NPl+ . NSg$ R D/P N🅪Sg/VB+ J/P NSg/J NPr+ . D/P NSg/VB P NPr/J+ . .
>
#
> “ Who is he , anyhow , an actor ? ”
@ -4579,7 +4579,7 @@
> on the lawns . I was happier on the lawns because I had on shoes from England
# J/P D NPl/V3 . ISg/#r+ VPt NSg/JC J/P D NPl/V3 C/P ISg/#r+ VB J/P NPl/V3+ P NPr
> with rubber nobs on the soles that bit into the soft ground . I had on a new
# P NSg/VB/J+ NPl/V3 J/P D NPl/V3+ NSg/I/C/Ddem+ NSg/VPt P D NSg/J N🅪Sg/VB/J+ . ISg/#r+ VB J/P D/P NSg/VB/J
# P NSg/VB/J+ NPl/V3 J/P D NPl/V3+ NSg/I/C/Ddem+ NSg/VPt P D NSg/J N🅪Sg/VB/J+ . ISg/#r+ VB J/P D/P NSg/J
> plaid skirt also that blew a little in the wind , and whenever this happened the
# NSg/VB/J NSg/VB R/C NSg/I/C/Ddem+ NSg/VPt/J D/P NPr/I/J/Dq NPr/J/P D N🅪Sg/VB+ . VB/C C I/Ddem VP/J D
> red , white , and blue banners in front of all the houses stretched out stiff and
@ -4642,8 +4642,8 @@
# R JC+ NSg/VB+ . NSg/I/C ISg+ NSg/VPt P NSg/I+ NSg/P NSg/I/J/C/Dq . NSg/VB/J+ NPl/V3/Am+ NSg/VPt
> circulating about her — how her mother had found her packing her bag one winter
# Nᴹ/Vg/J J/P ISg/D$+ . NSg/C ISg/D$+ NSg/VB/J+ VB NSg/VB ISg/D$+ Nᴹ/Vg/J ISg/D$+ NSg/VB+ NSg/I/VB/J+ N🅪Sg/VB+
> night to go to New York and say good - by to a soldier who was going overseas . She
# N🅪Sg/VB+ P NSg/VB/J P NSg/VB/J+ NPr+ VB/C NSg/VB NPr/VB/J . NSg/J/P P D/P+ NSg/VB/J+ NPr/I+ VPt Nᴹ/Vg/J J/R . ISg+
> night to go to New York and say good - by to a soldier who was going overseas . She
# N🅪Sg/VB+ P NSg/VB/J P NSg/J+ NPr+ VB/C NSg/VB NPr/VB/J . NSg/J/P P D/P+ NSg/VB/J+ NPr/I+ VPt Nᴹ/Vg/J J/R . ISg+
> was effectually prevented , but she wasn’t on speaking terms with her family for
# VPt R VP/J . NSg/C/P ISg+ VB J/P Nᴹ/Vg/J NPl/V3+ P ISg/D$+ N🅪Sg/J+ C/P
> several weeks . After that she didn’t play around with the soldiers any more , but
@ -4656,8 +4656,8 @@
#
> By the next autumn she was gay again , gay as ever . She had a début after the
# NSg/J/P D+ NSg/J/P+ NPr🅪Sg/VB+ ISg+ VPt NPr/VB/J P . NPr/VB/J NSg/R J . ISg+ VB D/P ? P D
> armistice , and in February she was presumably engaged to a man from New Orleans .
# NPr🅪Sg . VB/C NPr/J/P NPr+ ISg+ VPt R VP/J P D/P NPr/VB/J+ P NSg/VB/J NPr+ .
> armistice , and in February she was presumably engaged to a man from New Orleans .
# NPr🅪Sg . VB/C NPr/J/P NPr+ ISg+ VPt R VP/J P D/P NPr/VB/J+ P NSg/J NPr+ .
> In June she married Tom Buchanan of Chicago , with more pomp and circumstance
# NPr/J/P NPr+ ISg+ NSg/VP/J NPr/VB+ NPr P NPr+ . P NPr/I/VB/J/R/Dq NSg/VB VB/C NSg/VB
> than Louisville ever knew before . He came down with a hundred people in four
@ -4878,8 +4878,8 @@
# VPt ISg/D$+ . VB/C ISg/#r+ VPt D NSg/VB/J NSg/I/VB/J NPr/ISg+ NSg/VB . NPr/ISg+ VPt NSg/I/C/Ddem N🅪Sg/VB NPr/ISg+ NSg/VB C/P NPr/ISg+ NSg/P
> his dance , and you should have heard the elaborate way he worked up to it . Of
# ISg/D$+ N🅪Sg/VB+ . VB/C ISgPl+ VXB NSg/VXB VP/J D+ VB/J+ NSg/J+ NPr/ISg+ VP/J NSg/VB/J/P P NPr/ISg+ . P
> course , I immediately suggested a luncheon in New York — and I thought he’d go
# NSg/VB+ . ISg/#r+ R VP/J D/P NSg/VB NPr/J/P NSg/VB/J+ NPr+ . VB/C ISg/#r+ N🅪Sg/VP K NSg/VB/J
> course , I immediately suggested a luncheon in New York — and I thought he’d go
# NSg/VB+ . ISg/#r+ R VP/J D/P NSg/VB NPr/J/P NSg/J+ NPr+ . VB/C ISg/#r+ N🅪Sg/VP K NSg/VB/J
> mad :
# NSg/VB/J .
>
@ -5510,8 +5510,8 @@
# R P D NSg/VB/J+ . NPr/ISg+ VPt N🅪Sg/VB/J ISg/#r+ NSg/VPt NSg/VB/J . NSg/VB/C/P D+ N🅪Sg/VB+ VP/J
> it had seemed like the murmur of their voices , rising and swelling a little now
# NPr/ISg+ VB VP/J NSg/VB/J/C/P D NSg/VB P D$+ NPl/V3+ . Nᴹ/Vg/J/P VB/C Nᴹ/Vg/J D/P NPr/I/J/Dq NPr/VB/J/C
> and then with gusts of emotion . But in the new silence I felt that silence had
# VB/C NSg/J/C P NPl/V3 P N🅪Sg+ . NSg/C/P NPr/J/P D+ NSg/VB/J+ NSg/VB+ ISg/#r+ N🅪Sg/VB/J NSg/I/C/Ddem NSg/VB+ VB
> and then with gusts of emotion . But in the new silence I felt that silence had
# VB/C NSg/J/C P NPl/V3 P N🅪Sg+ . NSg/C/P NPr/J/P D+ NSg/J+ NSg/VB+ ISg/#r+ N🅪Sg/VB/J NSg/I/C/Ddem NSg/VB+ VB
> fallen within the house too .
# VPp/J NSg/J/P D+ NPr/VB+ R .
>
@ -5530,8 +5530,8 @@
# NSg/P NPr/ISg+ P ISg/D$+ NSg+ C/P D/P NSg/VB+ . NSg/C/P R+ VPt D/P+ N🅪Sg/VB+ NPr/J/P NPr
> that was simply confounding . He literally glowed ; without a word or a gesture of
# NSg/I/C/Ddem+ VPt R Nᴹ/Vg/J . NPr/ISg+ R VP/J . C/P D/P NSg/VB+ NPr/C D/P NSg/VB P
> exultation a new well - being radiated from him and filled the little room .
# NSg D/P NSg/VB/J NSg/VB/J/R . N🅪Sg/Vg/J/C VP/J P ISg+ VB/C VP/J D NPr/I/J/Dq N🅪Sg/VB/J+ .
> exultation a new well - being radiated from him and filled the little room .
# NSg D/P NSg/J NSg/VB/J/R . N🅪Sg/Vg/J/C VP/J P ISg+ VB/C VP/J D NPr/I/J/Dq N🅪Sg/VB/J+ .
>
#
> “ Oh , hello , old sport , ” he said , as if he hadn’t seen me for years . I thought
@ -5549,7 +5549,7 @@
> twinkle - bells of sunshine in the room , he smiled like a weather man , like an
# NSg/VB . NPl/V3 P Nᴹ/J+ NPr/J/P D N🅪Sg/VB/J+ . NPr/ISg+ VP/J NSg/VB/J/C/P D/P Nᴹ/VB/J+ NPr/VB/J+ . NSg/VB/J/C/P D/P
> ecstatic patron of recurrent light , and repeated the news to Daisy . “ What do you
# NSg/J NSg/VB P NSg/J N🅪Sg/VB/J+ . VB/C VP/J D Nᴹ/V3+ P NPr . . NSg/I+ NSg/VXB ISgPl+
# NSg/J NSg/VB P NSg/J N🅪Sg/VB/J+ . VB/C VP/J D Nᴹ/VB+ P NPr . . NSg/I+ NSg/VXB ISgPl+
> think of that ? It’s stopped raining . ”
# NSg/VB P NSg/I/C/Ddem+ . K VB/J Nᴹ/Vg/J . .
>
@ -5678,8 +5678,8 @@
#
> We went up - stairs , through period bedrooms swathed in rose and lavender silk and
# IPl+ NSg/VPt NSg/VB/J/P . NPl+ . NSg/J/P NSg/VB/J+ NPl+ J/Am NPr/J/P NPr/VPt/J VB/C Nᴹ/VB/J N🅪Sg/VB+ VB/C
> vivid with new flowers , through dressing - rooms and poolrooms , and bathrooms with
# NSg/J P NSg/VB/J NPrPl/V3+ . NSg/J/P Nᴹ/Vg/J+ . NPl/V3+ VB/C NPl . VB/C NPl/V3+ P
> vivid with new flowers , through dressing - rooms and poolrooms , and bathrooms with
# NSg/J P NSg/J NPrPl/V3+ . NSg/J/P Nᴹ/Vg/J+ . NPl/V3+ VB/C NPl . VB/C NPl/V3+ P
> sunken baths — intruding into one chamber where a dishevelled man in pajamas was
# VPp/J NSg/VB+ . Nᴹ/Vg/J P NSg/I/VB/J NSg/VB+ NSg/C D/P VP/J/Comm NPr/VB/J+ NPr/J/P NPl VPt
> doing liver exercises on the floor . It was Mr . Klipspringer , the ‘ ‘ boarder . ” I
@ -5950,8 +5950,8 @@
# Nᴹ/VB/J/P D+ N🅪Sg/VB+ VPt NSg/J VB/C R+ VPt D/P NSg/VB/J NSg/VB P NSg/VB+ P D+ N🅪Sg/VB/J+ .
> All the lights were going on in West Egg now ; the electric trains , men - carrying ,
# NSg/I/J/C/Dq+ D+ NPl/V3+ NSg/VPt Nᴹ/Vg/J J/P NPr/J/P NPr/VB/J+ N🅪Sg/VB+ NPr/VB/J/C . D NSg/J NPl/V3 . NPl+ . Nᴹ/Vg/J .
> were plunging home through the rain from New York . It was the hour of a profound
# NSg/VPt Nᴹ/Vg/J NSg/VB/J+ NSg/J/P D N🅪Sg/VB+ P NSg/VB/J NPr+ . NPr/ISg+ VPt D NSg P D/P+ NSg/VB/J+
> were plunging home through the rain from New York . It was the hour of a profound
# NSg/VPt Nᴹ/Vg/J NSg/VB/J+ NSg/J/P D N🅪Sg/VB+ P NSg/J NPr+ . NPr/ISg+ VPt D NSg P D/P+ NSg/VB/J+
> human change , and excitement was generating on the air .
# NSg/VB/J+ N🅪Sg/VB+ . VB/C NSg+ VPt Nᴹ/Vg/J J/P D+ N🅪Sg/VB+ .
>
@ -6006,8 +6006,8 @@
# NSg/VB+ NPr/#r
>
#
> About this time an ambitious young reporter from New York arrived one morning at
# J/P I/Ddem+ N🅪Sg/VB/J+ D/P J NPr/VB/J NSg/VB P NSg/VB/J+ NPr+ VP/J NSg/I/VB/J N🅪Sg/Vg/J+ NSg/P
> About this time an ambitious young reporter from New York arrived one morning at
# J/P I/Ddem+ N🅪Sg/VB/J+ D/P J NPr/VB/J NSg/VB P NSg/J+ NPr+ VP/J NSg/I/VB/J N🅪Sg/Vg/J+ NSg/P
> Gatsby’s door and asked him if he had anything to say .
# NSg$ NSg/VB+ VB/C VP/J ISg+ NSg/C NPr/ISg+ VB NSg/I/VB+ P NSg/VB .
>
@ -6037,7 +6037,7 @@
> become authorities upon his past , had increased all summer until he fell just
# VBPp NPl+ P ISg/D$+ NSg/VB/J/P . VB VP/J NSg/I/J/C/Dq NPr🅪Sg/VB+ C/P NPr/ISg+ NSg/VPt/J VB/J
> short of being news . Contemporary legends such as the “ underground pipe - line to
# NPr/VB/J/P P N🅪Sg/Vg/J/C Nᴹ/V3+ . NSg/J NPl/V3 NSg/I NSg/R D . NSg/VB/J NSg/VB+ . NSg/VB P
# NPr/VB/J/P P N🅪Sg/Vg/J/C Nᴹ/VB+ . NSg/J NPl/V3 NSg/I NSg/R D . NSg/VB/J NSg/VB+ . NSg/VB P
> Canada ” attached themselves to him , and there was one persistent story that he
# NPr+ . VP/J IPl+ P ISg+ . VB/C R+ VPt NSg/I/VB/J J NSg/VB+ NSg/I/C/Ddem+ NPr/ISg+
> didn’t live in a house at all , but in a boat that looked like a house and was
@ -6160,8 +6160,8 @@
# VP/J NSg/I/J/C/Dq D N🅪Sg/VB/J VB/C NSg/VB+ NPr/J/P D NSg/VB+ . ISg/#r+ VB NPr/ISg+ VP/J NSg/P
> Cody — he had probably discovered that people liked him when he smiled . At any
# NPr . NPr/ISg+ VB R VP/J NSg/I/C/Ddem NPl/VB+ VP/J ISg+ NSg/I/C NPr/ISg+ VP/J . NSg/P I/R/Dq+
> rate Cody asked him a few questions ( one of them elicited the brand new name )
# NSg/VB+ NPr VP/J ISg+ D/P NSg/I/Dq NPl/V3+ . NSg/I/VB/J P NSg/IPl+ VP/J D NSg/VB+ NSg/VB/J NSg/VB+ .
> rate Cody asked him a few questions ( one of them elicited the brand new name )
# NSg/VB+ NPr VP/J ISg+ D/P NSg/I/Dq NPl/V3+ . NSg/I/VB/J P NSg/IPl+ VP/J D NSg/VB+ NSg/J NSg/VB+ .
> and found that he was quick and extravagantly ambitious . A few days later he
# VB/C NSg/VB NSg/I/C/Ddem NPr/ISg+ VPt NSg/VB/J VB/C R J . D/P+ NSg/I/Dq+ NPl+ JC NPr/ISg+
> took him to Duluth and bought him a blue coat , six pair of white duck trousers ,
@ -6230,8 +6230,8 @@
#
> It was a halt , too , in my association with his affairs . For several weeks I
# NPr/ISg+ VPt D/P NSg/VB/J . R . NPr/J/P D$+ N🅪Sg+ P ISg/D$+ NPl+ . C/P J/Dq+ NPrPl+ ISg/#r+
> didn’t see him or hear his voice on the phone — mostly I was in New York , trotting
# VB NSg/VB ISg+ NPr/C VB ISg/D$+ NSg/VB+ J/P D NSg/VB+ . R ISg/#r+ VPt NPr/J/P NSg/VB/J NPr+ . NSg/Vg/J
> didn’t see him or hear his voice on the phone — mostly I was in New York , trotting
# VB NSg/VB ISg+ NPr/C VB ISg/D$+ NSg/VB+ J/P D NSg/VB+ . R ISg/#r+ VPt NPr/J/P NSg/J NPr+ . NSg/Vg/J
> around with Jordan and trying to ingratiate myself with her senile aunt — but
# J/P P NPr+ VB/C Nᴹ/Vg/J P VB ISg+ P ISg/D$+ NSg/J NSg+ . NSg/C/P
> finally I went over to his house one Sunday afternoon . I hadn’t been there two
@ -6366,8 +6366,8 @@
# . VB VB NSg/VB+ . . NPr VP/J NSg/IPl+ . NPr/ISg+ VB N🅪Sg/VB P ISg+ NPr/VB/J/C . VB/C NPr/ISg+
> wanted to see more of Tom . “ Why don’t you — why don’t you stay for supper ? I
# VP/J P NSg/VB NPr/I/VB/J/R/Dq P NPr/VB+ . . NSg/VB VB ISgPl+ . NSg/VB VB ISgPl+ NSg/VB/J C/P NSg/VB+ . ISg/#r+
> wouldn’t be surprised if some other people dropped in from New York . ”
# VXB NSg/VXB VP/J NSg/C I/J/R/Dq NSg/VB/J NPl/VB+ VP/J NPr/J/P P NSg/VB/J NPr+ . .
> wouldn’t be surprised if some other people dropped in from New York . ”
# VXB NSg/VXB VP/J NSg/C I/J/R/Dq NSg/VB/J NPl/VB+ VP/J NPr/J/P P NSg/J NPr+ . .
>
#
> “ You come to supper with me , ” said the lady enthusiastically . “ Both of you . ”
@ -6480,8 +6480,8 @@
# P ISg/D$+ NSg/VB/J NPl VB/C ISg/D$+ NSg/VB/J+ NSg/J+ NPl/V3+ . NSg/VB/J P NSg/I/J+ C/P NPr/ISg+
> had no consciousness of being so , and now I was looking at it again , through
# VB NPr/P Nᴹ P N🅪Sg/Vg/J/C NSg/I/J/C . VB/C NPr/VB/J/C ISg/#r+ VPt Nᴹ/Vg/J NSg/P NPr/ISg+ P . NSg/J/P
> Daisy’s eyes . It is invariably saddening to look through new eyes at things upon
# NSg$ NPl/V3+ . NPr/ISg+ VL3 R Nᴹ/Vg/J P NSg/VB NSg/J/P NSg/VB/J NPl/V3+ NSg/P NPl+ P
> Daisy’s eyes . It is invariably saddening to look through new eyes at things upon
# NSg$ NPl/V3+ . NPr/ISg+ VL3 R Nᴹ/Vg/J P NSg/VB NSg/J/P NSg/J NPl/V3+ NSg/P NPl+ P
> which you have expended your own powers of adjustment .
# I/C+ ISgPl+ NSg/VXB VP/J D$+ NSg/VB/J NPrPl/V3 P NSg+ .
>
@ -6662,8 +6662,8 @@
#
> “ Anything I hate is to get my head stuck in a pool , ” mumbled Miss Baedeker .
# . NSg/I/VB+ ISg/#r+ N🅪Sg/VB VL3 P NSg/VB D$+ NPr/VB/J+ NSg/VB/J NPr/J/P D/P+ NSg/VB+ . . VP/J NSg/VB NPr .
> “ They almost drowned me once over in New Jersey . ”
# . IPl+ R VP/J NPr/ISg+ NSg/C NSg/J/P NPr/J/P NSg/VB/J+ NPr+ . .
> “ They almost drowned me once over in New Jersey . ”
# . IPl+ R VP/J NPr/ISg+ NSg/C NSg/J/P NPr/J/P NSg/J+ NPr+ . .
>
#
> “ Then you ought to leave it alone , ” countered Doctor Civet .
@ -7040,8 +7040,8 @@
# NSg+ P NSg/VXB VP/J NSg/J/P D NPl . NSg/C/P VP/J NSg/VB/J NPl/V3+ NSg/J/P D
> telephone . The grocery boy reported that the kitchen looked like a pigsty , and
# NSg/VB+ . D+ NSg/VB+ NSg/VB+ VP/J NSg/I/C/Ddem D+ NSg/VB+ VP/J NSg/VB/J/C/P D/P+ NSg+ . VB/C
> the general opinion in the village was that the new people weren’t servants at
# D NSg/VB/J N🅪Sg NPr/J/P D+ NSg+ VPt NSg/I/C/Ddem D NSg/VB/J NPl/VB+ VB NPl/V3+ NSg/P
> the general opinion in the village was that the new people weren’t servants at
# D NSg/VB/J N🅪Sg NPr/J/P D+ NSg+ VPt NSg/I/C/Ddem D NSg/J NPl/VB+ VB NPl/V3+ NSg/P
> all .
# NSg/I/J/C/Dq .
>
@ -7728,8 +7728,8 @@
# . R NSg$ D/P+ NPr+ NPr/VB/J+ . .
>
#
> “ Oxford , New Mexico , ” snorted Tom contemptuously , “ or something like that . ”
# . NPr+ . NSg/VB/J+ NPr+ . . VP/J NPr/VB+ R . . NPr/C NSg/I/VB/J+ NSg/VB/J/C/P NSg/I/C/Ddem+ . .
> “ Oxford , New Mexico , ” snorted Tom contemptuously , “ or something like that . ”
# . NPr+ . NSg/J+ NPr+ . . VP/J NPr/VB+ R . . NPr/C NSg/I/VB/J+ NSg/VB/J/C/P NSg/I/C/Ddem+ . .
>
#
> “ Listen , Tom . If you’re such a snob , why did you invite him to lunch ? ” demanded
@ -7870,8 +7870,8 @@
# R+ C/P ISg/#r+ VP/J/NoAm NSg/I/C/Ddem NSg/I/J/C NSg/VB/J ISg/D$+ NPl/V3 VB VP/J J/P NPr/VB+ . NPr/ISg+
> had discovered that Myrtle had some sort of life apart from him in another
# VB VP/J NSg/I/C/Ddem NPr VB I/J/R/Dq NSg/VB P N🅪Sg/VB+ J P ISg+ NPr/J/P I/D
> world , and the shock had made him physically sick . I stared at him and then at
# NSg/VB+ . VB/C D N🅪Sg/VB/J+ VB VB ISg+ R NSg/VB/J . ISg/#r+ VP/J NSg/P ISg+ VB/C NSg/J/C NSg/P
> world , and the shock had made him physically sick . I stared at him and then at
# NSg/VB+ . VB/C D N🅪Sg/J+ VB VB ISg+ R NSg/VB/J . ISg/#r+ VP/J NSg/P ISg+ VB/C NSg/J/C NSg/P
> Tom , who had made a parallel discovery less than an hour before — and it occurred
# NPr/VB+ . NPr/I+ VB VB D/P NSg/VB/J+ N🅪Sg+ VB/J/R/C/P C/P D/P+ NSg+ C/P . VB/C NPr/ISg+ VB
> to me that there was no difference between men , in intelligence or race , so
@ -7936,8 +7936,8 @@
#
> “ Those big movies around Fiftieth Street are cool , ” suggested Jordan . “ I love
# . I/Ddem NSg/J NPl+ J/P NSg/J NSg/VB/J+ VB NSg/VB/J . . VP/J NPr+ . . ISg/#r+ NPr🅪Sg/VB
> New York on summer afternoons when every one’s away . There’s something very
# NSg/VB/J NPr+ J/P NPr🅪Sg/VB+ NPl NSg/I/C Dq NSg$ VB/J . K NSg/I/VB/J+ J/R
> New York on summer afternoons when every one’s away . There’s something very
# NSg/J NPr+ J/P NPr🅪Sg/VB+ NPl NSg/I/C Dq NSg$ VB/J . K NSg/I/VB/J+ J/R
> sensuous about it — overripe , as if all sorts of funny fruits were going to fall
# J J/P NPr/ISg+ . NSg/J . NSg/R NSg/C NSg/I/J/C/Dq NPl/V3 P NSg/J NPl/V3+ NSg/VPt Nᴹ/Vg/J P N🅪Sg/VB
> into your hands . ”
@ -8214,8 +8214,8 @@
# D/P+ NSg/VB+ . NSg/J/C NSg$ NSg/VB+ . J VB/C Nᴹ/Vg/J .
>
#
> “ You must have gone there about the time Biloxi went to New Haven . ”
# . ISgPl+ NSg/VB NSg/VXB VPp/J/P R J/P D+ N🅪Sg/VB/J+ ? NSg/VPt P NSg/VB/J+ NSg/VB+ . .
> “ You must have gone there about the time Biloxi went to New Haven . ”
# . ISgPl+ NSg/VB NSg/VXB VPp/J/P R J/P D+ N🅪Sg/VB/J+ ? NSg/VPt P NSg/J+ NSg/VB+ . .
>
#
> Another pause . A waiter knocked and came in with crushed mint and ice but the
@ -8628,8 +8628,8 @@
#
> “ And you left him in the lurch , didn’t you ? You let him go to jail for a month
# . VB/C ISgPl+ NPr/VB/J ISg+ NPr/J/P D+ NSg/VB+ . VB ISgPl+ . ISgPl+ NSg/VBP ISg+ NSg/VB/J P N🅪Sg/VB C/P D/P+ NSg/J+
> over in New Jersey . God ! You ought to hear Walter on the subject of you . ”
# NSg/J/P NPr/J/P NSg/VB/J+ NPr+ . NPr/VB+ . ISgPl+ NSg/I/VXB P VB NPr+ J/P D NSg/VB/J P ISgPl+ . .
> over in New Jersey . God ! You ought to hear Walter on the subject of you . ”
# NSg/J/P NPr/J/P NSg/J+ NPr+ . NPr/VB+ . ISgPl+ NSg/I/VXB P VB NPr+ J/P D NSg/VB/J P ISgPl+ . .
>
#
> “ He came to us dead broke . He was very glad to pick up some money , old sport . ”
@ -8746,8 +8746,8 @@
# . NPr/P . . . ISg/#r+ VB/J VP/J NSg/I/C/Ddem+ P . NSg$ D$+ NSg/VB+ . .
>
#
> I was thirty . Before me stretched the portentous , menacing road of a new decade .
# ISg/#r+ VPt NSg . C/P NPr/ISg+ VP/J D J . Nᴹ/Vg/J N🅪Sg/J P D/P NSg/VB/J NSg+ .
> I was thirty . Before me stretched the portentous , menacing road of a new decade .
# ISg/#r+ VPt NSg . C/P NPr/ISg+ VP/J D J . Nᴹ/Vg/J N🅪Sg/J P D/P NSg/J NSg+ .
>
#
> It was seven o’clock when we got into the coupé with him and started for Long
@ -8850,8 +8850,8 @@
# Nᴹ/Vg/J Nᴹ+ . VP/J R C/P D/P NSg+ . VB/C NSg/J/C VP/J J/P
> the next bend . Mavromichaelis wasn’t even sure of its color — he told the first
# D NSg/J/P NPr/VB+ . ? VB NSg/VB/J J P ISg/D$+ N🅪Sg/VB/J/Am+ . NPr/ISg+ VP D NSg/VB/J
> policeman that it was light green . The other car , the one going toward New York ,
# NSg+ NSg/I/C/Ddem+ NPr/ISg+ VPt N🅪Sg/VB/J+ NPr🅪Sg/VB/J . D+ NSg/VB/J+ NSg+ . D+ NSg/I/VB/J+ Nᴹ/Vg/J J/P NSg/VB/J+ NPr+ .
> policeman that it was light green . The other car , the one going toward New York ,
# NSg+ NSg/I/C/Ddem+ NPr/ISg+ VPt N🅪Sg/VB/J+ NPr🅪Sg/VB/J . D+ NSg/VB/J+ NSg+ . D+ NSg/I/VB/J+ Nᴹ/Vg/J J/P NSg/J+ NPr+ .
> came to rest a hundred yards beyond , and it’s driver hurried back to where
# NSg/VPt/P P NSg/VB D/P+ NSg+ NPl/V3+ NSg/P . VB/C K NSg+ VP/J NSg/VB/J P NSg/C
> Myrtle Wilson , her life violently extinguished , knelt in the road and mingled
@ -8922,8 +8922,8 @@
#
> The circle closed up again with a running murmur of expostulation ; it was a
# D+ NSg/VB+ VP/J NSg/VB/J/P P P D/P Nᴹ/Vg/J/P NSg/VB P NSg+ . NPr/ISg+ VPt D/P
> minute before I could see anything at all . Then new arrivals deranged the line ,
# NSg/VB/J+ C/P ISg/#r+ NSg/VXB NSg/VB NSg/I/VB+ NSg/P NSg/I/J/C/Dq . NSg/J/C NSg/VB/J NPl VP/J D NSg/VB+ .
> minute before I could see anything at all . Then new arrivals deranged the line ,
# NSg/VB/J+ C/P ISg/#r+ NSg/VXB NSg/VB NSg/I/VB+ NSg/P NSg/I/J/C/Dq . NSg/J/C NSg/J NPl VP/J D NSg/VB+ .
> and Jordan and I were pushed suddenly inside .
# VB/C NPr+ VB/C ISg/#r+ NSg/VPt VP/J R NSg/J/P .
>
@ -9034,8 +9034,8 @@
# D/P NSg/VB/J NSg/VB/J/R . VP/J NSg/J J NSg/VB/J/P .
>
#
> “ It was a yellow car , ” he said , “ big yellow car . New . ”
# . NPr/ISg+ VPt D/P NSg/VB/J NSg . . NPr/ISg+ VP/J . . NSg/J+ NSg/VB/J+ NSg+ . NSg/VB/J . .
> “ It was a yellow car , ” he said , “ big yellow car . New . ”
# . NPr/ISg+ VPt D/P NSg/VB/J NSg . . NPr/ISg+ VP/J . . NSg/J+ NSg/VB/J+ NSg+ . NSg/J . .
>
#
> “ See the accident ? ” asked the policeman .
@ -9054,8 +9054,8 @@
#
> Some words of this conversation must have reached Wilson , swaying in the office
# I/J/R/Dq NPl/V3 P I/Ddem+ N🅪Sg/VB+ NSg/VB NSg/VXB VP/J NPr+ . Nᴹ/Vg/J NPr/J/P D+ NSg/VB+
> door , for suddenly a new theme found voice among his gasping cries :
# NSg/VB+ . C/P R D/P+ NSg/VB/J+ NSg/VB+ NSg/VB NSg/VB+ P ISg/D$+ Nᴹ/Vg/J NPl/V3 .
> door , for suddenly a new theme found voice among his gasping cries :
# NSg/VB+ . C/P R D/P+ NSg/J+ NSg/VB+ NSg/VB NSg/VB+ P ISg/D$+ Nᴹ/Vg/J NPl/V3 .
>
#
> “ You don’t have to tell me what kind of car it was ! I know what kind of car it
@ -9084,8 +9084,8 @@
#
> “ Listen , ” said Tom , shaking him a little . “ I just got here a minute ago , from
# . NSg/VB . . VP/J NPr/VB+ . Nᴹ/Vg/J ISg+ D/P NPr/I/J/Dq . . ISg/#r+ VB/J VP NSg/J/R D/P+ NSg/VB/J+ J/P . P
> New York . I was bringing you that coupé we’ve been talking about . That yellow
# NSg/VB/J+ NPr+ . ISg/#r+ VPt Nᴹ/Vg/J ISgPl+ NSg/I/C/Ddem ? K NSg/VPp Nᴹ/Vg/J J/P . NSg/I/C/Ddem+ NSg/VB/J+
> New York . I was bringing you that coupé we’ve been talking about . That yellow
# NSg/J+ NPr+ . ISg/#r+ VPt Nᴹ/Vg/J ISgPl+ NSg/I/C/Ddem ? K NSg/VPp Nᴹ/Vg/J J/P . NSg/I/C/Ddem+ NSg/VB/J+
> car I was driving this afternoon wasn’t mine — do you hear ? I haven’t seen it all
# NSg+ ISg/#r+ VPt Nᴹ/Vg/J I/Ddem+ N🅪Sg+ VB NSg/I/VB+ . NSg/VXB ISgPl+ VB . ISg/#r+ VB NSg/VPp NPr/ISg+ NSg/I/J/C/Dq
> afternoon . ”
@ -9120,8 +9120,8 @@
# . K D/P+ N🅪Sg/VB/J+ NSg+ . D/P ? . .
>
#
> “ We've come straight from New York , ” I said .
# . K NSg/VBPp/P NSg/VB/J/R P NSg/VB/J NPr+ . . ISg/#r+ VP/J .
> “ We've come straight from New York , ” I said .
# . K NSg/VBPp/P NSg/VB/J/R P NSg/J NPr+ . . ISg/#r+ VP/J .
>
#
> Some one who had been driving a little behind us confirmed this , and the
@ -9292,8 +9292,8 @@
# . NPl/VB . .
>
#
> “ I thought so ; I told Daisy I thought so . It’s better that the shock should all
# . ISg/#r+ N🅪Sg/VP NSg/I/J/C . ISg/#r+ VP NPr+ ISg/#r+ N🅪Sg/VP NSg/I/J/C . K NSg/VXB/JC NSg/I/C/Ddem D N🅪Sg/VB/J+ VXB NSg/I/J/C/Dq
> “ I thought so ; I told Daisy I thought so . It’s better that the shock should all
# . ISg/#r+ N🅪Sg/VP NSg/I/J/C . ISg/#r+ VP NPr+ ISg/#r+ N🅪Sg/VP NSg/I/J/C . K NSg/VXB/JC NSg/I/C/Ddem D N🅪Sg/J+ VXB NSg/I/J/C/Dq
> come at once . She stood it pretty well . ”
# NSg/VBPp/P+ NSg/P NSg/C . ISg+ VB NPr/ISg+ NSg/VB/J/R NSg/VB/J/R . .
>
@ -9334,8 +9334,8 @@
#
> “ Yes , ” he said after a moment , “ but of course I'll say I was . You see , when we
# . NPl/VB . . NPr/ISg+ VP/J P D/P+ NSg+ . . NSg/C/P P NSg/VB+ K NSg/VB ISg/#r+ VPt . ISgPl+ NSg/VB . NSg/I/C IPl+
> left New York she was very nervous and she thought it would steady her to
# NPr/VB/J NSg/VB/J+ NPr+ ISg+ VPt J/R J VB/C ISg+ N🅪Sg/VP NPr/ISg+ VXB NSg/VB/J ISg/D$+ P
> left New York she was very nervous and she thought it would steady her to
# NPr/VB/J NSg/J+ NPr+ ISg+ VPt J/R J VB/C ISg+ N🅪Sg/VP NPr/ISg+ VXB NSg/VB/J ISg/D$+ P
> drive — and this woman rushed out at us just as we were passing a car coming the
# N🅪Sg/VB . VB/C I/Ddem+ NSg/VB+ VP/J NSg/VB/J/R/P NSg/P NPr/IPl+ VB/J NSg/R IPl+ NSg/VPt Nᴹ/Vg/J D/P+ NSg+ Nᴹ/Vg/J D+
> other way . It all happened in a minute , but it seemed to me that she wanted to
@ -9344,8 +9344,8 @@
# NSg/VB P NPr/IPl+ . N🅪Sg/VP IPl+ NSg/VPt NSg/I+ ISg+ VPt . NSg/VB/J/R . NSg/VB/J+ NPr+ VP/J VB/J
> from the woman toward the other car , and then she lost her nerve and turned
# P D+ NSg/VB+ J/P D+ NSg/VB/J+ NSg+ . VB/C NSg/J/C ISg+ VP/J ISg/D$+ NSg/VB+ VB/C VP/J
> back . The second my hand reached the wheel I felt the shock — it must have killed
# NSg/VB/J . D+ NSg/VB/J+ D$+ NSg/VB+ VP/J D+ NSg/VB+ ISg/#r+ N🅪Sg/VB/J D+ N🅪Sg/VB/J+ . NPr/ISg+ NSg/VB NSg/VXB VP/J
> back . The second my hand reached the wheel I felt the shock — it must have killed
# NSg/VB/J . D+ NSg/VB/J+ D$+ NSg/VB+ VP/J D+ NSg/VB+ ISg/#r+ N🅪Sg/VB/J D+ N🅪Sg/J+ . NPr/ISg+ NSg/VB NSg/VXB VP/J
> her instantly . ”
# ISg/D$+ R . .
>
@ -9388,8 +9388,8 @@
# . NSg/I/J/C/Dq+ N🅪Sg/VB+ . NSg/C NSg/J . J . NSg/VB/C/P IPl+ NSg/I/J/C/Dq NSg/VB/J P NSg/VBP/J . .
>
#
> A new point of view occurred to me . Suppose Tom found out that Daisy had been
# D/P NSg/VB/J NSg/VB P NSg/VB+ VB P NPr/ISg+ . VB NPr/VB+ NSg/VB NSg/VB/J/R/P NSg/I/C/Ddem NPr+ VB NSg/VPp
> A new point of view occurred to me . Suppose Tom found out that Daisy had been
# D/P NSg/J NSg/VB P NSg/VB+ VB P NPr/ISg+ . VB NPr/VB+ NSg/VB NSg/VB/J/R/P NSg/I/C/Ddem NPr+ VB NSg/VPp
> driving . He might think he saw a connection in it — he might think anything . I
# Nᴹ/Vg/J . NPr/ISg+ Nᴹ/VXB/J NSg/VB NPr/ISg+ NSg/VPt D/P+ N🅪Sg+ NPr/J/P NPr/ISg+ . NPr/ISg+ Nᴹ/VXB/J NSg/VB NSg/I/VB+ . ISg/#r+
> looked at the house ; there were two or three bright windows down - stairs and the
@ -9694,8 +9694,8 @@
# C/P NPr+ VPt NPr/VB/J VB/C ISg/D$+ J+ NSg/VB+ VPt J P NPl VB/C
> pleasant , cheerful snobbery and orchestras which set the rhythm of the year ,
# NSg/J . J Nᴹ VB/C NPl+ I/C+ NPr/VBP/J D N🅪Sg/VB P D NSg+ .
> summing up the sadness and suggestiveness of life in new tunes . All night the
# NSg/Vg NSg/VB/J/P D Nᴹ+ VB/C NSg P N🅪Sg/VB+ NPr/J/P NSg/VB/J NPl/V3 . NSg/I/J/C/Dq+ N🅪Sg/VB+ D
> summing up the sadness and suggestiveness of life in new tunes . All night the
# NSg/Vg NSg/VB/J/P D Nᴹ+ VB/C NSg P N🅪Sg/VB+ NPr/J/P NSg/J NPl/V3 . NSg/I/J/C/Dq+ N🅪Sg/VB+ D
> saxophones wailed the hopeless comment of the “ Beale Street Blues ” while a
# NPl/V3 VP/J D J NSg/VB P D . ? NSg/VB/J+ NPl/V3+ . NSg/VB/C/P D/P
> hundred pairs of golden and silver slippers shuffled the shining dust . At the
@ -10174,8 +10174,8 @@
# ? VP/J D+ NSg+ JS+ ISg/D$+ NSg/VB+ . R+ VPt NSg/I/J+ NPr/J/P NPr/ISg+ NSg/C/P D/P
> small , expensive dog - leash , made of leather and braided silver . It was
# NPr/VB/J . J NSg/VB/J+ . NSg/VB+ . VB P N🅪Sg/VB/J VB/C VP/J Nᴹ/VB/J+ . NPr/ISg+ VPt
> apparently new .
# R NSg/VB/J .
> apparently new .
# R NSg/J .
>
#
> “ This ? ” he inquired , holding it up .
@ -10306,8 +10306,8 @@
# NSg/VB/J NPr/ISg+ . NSg/C/P ISgPl+ VXB NSg/VB/J NPr/VB+ . . .
>
#
> Standing behind him , Michaelis saw with a shock that he was looking at the eyes
# Nᴹ/Vg/J NSg/J/P ISg+ . ? NSg/VPt P D/P+ N🅪Sg/VB/J+ NSg/I/C/Ddem+ NPr/ISg+ VPt Nᴹ/Vg/J NSg/P D NPl/V3
> Standing behind him , Michaelis saw with a shock that he was looking at the eyes
# Nᴹ/Vg/J NSg/J/P ISg+ . ? NSg/VPt P D/P+ N🅪Sg/J+ NSg/I/C/Ddem+ NPr/ISg+ VPt Nᴹ/Vg/J NSg/P D NPl/V3
> of Doctor T. J. Eckleburg , which had just emerged , pale and enormous , from the
# P NSg/VB+ ? ? ? . I/C+ VB VB/J VP/J . NSg/VB/J VB/C J . P D
> dissolving night .
@ -10402,8 +10402,8 @@
# NPr/ISg+ NSg/VB NSg/VXB VP/J NSg/VB/J/P NSg/P D/P+ NSg/J+ N🅪Sg/VB+ NSg/J/P Nᴹ/Vg/J+ NPl/V3+ VB/C
> shivered as he found what a grotesque thing a rose is and how raw the sunlight
# VP/J NSg/R NPr/ISg+ NSg/VB NSg/I+ D/P+ NSg/J+ NSg+ D/P+ NPr/VPt/J+ VL3 VB/C NSg/C NSg/VB/J D+ NSg/VB+
> was upon the scarcely created grass . A new world , material without being real ,
# VPt P D R VP/J NPr🅪Sg/VB+ . D/P+ NSg/VB/J NSg/VB+ . N🅪Sg/VB/J+ C/P N🅪Sg/Vg/J/C NSg/J .
> was upon the scarcely created grass . A new world , material without being real ,
# VPt P D R VP/J NPr🅪Sg/VB+ . D/P+ NSg/J NSg/VB+ . N🅪Sg/VB/J+ C/P N🅪Sg/Vg/J/C NSg/J .
> where poor ghosts , breathing dreams like air , drifted fortuitously about . . .
# NSg/C NSg/VB/J+ NPl/V3+ . Nᴹ/Vg/J NPl/V3+ NSg/VB/J/C/P N🅪Sg/VB+ . VP/J R J/P . . .
> like that ashen , fantastic figure gliding toward him through the amorphous
@ -10499,7 +10499,7 @@
> But all this part of it seemed remote and unessential . I found myself on
# NSg/C/P NSg/I/J/C/Dq I/Ddem NSg/VB/J P NPr/ISg+ VP/J NSg/VB/J VB/C J . ISg/#r+ NSg/VB ISg+ J/P
> Gatsby’s side , and alone . From the moment I telephoned news of the catastrophe
# NSg$ NSg/VB/J+ . VB/C J . P D+ NSg+ ISg/#r+ VP/J Nᴹ/V3 P D NSg+
# NSg$ NSg/VB/J+ . VB/C J . P D+ NSg+ ISg/#r+ VP/J Nᴹ/VB P D NSg+
> to West Egg village , every surmise about him , and every practical question , was
# P NPr/VB/J+ N🅪Sg/VB+ NSg+ . Dq NSg/VB J/P ISg+ . VB/C Dq NSg/J NSg/VB+ . VPt
> referred to me . At first I was surprised and confused ; then , as he lay in his
@ -10583,7 +10583,7 @@
> visitors , all these official people who suddenly filled it . But , though they
# NPl+ . NSg/I/J/C/Dq I/Ddem+ NSg/J+ NPl/VB+ NPr/I+ R VP/J NPr/ISg+ . NSg/C/P . VB/C IPl+
> drew back the sheet and looked at Gatsby with shocked eyes , his protest
# NPr/VB NSg/VB/J D+ NSg/VB+ VB/C VP/J NSg/P NPr P VP/J NPl/V3+ . ISg/D$+ N🅪Sg/VB+
# NPr/VB NSg/VB/J D+ NSg/VB+ VB/C VP/J NSg/P NPr P J NPl/V3+ . ISg/D$+ N🅪Sg/VB+
> continued in my brain :
# VP/J NPr/J/P D$+ NPr🅪Sg/VB+ .
>
@ -10604,8 +10604,8 @@
# NPr+ NPr . D/P NSg/VB/J P NSg/VPp/J Nᴹ/VB+ . Nᴹ/Vg/J N🅪Sg/VB/J/P P D NPr/VB+ .
>
#
> Next morning I sent the butler to New York with a letter to Wolfshiem , which
# NSg/J/P+ N🅪Sg/Vg/J+ ISg/#r+ NSg/VB D NPr/VB P NSg/VB/J NPr+ P D/P NSg/VB+ P ? . I/C+
> Next morning I sent the butler to New York with a letter to Wolfshiem , which
# NSg/J/P+ N🅪Sg/Vg/J+ ISg/#r+ NSg/VB D NPr/VB P NSg/J NPr+ P D/P NSg/VB+ P ? . I/C+
> asked for information and urged him to come out on the next train . That request
# VP/J C/P Nᴹ+ VB/C VP/J ISg+ P NSg/VBPp/P NSg/VB/J/R/P J/P D NSg/J/P NSg/VB+ . NSg/I/C/Ddem+ NSg/VB+
> seemed superfluous when I wrote it . I was sure he’d start when he saw the
@ -10623,7 +10623,7 @@
>
#
> Dear Mr . Carraway . This has been one of the most terrible shocks of my life to
# NSg/VB/J+ NSg+ . ? . I/Ddem+ V3 NSg/VPp NSg/I/VB/J P D NSg/I/J/R/Dq J NPl/V3 P D$+ N🅪Sg/VB+ P
# NSg/VB/J+ NSg+ . ? . I/Ddem+ V3 NSg/VPp NSg/I/VB/J P D NSg/I/J/R/Dq J NPl P D$+ N🅪Sg/VB+ P
> me I hardly can believe it that it is true at all . Such a mad act as that man
# NPr/ISg+ ISg/#r+ R NPr/VXB VB NPr/ISg+ NSg/I/C/Ddem NPr/ISg+ VL3 NSg/VB/J NSg/P NSg/I/J/C/Dq . NSg/I D/P NSg/VB/J NPr/VB+ NSg/R NSg/I/C/Ddem NPr/VB/J+
> did should make us all think . I cannot come down now as I am tied up in some
@ -10680,8 +10680,8 @@
#
> “ Young Parke’s in trouble , ” he said rapidly . “ They picked him up when he handed
# . NPr/VB/J ? NPr/J/P N🅪Sg/VB+ . . NPr/ISg+ VP/J R . . IPl+ VP/J ISg+ NSg/VB/J/P NSg/I/C NPr/ISg+ VP/J
> the bonds over the counter . They got a circular from New York giving ’ em the
# D+ NPl/V3+ NSg/J/P D+ NSg/VB/J+ . IPl+ VP D/P NSg/VB/J P NSg/VB/J+ NPr+ Nᴹ/Vg/J . NSg/I/J+ D+
> the bonds over the counter . They got a circular from New York giving ’ em the
# D+ NPl/V3+ NSg/J/P D+ NSg/VB/J+ . IPl+ VP D/P NSg/VB/J P NSg/J+ NPr+ Nᴹ/Vg/J . NSg/I/J+ D+
> numbers just five minutes before . What d’you know about that , hey ? You never can
# NPrPl/V3+ VB/J NSg+ NPl/V3+ C/P . NSg/I+ ? NSg/VB J/P NSg/I/C/Ddem+ . NSg . ISgPl+ R NPr/VXB
> tell in these hick towns — — — ”
@ -10924,8 +10924,8 @@
# NSg$ N🅪Sg/VB+ . VB/C ISg/#r+ VXB NSg/VXB VPp/J NSg/VXB/JC C/P P NSg/VB ISg+ .
>
#
> The morning of the funeral I went up to New York to see Meyer Wolfshiem ; I
# D N🅪Sg/Vg/J P D+ NSg/J+ ISg/#r+ NSg/VPt NSg/VB/J/P P NSg/VB/J+ NPr+ P NSg/VB NPr ? . ISg/#r+
> The morning of the funeral I went up to New York to see Meyer Wolfshiem ; I
# D N🅪Sg/Vg/J P D+ NSg/J+ ISg/#r+ NSg/VPt NSg/VB/J/P P NSg/J+ NPr+ P NSg/VB NPr ? . ISg/#r+
> couldn’t seem to reach him any other way . The door that I pushed open , on the
# VB VB P NSg/VB ISg+ I/R/Dq NSg/VB/J NSg/J+ . D+ NSg/VB+ NSg/I/C/Ddem+ ISg/#r+ VP/J NSg/VB/J . J/P D
> advice of an elevator boy , was marked “ The Swastika Holding Company , ” and at
@ -11438,8 +11438,8 @@
#
> “ Nevertheless you did throw me over , ” said Jordan suddenly . ‘ ‘ You threw me over
# . R ISgPl+ VPt NSg/VB NPr/ISg+ NSg/J/P . . VP/J NPr+ R . Unlintable Unlintable ISgPl+ VB NPr/ISg+ NSg/J/P
> on the telephone . I don’t give a damn about you now , but it was a new experience
# J/P D+ NSg/VB+ . ISg/#r+ VB NSg/VB D/P NSg/VB/J J/P ISgPl+ NPr/VB/J/C . NSg/C/P NPr/ISg+ VPt D/P NSg/VB/J N🅪Sg/VB
> on the telephone . I don’t give a damn about you now , but it was a new experience
# J/P D+ NSg/VB+ . ISg/#r+ VB NSg/VB D/P NSg/VB/J J/P ISgPl+ NPr/VB/J/C . NSg/C/P NPr/ISg+ VPt D/P NSg/J N🅪Sg/VB
> for me , and I felt a little dizzy for a while . ”
# C/P NPr/ISg+ . VB/C ISg/#r+ N🅪Sg/VB/J D/P NPr/I/J/Dq NSg/VB/J C/P D/P NSg/VB/C/P+ . .
>
@ -11588,8 +11588,8 @@
# VP/J ISg+ NSg/I/C ISg/#r+ VP NSg/VB/J/P D NSg/VB+ .
>
#
> I spent my Saturday nights in New York because those gleaming , dazzling parties
# ISg/#r+ VB/J D$+ NSg/VB+ NPl/V3+ NPr/J/P NSg/VB/J+ NPr+ C/P I/Ddem+ Nᴹ/Vg/J+ . Nᴹ/Vg/J NPl/V3
> I spent my Saturday nights in New York because those gleaming , dazzling parties
# ISg/#r+ VB/J D$+ NSg/VB+ NPl/V3+ NPr/J/P NSg/J+ NPr+ C/P I/Ddem+ Nᴹ/Vg/J+ . Nᴹ/Vg/J NPl/V3
> of his were with me so vividly that I could still hear the music and the
# P ISg/D$+ NSg/VPt P NPr/ISg+ NSg/I/J/C R NSg/I/C/Ddem ISg/#r+ NSg/VXB NSg/VB/J VB D N🅪Sg/VB/J VB/C D+
> laughter , faint and incessant , from his garden , and the cars going up and down
@ -11622,8 +11622,8 @@
# NPr/VPt/J NSg/JC D NSg/J NPl/V3+ VPt P NSg/VB VB/J C/P R ISg/#r+ VPt
> aware of the old island here that flowered once for Dutch sailors ’ eyes — a fresh ,
# VB/J P D NSg/J NSg/VB+ NSg/J/R NSg/I/C/Ddem VP/J NSg/C C/P NPrᴹ/VB/J NPl+ . NPl/V3+ . D/P NSg/VB/J .
> green breast of the new world . Its vanished trees , the trees that had made way
# NPr🅪Sg/VB/J NSg/VB P D NSg/VB/J NSg/VB+ . ISg/D$+ VP/J NPl/V3+ . D+ NPl/V3+ NSg/I/C/Ddem+ VB VB NSg/J
> green breast of the new world . Its vanished trees , the trees that had made way
# NPr🅪Sg/VB/J NSg/VB P D NSg/J NSg/VB+ . ISg/D$+ VP/J NPl/V3+ . D+ NPl/V3+ NSg/I/C/Ddem+ VB VB NSg/J
> for Gatsby’s house , had once pandered in whispers to the last and greatest of
# C/P NSg$ NPr/VB+ . VB NSg/C VP/J NPr/J/P NPl/V3 P D NSg/VB/J VB/C JS P
> all human dreams ; for a transitory enchanted moment man must have held his

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Flags sentences that begin with a discourse marker but omit the required following comma.